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Our World by Mary Oliver

Our World

Our World by Mary Oliver
Hardcover
Oct 01, 2007 | 96 Pages
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    Oct 01, 2009 | 96 Pages

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    Oct 01, 2007 | 96 Pages

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Praise

“The photographs Oliver has chosen reflect Cook’s intuitive relationship with her subjects (even inanimate objects). The little girl on the stoop in New York City looks directly at the photographer, as does a kindly Robert Motherwell and a fierce, almost intimidating Walker Evans. Even though most of the photographs are dominated by a central person or object, there is a lot to look at in the margins, all part of the story. The stance of her subjects—reading a book, looking through a telescope—is always distinctive, creating the mood of the entire composition. The two photos of Oliver could have been taken only by someone who knew the subject well.”—Susan Salter Reynolds, L. A. Times, January 6, 2007

“Cook was evidently an accomplished printer as well as a photographer and the images have been beautifully reproduced…In a photo which Cook took of Jean Cocteau dining in Venice in May 1954—one of her several fine portraits of celebrities—we glimpse the photographer silhouetted in an oval mirror on the wall behind the French poet. Her own face is hidden by her upheld camera but we sense that she controls the composition. In this selection of Cook’s work, so admirable in intention, she herself remains something of a shadow in a mirror. But perhaps, given her honesty of eye, we come to know her best by seeing the world as it once appeared through the discretion of her lens.”—Eric Ormsby, The New York Sun (December 5, 2007)

“Mary Oliver. In a region that has produced most of the nation’s poet laureates, it is risky to single out one fragile 71-year-old bard of Provincetown. But Mary Oliver, who won the Pulitzer Prize in poetry in 1983, is my choice for her joyous, accessible, intimate observations of the natural world. Her Wild Geese has become so popular it now graces posters in dorm rooms across the land. But don’t hold that against her. Read almost anything in New and Selected Poems. She teaches us the profound act of paying attention—a living wonder that makes it possible to appreciate all the others.”—Renée Loth, Boston Globe

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