Paperback $14.95

Feb 05, 2013 | 320 Pages

Hardcover $25.00

Feb 14, 2012 | 320 Pages

Ebook $14.95

Feb 14, 2012

  • Paperback $14.95

    Feb 05, 2013 | 320 Pages

  • Hardcover $25.00

    Feb 14, 2012 | 320 Pages

  • Ebook $14.95

    Feb 14, 2012

Praise

Praise for The Detour

“Swept up in the intrigue and humor, adventure and tragedy of The Detour, a reader might overlook the deep understanding of history and art imparted by author Andromeda Romano-Lax. Set in 1938 Europe during the rise of Nazi Germany, the novel does what only literature can do, allowing us to experience moral complexity and struggle through a single beating heart. As Ernst Vogler travels across Italy to bring a famous marble sculpture home to Hitler, you will ride along with him through small villages and fields of sunflowers, through violence and love, through history in the making. And when you arrive at the end, you—like Ernst—will have been changed by the journey.”
—Eowyn Ivey, author of The Snow Child and The Art of Hearing Heartbeats

“As Nazi Germany passes from living memory, novels that allow the reader to travel its ethical landscape are increasingly important. Andromeda Romano-Lax has a fine feel for moments of clarity that are recognized only in hindsight, when chance and personal defects—moral and physical—combine to produce heroism, or mediocrity, or cowardice.”
—Mary Doria Russell, author of The Sparrow, A Thread of Grace and Doc

“A gem, combining a fascinating storyline about art acquisition in Hitler’s Germany, an entrancing setting darkened by impending war, rich symbolism and engaging characters . . . Well researched and executed. Romano-Lax, author of The Spanish Bow, possesses a gift for narrative texture that can incorporate and seamlessly join a moving story with character growth and an insightful, tangible realism.”
San Antonio Express News

“The ethical issues of the book are thought provoking, contrasting the artistic perfection of classical sculpture with basic human values. Ultimately, the sculpture itself provides the answer. Just as the discus thrower leans to balance the weight of the outstretched arm and the heavy disc, Ernst must learn to balance his love for classical art with personal morality; to reach for love, even while acknowledging it is more than any of us deserve.”
Foreword

The Detour is both a thriller and a poetic journey of a young art specialist and an ancient statue through the deceits and dangers of the Third Reich. Plunging into crazy adventures in a truck on the back roads of Italy and fleeing long-buried memories, Ernst seeks the safe delivery of the statue and in the process discovers loyalty, love, and his own soul. Andromeda Romano-Lax is a unique and wonderfully gifted writer.”
—Stephanie Cowell, author of Claude & Camille

“A marvelous adventure across landscapes both inner and outer, The Detour is a moving study in art and memory, history and geography, courage and compassion and every kind of love. Beautifully executed, deeply felt, and crammed with what feels for all the world like reality itself, it’s a rare and valuable book indeed.”
—Jon Clinch, author of Finn and Kings of the Earth

The Detour is a suspenseful tale of artistic ideals, culture and power, complex family bonds, and redemptive love with one of the most finely crafted narratives I’ve ever read. It’s certain to earn Andromeda Romano-Lax a new level of readership. Vivid and heartbreaking, set against a shameful time in world history, Lax celebrates the resilience of the human condition, and its ability to heal against all odds.”
—Jo-Ann Mapson, author of Finding Casey

“A poignant and important historical drama, as well as part road trip and compelling adventure, The Detour defies our expectations on every page. Andromeda Romano-Lax is a powerful and moving storyteller.”
—Jennifer Gilmore, author of The Mothers

“With elegance and an eye for the unexpected, Ms. Romano-Lax distills the often overwhelming anguish of World War II into this elegiac tale of an earnest young art curator’s journey into Italy, where he finds himself caught between his reverence for the past and the horrors of the future. An evocative portrait of one man’s passage into maturity and the resiliency of the human spirit, even in midst of the unimaginable.”
—C.W. Gortner, author of The Confessions of Catherine de Medici

The Detour is a wonderfully evocative and lyrical novel—a coming of age story woven into an adventure of art-smuggling under the Nazis. Romano-Lax brilliantly depicts a triumph over the seductive dangers of passivity when faced by love, art and the moral choices of life. A gemstone of a book!”
—Simon Goldhill, author of Jerusalem

“Romano-Lax is singularly gifted: she creates full-fledged, engaging characters and writes compelling narrative. Some of her descriptive passages take your breath away. The author’s The Spanish Bow was a hit. This novel will make a splash, too, for the same reasons.”
Library Journal

“A gently haunting work of subtle and surprising wisdom.”
Booklist


“Nicely paced, brisk with dialog, and lyric at the right moment.”
Library Journal

“A gem of a novel . . . The writing is top notch with excellent narrative flow, action and drama, while the Italian countryside and its seeming timelessness and detachment from the dramatic world events of the time is pictured pitch perfect by the author. Add to this the interludes where Ernst muses about art and its role in society and you will get a sense of why the book succeeds so well as it brings quite a few disparate elements into a whole that is more than the sum of its parts.”
—Fantasy Book Critic

“In a story that is beautifully written and sadly real, we are given a recounting of a life that has been effected by love, loss, and a struggle for survival and identity in a world and time where nothing could be taken for granted.”
—Twisting the Lens


Praise for The Spanish Bow

“An impressive and richly atmospheric debut.”
The New York Times Book Review


“Epic in scale . . . excels as a portrait of a country at a painful moment in its evolution.Times Literary Supplement

“Ambitious and atmospheric.”
The Guardian


From the Hardcover edition.

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