In a career spanning nearly 75 years, Louise Bourgeois created a vast body of work that enriched the formal language of modern art while it expressed her intense inner struggles with unprecedented candor and unpredictable invention. Her solo 1982 retrospective at The Museum of Modern Art launched an extraordinarily productive late career, making her a much-honored and vivid presence on the international art scene until her death in 2010 at the age of 98.
Trained as a painter and printmaker, Bourgeois embraced sculpture as her primary medium and experimented with a range of materials over the years, including marble, plaster, bronze, wood, and latex. Bourgeois contributed significantly to Surrealism, Postminimalist, and installation art, but her work always remained fiercely independent of style or movement.
With more than 1000 illustrations, Intimate Geometries: The Art and Life of Louise Bourgeois comprehensively surveys her immense oeuvre in unmatched depth. Writing from a uniquely intimate perspective, as a close personal friend of Bourgeois, and drawing on decades of research, Robert Storr critically evaluates her achievements and reveals the complexity and passion of one of the greatest artists of the twentieth century.
Hardcover | $150.00
Published by The Monacelli Press Oct 11, 2016| 828 Pages| 11 x 13| ISBN 9781580933636
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“More than a thousand illustrations and writings from Bourgeois’s close personal friend, art critic Robert Storr, illuminate the late work and life of the artist.” —Publishers Weekly
“Intimate Geometries is dedicated to the great artist Louise Bourgeois (1911-2010) who died a few years ago at the age of 98. In my opinion, Bourgeois would be a great choice to win the Nobel Prize in Art.” —Edward Goldman, KCRW San Francisco
“Storr — a former curator at the Museum of Modern Art and among the best art writers alive — devotes an exhaustive essay in support of Bourgeois’ equally expansive intellect and intuition. What makes it even more important is that the artist was one of the great pioneers in the field among women in the 20th century, and remains a vital feminist icon even since her death, at 98, in 2010.” —San Francisco Chronicle