• Carnegie Medal Winner • From the 2016 recipient of the Astrid Lindgren award and author of international bestseller How I Live Now, National Book Awardfinalist Picture Me Gone, and most recently Jonathan Unleashed
David Case never questions his ordinary suburban life — until one fateful day, a brush with death brings him face to face with his own mortality. Suddenly, everywhere he looks he sees catastrophe, disaster, the ruin of the human race, the demise of the planet…not to mention (to pinpoint the exact source of his anxiety) possible pain and suffering for himself.
So he changes his name, reinvents his appearance, and falls in love with the seductive Agnes Bee — in the hope that he’ll become unrecognizable to Fate and saved from his own doom. With his imaginary greyhound in tow, Justin Case struggles to maintain his new image and above all, to survive in a world where twists of fate wait for him around every corner.
Meg Rosoff grew up in Boston, Massachusetts and moved to London in 1989. She attended Harvard and St. Martin’s College of Art. Her first novel, How I Live Now, sold nearly one million copies, won the Printz Award and the Guardian Children’s Fiction… More about Meg Rosoff
Paperback | $14.00
Published by Penguin Books Jan 29, 2008| 256 Pages| 5-1/16 x 7-3/4| ISBN 9780452289376
“When How I Live Now came out, it stunned, amazed, and won all sorts of literary awards. . . . This second novel Just In Case, shows that it was no beginner’s luck. . . . Meg Rosoff is the Queen of Weird.” —Los Angeles Times
“What shimmers in Rosoff’s novels is a very unusual and courageous confrontation with nihilism, which, like Beckett, she makes funny, rather than futile. . . . A modern Catcher in the Rye.” —The Times (London)
“Rosoff examines the idea of fate through minutely observed, concatenated catastrophes and the intersection of exquisitely drawn characters. . . . Funny, ironic, magically real; stunning.” —Kirkus Reviews (starred review)
“Extraordinary and original . . . this sophisticated meditation on death, madness, and sexuality is powerful and tenaciously haunting.” —The Sunday Times (London)
“Intelligent, ironic, and darkly funny, makes nods to Samuel Beckett and existentialism.” —Time Out