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Inheritor by C. J. Cherryh

Inheritor

Inheritor by C. J. Cherryh
Mass Market Paperback
Feb 01, 1997 | 464 Pages
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    Feb 01, 1997 | 464 Pages

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Praise

Praise for the Foreigner series:

“C.J. Cherryh’s splendid Foreigner series remains at the top of my must-keep-up reading list after two decades.” —Locus

“This is the kind of anthropological SF of which [Cherryh] is an acknowledged master.” —Booklist

A seriously probing, thoughtful, intelligent piece of work, with more insight in half a dozen pages than most authors manage in half a thousand.” —Kirkus Reviews

“One of the best long-running SF series in existence…Cherryh remains one of the most talented writers in the field.” —Publishers Weekly

“This is one of the best science fiction series currently running….by this point, the series has turned into a complicated set of thrillers involving political and factional turmoil, as well as a close and detailed examination of the troubled interactions between human and alien cultures.” —Strange Horizons 

“Cherryh plays her strongest suit in this exploration of human/alien contact, producing an incisive study-in-contrast of what it means to be human in a world where trust is nonexistent.” —Library Journal

“A large new novel from C.J. Cherryh is always welcome. When it marks her return to the anthropological SF in which she has made such a name, it is a double pleasure. The ensuing story is not short on action, but stronger (like much of Cherryh’s work) on world-building, exotic aliens, and characterization. Well up to Cherryh’s usual high standard.” —The Chicago Sun-Times

“[Cherryh] avoids any kind of slump with a quick-moving and immediately engaging plotline, and by balancing satisfying resolutions with plenty of promises and ominous portents that are sure to keep readers’ appetites whetted.” —RT Reviews

 “These are thinking man’s reads with rich characters and worlds and fascinating interactions that stretch out over many generations.” —SFFWorld

“Cherryh’s forte is her handling of cross-cultural conflicts, which she does by tying her narrative to those things her point-of-view character would know, think, and feel.”—SFRevu 

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