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Otis Redding

Otis Redding by Jonathan Gould
Hardcover
May 16, 2017 | 544 Pages
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    May 16, 2017 | 544 Pages

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    May 16, 2017 | 544 Pages

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Praise

One of Men’s Journal‘s “Best Books of May 2017”

“[An] impressive biography…. Access to Redding’s surviving family members helps Gould flesh out his upbringing and offstage personality…. Music historians like Peter Guralnick, Rob Bowman and Robert Gordon have all done essential work on the history of Stax, but Gould takes a contrary and provocative position on the label’s relationship to its greatest star…. [He] makes a convincing case that, while Redding’s recordings are never less than compelling thanks to his remarkable voice, [Stax co-founder Jim Stewart’s] shortcomings…held Redding back as a songwriter and repeatedly stymied his popular momentum.”
—Alan Light, New York Times Book Review


“Perceptive….An incisive and deeply humanistic portrait.”
—Eddie Dean, Wall Street Journal

“Magisterial… With meticulous scholarship, lively prose, and a tale that uses a singular musician as a springboard into interrogating America’s political and popular cultures, Gould has created a vital book that helps contextualize one of the most important figures in pop music.”
—Maura Johnston, Boston Globe

“Gould…sets sky-high aspirations for his book, attempting not to merely chronicle Redding’s meteoric life, but to use him as the backdrop for a larger story about race in America, the history of soul music, and the rise of Memphis’ small but powerful Stax Records. He does that gracefully.” 
—Thor Christensen, Dallas News

“An excellent and definitive biography… A master storyteller, Gould tackles Redding’s life by planting his flag firmly at the crossroads of individual genius and social and cultural context… [His] fabulous portrait…provides Redding with the “Respect” he richly deserves. Highly recommended.”
Library Journal (starred review)

“A music biography with the depth to do its subject justice. Otis Redding (1941-1967) ranks high in the pantheon of 1960s musical luminaries, so it’s fitting that [Otis Redding] ranks equally high among such work focusing on popular musical artists…. Better late than never, the soul master receives his considerable due in this superbly researched and written biography.”
Kirkus Reviews (starred review)

“Jonathan Gould’s much-heralded biography… builds beautifully, more like a great soul ballad than the dance hall hit so many music biographies aim at becoming. One feels the time that’s gone into the book’s organization, it’s exegesis, it’s every insightful and often quite-funny sentences.”
Paul Smart, Hudson Valley One

“Gould vividly brings to life the man Stax Records boss Jim Stewart called ‘a walking inspiration’…. From his supreme triumphs to his one last heart-breaking phone-call to Zelma, devotees and soul scholars alike could not wish for a more thorough and sensitive portrait.”
Kris Needs, Mojo

“Some of the best parts of Gould’s book are his incisive descriptions of Redding’s live performances and recording sessions…. But even more than his vivid re-creations of Redding’s composing and recording work, it’s Gould’s insightful portrayal of the Segregated South’s racial climate that makes Otis Redding: An Unfinished Life so compelling.”
Steve Nathans-Kelly, Paste

“Nuanced and well-researched…. [Otis Redding] belongs in the hands of anyone who cares about soul music in the sixties.”
Booklist

“Jonathan Gould’s exquisitely written biography of one of the greatest singers of all time is spell-binding. His deep research superbly contextualizes Otis Redding’s way-too-short life and career, while his incisive critique of Redding’s work makes his music come alive on the pageleaving us yearning to have experienced the remarkable performer onstage.” 
—Holly George-Warren, author of A Man Called Destruction: The Life and Music of Alex Chilton, from Box Tops to Big Star to Backdoor Man

“In his biography of Otis Redding, Jonathan Gould summons up the teeming cast of hustlers, visionaries, and eccentrics who fed Otis’ supernatural talent. It’s a thrill to see Redding brought back to life in all his raw, flashing glory!”
—David Dalton, founding editor, Rolling Stone, and author of Who Is That Man?

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