The X President

Paperback $11.95

Bantam | Nov 04, 2003 | 384 Pages | 6 x 9 | ISBN 9780553802948

  • Paperback$11.95

    Bantam | Nov 04, 2003 | 384 Pages | 6 x 9 | ISBN 9780553802948

  • Ebook$9.99

    Bantam | Nov 04, 2003 | ISBN 9780553898118

Praise

"Clever, satirical, hilarious—and horrifying in its all too
plausible projection of the future."
–Diana Gabaldon, author of the Outlander series

"Revisionist history never looked so good, or so scary. That the earthquakes of current events will produce future backlashes is the premise and the promise of this taut, stylish novel. The X President rockets along on the fuel of our American disposition to revere and despise our leaders simultaneously. You’ll flip the pages at the speed of now, except when you have to slow down to bite your nails."
–Gregory Maguire, author of Wicked and Confessions of an Ugly Stepsister

"An entertaining, delightfully inventive novel . . . Even those of us who loathe our ex-president will be moved by Baruth’s sympathetic, hauntingly human rendition."
–Bill Kauffman, author of Dispatches from the Muckdog Gazette and co-author with Gore Vidal of America First!

“Begins with . . . a brilliant piece of misdirection . . . Baruth’s portraits of young BC and very old BC are touching, even loving caricatures, warts, wens and all. Cheerfully embracing the paradoxes inherent in time travel, THE X PRESIDENT provides as good an explanation as any for the uncanny political instincts and against-all-odds success of one of the last century’s most engaging and enraging public figures."
The New York Times Book Review

“History won’t stand still in this clever time-travel romp about mid-21st century spooks who try to unmake a war by changing a presidential decision in the past.”
The New York Times Book Review (text from Notable Books listing)
**a New York Times Notable Book**

“Ingenious, often hilarious…if you can handle a fanciful plot and an onslaught of irreverence, you’ll devour it the same way the young BC did his first Big Mac.”
Washington Post Book World

“No matter how you think history should view our most recent ex-president, Baruth’s book delivers an engaging, action-filled adventure.”
San Francisco Chronicle

“Orwell’s 1984 with a high-tech gloss…Baruth’s real strength [is] as a character-driven storyteller.”
Kirkus Reviews

"Imaginative…page-turning reading…readers who thought PRIMARY COLORS was too tame will appreciate this wacky speculative fantasy, and Friends of Bill with a sense of humor will be delighted to spend more quality time with James, George, and BC."
Publishers Weekly

"Baruth is especially good at manipulating his narrative, surprising us with sudden twists and turns that leave heroine and reader alike first confused and then forced to reconsider recent history in ways that, oddly, make perfect sense. Students of politics will enjoy picking apart the characters’ arguments, alternate-history buffs will be delighted with the author’s world building, and comic thriller fans will love the wild ride. Face it: anyone who picks this book up will be thoroughly entertained."
Booklist (starred review)

“An on-the-road book that is both zany and profound. Readers of Washington novels will enjoy a frisson of the silly-willies with this exuberant experiment in the retelling of recent American history.”
Library Journal

"The desire of some to blame our country’s problems on former President Bill Clinton is very entertainingly brought to life in "The X President"…Baruth makes the twists and surprises that work on Sal also work on the reader. The story proceeds with the pace of a rapid-fire thriller with a clever satirical tone. The former president’s strengths and failings are brought out in a world that justifies ideas of conspiracy and paranoia."
The Denver Post

“Pointed and intelligent speculative fiction/political satire…Inhale this one.”
The Kansas City Star

“Ambitious…winning…Baruth’s recreation of familiar historical events draws on the powerful emotional reservoirs created by those moments in the first place. Anyone wishing to relive the history of the Clinton presidency–and seeing it twisted into new shapes–will want to catch The X President.”
Sci Fi Weekly

Author Q&A

Editor’s Note: The following conversation with author Philip Baruth took place in Burlington, Vermont, the first week of September, 2003. We met in a coffee shop near the Howard Dean for President Campaign office. Dean — a hometown favorite in Burlington — was currently surging in the polls, and more than once I could faintly make out cheers from the campaign’s headquarters. It seemed an auspicious time to sit down for a serious discussion with another hometown boy in the process of releasing what may be one of the strangest novels about the modern American presidency ever written.


INTERVIEWER: There’s that cheering again. Is it always like this?

PHILIP BARUTH: Pretty much. A lot of people in Vermont really don’t like where the country’s been headed the last two or three years. [Faint cheering crescendoes]

INT: Right. Well, to start, I wanted to ask you about a line from one of the reviews of The X President. Kirkus said that it was [Fumbles with folder, comes up with review], they said it was a hybrid. I’ll quote it: “a time-travel extravaganza that’s also a political novel featuring Bill Clinton.” So first question — which is it really?

PB: Well, here’s the way I see it. The novel is a political satire on Bill Clinton, but also on the people who’ve been running the country since he left office. And it uses time-travel, science fiction elements — and additionally a bit of the thriller genre — as a vehicle to forward that satire.

INT: So it’s mostly political satire.

PB: It’s just hard to separate it out that way. Let me try this. I read and re-read a lot of books while I was writing this novel, but two books were really central, two of the most fascinating books written in the last twenty years: David Maraniss’s First in His Class, still the best biography about Bill Clinton, and Snow Crash, by Neal Stephenson. If you’ve never read it, First in His Class deals with Clinton’s early years — it ends with his campaign kick-off in 1991. That keeps the focus on the young Clinton, the formative events, the weird combination of talent and upbringing and social change that lands him in the White House. And Stephenson’s cyberpunk, when I read it in the early 90’s, changed the way I was thinking about shaping a story. Snow Crash rolls like a freight train, short cliffhanger chapters, never letting up, even as it flashes by enticing little bits of future history and an impressive amount of information about computers, language, viruses and ancient Sumerian culture. So that’s how I wanted to handle the wealth of political information I had about Clinton: I wanted the narrative to pump along, never letting up, even as fairly detailed political scenarios scrolled past. And the time travel would allow me to create exaggerated versions of Clinton, a really young version and a really old version, as a way of fleshing out the character of the middle-aged Clinton all of us think we know. That three-tiered character of Clinton is the part I worked the hardest trying to get right.

INT: I’m curious, I guess, about why you would write such a thing. A book featuring a sixteen-year-old Bill Clinton and a one-hundred-and-nine-year-old Bill Clinton.

PB: I don’t know [Head in his hands, in mock-despair]. You’re not the only one asking me that question. I feel like I’m in the backroom at the stationhouse and I’ve just murdered a guy and the cops are screaming, “Why’d you do it, killer?!” What can you say? It all happened so fast? It seemed like a good idea at the time?
Actually, I think the answer is fairly straightforward. The first three presidential elections I voted in, I was on the losing side. And life on the losing side during the Reagan/Bush years was not fun. Then, in 1992, I voted for a winner. I remember being at a party on election night with a bunch of other people who’d never voted for a winner, and we didn’t even know what to do when Clinton went over the top. We had no practice with champagne bottles, for instance. A cork? What the heck is that?
But one thing I did do was to begin reading voraciously about Clinton, trying to figure out what made him different, what made him tick. I think I’ve read probably a hundred books on the guy, at this point. At a certain point, you have to do something with all of that information.

INT: What keeps the Clinton-character in the book alive for so many years?

PB: He’s preserved by regret. That and advances in geriatric technology, and a kind of smoldering desire to replay the eight years of his presidency.

INT: Other than BC, who’s your favorite character?

PB: The time-traveling James Carville. I think he’s the coldest, funniest, most manipulative character I’ve ever written. There’s also another character who’s like an evil British Newt Gingrich that I get a kick out of.

INT: I think we have time for one more [Consults question sheet]. In the background of your book is a thirty-year set of global conflicts called The Cigarette Wars. It’s something like World War III, touched off by the expansion of NATO, and aggressive tobacco sales in the Third World. How much of a parallel should I draw between that and the real-world geopolitics?

PB: Well, there are some connections. The Cigarette Wars are produced by greedy tobacco companies, backed by successive administrations pushing highly aggressive, unilateralist foreign policy. Their sense of things is that the US is the sole remaining superpower, end of story. But in my book the rest of the countries of the world eventually put their heads together, and before you know it the US is looking at an actual invasion of the American mainland. In 2055, they’re left with only one option — Sal and her team of time-traveling secret operatives. It’s a Hail Mary pass. Sometimes when the powerful people are taking the world to hell in a handbasket, that’s really the best you can do — put your nickel on a little longshot with a good heart. And in a tiny state like Vermont, believe me, we know longshots. [More cheers float out of the Dean for President Headquarters] You know what I’m saying?


From the Trade Paperback edition.

 

Editor’s Note: The following conversation with author Philip Baruth took place in Burlington, Vermont, the first week of September, 2003. We met in a coffee shop near the Howard Dean for President Campaign office. Dean — a hometown favorite in Burlington — was currently surging in the polls, and more than once I could faintly make out cheers from the campaign’s headquarters. It seemed an auspicious time to sit down for a serious discussion with another hometown boy in the process of releasing what may be one of the strangest novels about the modern American presidency ever written.


INTERVIEWER: There’s that cheering again. Is it always like this?

PHILIP BARUTH: Pretty much. A lot of people in Vermont really don’t like where the country’s been headed the last two or three years. [Faint cheering crescendoes]

INT: Right. Well, to start, I wanted to ask you about a line from one of the reviews of The X President. Kirkus said that it was [Fumbles with folder, comes up with review], they said it was a hybrid. I’ll quote it: “a time-travel extravaganza that’s also a political novel featuring Bill Clinton.” So first question — which is it really?

PB: Well, here’s the way I see it. The novel is a political satire on Bill Clinton, but also on the people who’ve been running the country since he left office. And it uses time-travel, science fiction elements — and additionally a bit of the thriller genre — as a vehicle to forward that satire.

INT: So it’s mostly political satire.

PB: It’s just hard to separate it out that way. Let me try this. I read and re-read a lot of books while I was writing this novel, but two books were really central, two of the most fascinating books written in the last twenty years: David Maraniss’s First in His Class, still the best biography about Bill Clinton, and Snow Crash, by Neal Stephenson. If you’ve never read it, First in His Class deals with Clinton’s early years — it ends with his campaign kick-off in 1991. That keeps the focus on the young Clinton, the formative events, the weird combination of talent and upbringing and social change that lands him in the White House. And Stephenson’s cyberpunk, when I read it in the early 90’s, changed the way I was thinking about shaping a story. Snow Crash rolls like a freight train, short cliffhanger chapters, never letting up, even as it flashes by enticing little bits of future history and an impressive amount of information about computers, language, viruses and ancient Sumerian culture. So that’s how I wanted to handle the wealth of political information I had about Clinton: I wanted the narrative to pump along, never letting up, even as fairly detailed political scenarios scrolled past. And the time travel would allow me to create exaggerated versions of Clinton, a really young version and a really old version, as a way of fleshing out the character of the middle-aged Clinton all of us think we know. That three-tiered character of Clinton is the part I worked the hardest trying to get right.

INT: I’m curious, I guess, about why you would write such a thing. A book featuring a sixteen-year-old Bill Clinton and a one-hundred-and-nine-year-old Bill Clinton.

PB: I don’t know [Head in his hands, in mock-despair]. You’re not the only one asking me that question. I feel like I’m in the backroom at the stationhouse and I’ve just murdered a guy and the cops are screaming, “Why’d you do it, killer?!” What can you say? It all happened so fast? It seemed like a good idea at the time?
Actually, I think the answer is fairly straightforward. The first three presidential elections I voted in, I was on the losing side. And life on the losing side during the Reagan/Bush years was not fun. Then, in 1992, I voted for a winner. I remember being at a party on election night with a bunch of other people who’d never voted for a winner, and we didn’t even know what to do when Clinton went over the top. We had no practice with champagne bottles, for instance. A cork? What the heck is that?
But one thing I did do was to begin reading voraciously about Clinton, trying to figure out what made him different, what made him tick. I think I’ve read probably a hundred books on the guy, at this point. At a certain point, you have to do something with all of that information.

INT: What keeps the Clinton-character in the book alive for so many years?

PB: He’s preserved by regret. That and advances in geriatric technology, and a kind of smoldering desire to replay the eight years of his presidency.

INT: Other than BC, who’s your favorite character?

PB: The time-traveling James Carville. I think he’s the coldest, funniest, most manipulative character I’ve ever written. There’s also another character who’s like an evil British Newt Gingrich that I get a kick out of.

INT: I think we have time for one more [Consults question sheet]. In the background of your book is a thirty-year set of global conflicts called The Cigarette Wars. It’s something like World War III, touched off by the expansion of NATO, and aggressive tobacco sales in the Third World. How much of a parallel should I draw between that and the real-world geopolitics?

PB: Well, there are some connections. The Cigarette Wars are produced by greedy tobacco companies, backed by successive administrations pushing highly aggressive, unilateralist foreign policy. Their sense of things is that the US is the sole remaining superpower, end of story. But in my book the rest of the countries of the world eventually put their heads together, and before you know it the US is looking at an actual invasion of the American mainland. In 2055, they’re left with only one option — Sal and her team of time-traveling secret operatives. It’s a Hail Mary pass. Sometimes when the powerful people are taking the world to hell in a handbasket, that’s really the best you can do — put your nickel on a little longshot with a good heart. And in a tiny state like Vermont, believe me, we know longshots. [More cheers float out of the Dean for President Headquarters] You know what I’m saying?

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