Further Afield features are from our greater Penguin Random House family. We pick interesting articles to keep you updated on genre-specific news, interviews, and more. Feeling anxious? Discouraged? Lovesick? Let The Book Apothecary prescribe the perfect book for you. Inspired by Monsieur Perdu in the best selling The Little Paris Bookshop, the apothecary will recommend books good for what ails you.
“With all due respect, what you read is more important in the long term than the man you marry, ma chère Madame.” – Monsieur Perdu, The Little Paris Bookshop“The Little Paris Bookshop is an enchantment. Set in a floating barge along the Seine, this love letter to books – and to the complicated, sometimes broken people who are healed by them – is the next best thing to booking a trip to France.”—Sarah Pekkanen, author of Catching Air Get your recommendations here!
Who said reading can’t be competitive? Every few months, we’ll be challenging you to read a list of selected books. Print out the challenge and cross the titles off as you go. Show off how much you’ve read by taking a picture and tweeting @penguinrandom or Instagramming (@penguinrandomhouse) with the hashtag #challengeyourshelf.
About Blue Rider Press and Plume: Blue Rider Press was launched in January 2011 and publishes an eclectic mix of hardcover fiction and nonfiction titles, reflecting President and Publisher David Rosenthal’s wide range of interests, including suspense fiction, popular biography, literary novels, humor, music, and contemporary politics. Plume was founded in 1970 and is today recognized as one of the pre-eminent trade paperback imprints, publishing a range of emerging voices in both fiction and nonfiction, with an extensive backlist. In January 2015, the editorial and marketing leadership for Blue Rider and Plume was unified under one group. Our content: We publish a range of authors including musicians (Neil Young, Elvis Costello), journalists (Mark Leibovich), humorists (Ben Schott, Annabelle Gurwich, Chris Cerf and Henry Beard), sports figures (Stuart Scott, Mike Tyson), political figures (Gary Hart, James Carville, Mary Matalin), TV personalities (James Cramer, Bill Maher) as well as commercial fiction (David Mark, MA Lawson), literary writers (Leanne Shapton, Marisa Silver, Stephen Dobyns) and artists (Extreme Coloring). We love working with our authors to explore digital platforms and help readers connect with the books they love. Fashion maven Amanda Brooks shared behind-the-scenes photos on Instagram while writing Always Pack A Party Dress, and Mamrie Hart kept her YouTube followers updated on You Deserve A Drink throughout publication. Jewel has already starting tweeting about her upcoming memoir Never Broken, and we created a Tumblr for Anna North’s novel The Life and Death of Sophie Stark updated with exclusive content and updates during her book launch. What it’s like to work at Blue Rider/Plume: There’s no such thing as a “typical” Blue Rider Press author. We publish authors with a wide range of backgrounds—from household names (like Neil Young!) to first-time novelists. One of the most exciting projects I’ve worked on, The Knife by Ross Ritchell, was one such debut. It is a fantastic novel that I was personally a huge fan of—and it was amazing to see the literary community rally behind it as well, reviewers and readers alike. When the Chicago Tribune called The Knife a “literary masterpiece,” it was music to my ears! –Wesley Salazar, Marketing Coordinator My favorite part of working at Blue Rider is the variety of books. In recent months, I’ve worked on illustrated short stories, a music memoir, a literary novel, and a collection of humor essays – with such a range of titles, every one of my campaigns is unique. It’s an exciting, fun, and creative place to work, with some of the best authors and colleagues around! – Eliza Rosenberry, Senior Publicist You know what’s invigorating? Saying yes. Yes to mold-breaking, yes to new ideas, yes to beauty, yes to boldness. Blue Rider/Plume looks for books that derive energy from the friction between the expected and the unexpected. – Becky Cole, Senior Editor Learn more about Blue Rider Press and Plume!
Read It Forward has teamed up with literary clothing company, Litographs, for a special giveaway! Enter to win 1 of 5 prize packs that each include a gorgeous new edition of a classic. Thanks to our friends at Litographs, the winners will each take home a clothing item (tote bag or t-shirt) made entirely from the words of the book it depicts. Deadline for entry is 11:59 P.M. (Eastern Time) on June 29, 2015, so enter now!
Editors get very passionate about books they work on – the Editor’s Desk series is his or her place to write in-depth about what makes a certain title special. Get the real inside-scoop on how books are shaped by the people who know them best. Karen Joy Fowler and I have been together since 1990, when her agent sent me the manuscript of what was to become KJ’s first novel. That agent had discriminating taste and kept a small list. She also very quietly took the measure of the editors she met. I had known her for years and saw very little in the way of submissions. She placed her clients well and the marriages tended to last. So when the manuscript arrived, I was both curious and interested. Nabokov is famously on record as saying “you will know great fiction when the hairs on the back of your neck stand on end as you read.” It’s been my good fortune to have that happen many times though not having it happen is more the norm. With Karen Fowler’s Sarah Canary, it happened immediately and continued to the last page. Her agent had taken my measure over the years and now she hit a home run. That novel—quirky, subversive, funny and, yes, sad, was a literary success. Of the many glowing reviews, the one I still treasure came in as a prepublication comment. I should preface this by saying that in my wayward youth, I had gone to graduate school, reading politics and philosophy and, as a teaching assistant, handling the introductory comparative politics course. I loved the teaching and hated the grad school but I soldiered on until the day came when I realized I would never fit into the white, male- dominated world of academia. And I also realized that poetry and fiction mattered more to me than statistical analyses and grantsmanship. The revelation—not quite as dramatic as Paul on the road to Damascus but still undeniable—was made real when I found myself immersed in the poetry, memoirs, and short fictions of W. S. Merwin. I did not personally know Merwin, but from his work I sensed KJ’s novel would strike a chord and I sent him a bound galley. The result was all an editor could hope for. This U.S. Poet Lauriat and winner of just about every major literary prize had this to say: “An enchanted and enchanting narrative . . . a work with the suggestive authority and the evanescent power of myth. Her storytelling gifts are exhilarating.” KJ now has six novels to her credit, the most recent—We Are All Completely Beside Ourselves—a best seller on both sides of the Atlantic, earned her the PEN/Faulkner Award and made her a finalist for the Man Booker in the first year that prize was opened to Americans. Just this past week the Knopf publicist for Judy Blume’s new adult novel told us that as her tour began, all she wanted to talk about was WAACBO and she urged her audiences to read it. But then, from the beginning it was clear to me that KJ was a writer’s writer and her fans are legion—from Michael Chabon to Ann Packer, from Kaled Hosseini to Ursula Le Guin. If you have yet to read KJ, a good place to begin would be Black Glass: fifteen gemlike tales that showcase the extraordinary talents of this prizewinning writer. I published it in 1998 and its reception far outpaced what publishers expect from short story collections. Nationally (and very favorably) reviewed, it went on become a Ballantine Reader’s Circle paperback, with Ballantine simultaneously promoting all of her backlist. But that was seventeen years ago. The stories have worn well, and Putnam believed, following on the success of WAACBO, there was a new audience, a new generation to reach out to with this collection. But publishing short stories is still hard, and publishing a collection that has already had one incarnation can be a publicist’s nightmare. I’m happy to report that KJ’s terrific publicist (Katie Grinch) came through. At the end of May, Esquire magazine presented its summer reading list and Black Glass was one of their ten fiction selections. Not bad for a republished story collection! And KJ is set to revisit the Diane Rehm show this summer. She is also still touring, largely now to college campuses—several having made WAACBO the freshman read for the incoming class. In Black Glass, KJ lets her wit and vision roam freely, turning accepted norms inside out and fairy tales upside down—forcing us to reconsider our unquestioned verities and proving yet again that she is among our most subversive writers. By turns tender and funny, these stories are also dark and acerbic—the unexpected sting that jolts us out of our comfort zone. A master of the sly feint and cunning conceit, Fowler toys with figures from myth, history, and pop culture, upsetting all our expectations. So here is Carrie Nation loose again in the land, breaking up topless bars and radicalizing women as she preaches clean living to men more intent on babes and booze. And here is Mrs. Gulliver, her patience with her long-voyaging Lemuel worn thin: money is short and the kids can’t even remember what their dad looks like. And what of Tonto, the ever faithful companion, now turning forty without so much as a birthday phone call from that masked man? Playing with time, chance, and reality, Black Glass is, as Kirkus said, filled with “ferociously imaginative stories in an accomplished and risk-taking work from one of our most interesting writers.” The New York Times Book Review: “There is much that is fantastical about Black Glass, but also much that is rooted in a solid emotional reality; in fine-edged and discerning prose, Fowler manages to re-create both life’s extraordinary and its ordinary magic.” San Francisco Chronicle: “[An] astonishing voice . . . at once lyric and ironic, satiric and nostalgic. Fowler can tell tales that engage and enchant.” The Washington Post: “’Black Glass,’ Fowler’s longest story, is one of those marvels that defeat criticism. It’s a piece of bravura virtuosity, which Fowler also manages to make extremely funny. You reread the story, intent on discovering how she did it, and end up losing yourself again to wonder and enjoyment.” The Boston Globe: “Arresting . . . each piece puts us on notice in its own way that an intriguing intelligence is at work.” So, is this multitalented woman a monster? Well, no. No, no, and no again. KJ emerged from the politics that was Berkley in the sixties and she never lost her commitment to fair play and justice. She is a warm and generous woman with a brilliant mind. If you want to know more about her, read her prefatory essay in this new edition of Black Glass. Oh, and one more thing: She wasn’t an English major and did an MA in southeast Asian history. Plus she does not have an MFA in writing. Thank heaven there are still writers who do not follow that cookie cutter path. Read more about Black Glass here.
We know readers tend to be writers too, so we feature writing tips from our authors. Who better to offer advice, insight, and inspiration than the authors you admire? They’ll answer several questions about their work, share their go-to techniques and more. Now, get writing! What writing techniques have you found most important or memorable? I write everything by hand, then type it all. I can’t think with a keyboard. I stop to make corrections, the cursor flies around, idiot things pop up. All of these break my concentration. With a pen, I just let my mind go. I see and hear the characters and record what’s there. How would you recommend creating and getting to know your characters? For every page that is published I have as many pages in outlines and charts about people, places, plot. I try to get photos of the major characters so I can look at them when I’m writing. I also use a lot of floorplans. I go to Savills UK website and find houses and use them. With everything I do beforehand, I’m thinking about the characters and the plot. After developing an idea, what is the first action you take when beginning to write? The first sentence is important to me so I work on that. Mainly, I want to set the tone with the first chapter, so I do a lot of pre-work on that. And no matter how much work I do beforehand, until I actually hear the characters talking, I don’t know what I have. Is there something you do to get into a writing mood? Somewhere you go or something you do to get thinking? I spend my life trying to get out of things other than writing. Errands, appointments, emails, calls, etc, make me crazy. In the last few years I have done two around-the-world cruises. I have four wonderful months of internet so bad it might as well not exist. I get to tell people I can’t do whatever because I’m on a ship docked outside Tahiti. It is glorious! I write and write, then write some more. On my last cruise I wrote 102,000 words and outlined my next novel — and I saw some great places. Heaven! Did you always want to write? How did you start your career as an author? I never in my life thought about being a writer. I thought they were people who lived on pink clouds, not real. But I had a story in my head that wouldn’t go away, so I thought maybe if I wrote it down it would stop pestering me. When it was done, I paid my next door neighbor’s daughter to type it and sent it to a publishing house that had pretty covers. They wrote back asking if they could send me a bunch of money and would I please write some more books. I haven’t stopped since then. What’s the best piece of advice you have received? After I turned in my second book, I spent three months waiting for my editor to read it. During that time I was eaten up with stories I wanted to write, but I thought I had to wait to get the okay to go ahead. I vowed to never again wait for a publishing person for anything. I go ahead and write at my pace and let them move at theirs. It’s a decision that has helped me stay sane. What clichés or bad habits would you tell aspiring writers to avoid? Do you still experience them yourself? Not to fall in love with your own writing. Over my many years in publishing, what I’ve seen kill more careers than anything else is ego. “How dare they do that to my work?!” That attitude has no place in publishing. In this business you need to have a thick skin and be ready to take criticism that would cripple most people. Describe your writing style in 5 words or less. Good stories. Do you ever base characters off people you know? Why or why not? Yes and no. Fiction characters are never as complex as real people. In real life, you might have a mild mannered friend and one day receive a call saying he/she killed someone. But you canNOT do that in a novel. You have to lead up to it, hint at it. Sometimes I see a character trait in a person and I blow that up to be one entire person. As for villains, I have relatives. ’Nuff said. Read about Jude Deveraux’s newest book, Ever After.
Further Afield features are from our greater Penguin Random House family. We pick interesting articles to keep you updated on genre-specific news, interviews, and more. In honor of Pride Month, Biographile has picked some of the most poignant and beautiful quotes from LGBT writers.
“The Library of Congress describes this month as a time to recognize “the impact that lesbian, gay, bisexual and transgender individuals have had on history locally, nationally, and internationally.” To honor the generations of men and women who have fought to live and love independent of hate and ignorance, we’ve collected quotes from sixteen iconic LGBT authors whose writing has shaped our modern culture and drastically improved the discourse surrounding sexual identity.”From E.M. Forster: “It isn’t possible to love and part. You will wish that it was. You can transmute love, ignore it, muddle it, but you can never pull it out of you. I know by experience that the poets are right: love is eternal.” (A Room with a View, 1908) Read the whole article here.