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Articles Tagged “fiction”
Oct 5, 2018 Blog

Congratulations to Nadia Murad, who along with Dr. Denis Mukwege was awarded the Nobel Peace Prize for her work to end rape as a weapon of war.

Learn more about her story here:

Sep 14, 2018 Blog

Congratulations to our Penguin Random House authors who have been chosen by the respective five category judges as “longlisted” semi-finalists for the 2018 National Book Awards.

Wednesday, October 10: The “shortlist” of five finalists per category will be announced.

Wednesday, November 15: The five winners will be revealed at the annual National Book Awards dinner.

See below for our semi-finalists in each category.

 

Fiction

 

Nonfiction

 

Poetry

 

Translated Literature

 

Young Adult Fiction and Nonfiction

 

Jul 9, 2018 Blog

Penguin Random House author Michael Ondaatje has won the Golden Man Booker Prize for his classic novel THE ENGLISH PATIENT.  This one-time prize was awarded for the best work of fiction from the last five decades of The Man Booker Prize, one of the world’s most prestigious annual fiction awards, as chosen by five judges, and then voted on by the public. 

Upon receiving the news, Mr. Ondaatje said, “I am honored as well as very surprised to receive this award for THE ENGLISH PATIENT, as I was to be in the company of the other remarkable nominees. It feels the book was written so long ago! I would like to thank all who have supported me and been involved in my work over the years.”

Ondaatje, published by Alfred A. Knopf, Vintage and Everyman’s Library in the U.S., and McClelland & Stewart in Canada, has written several award-winning novels, as well as a memoir, a nonfiction book on film, and several books of poetry. His latest novel, WARLIGHT, was published earlier this year by Alfred A. Knopf in the U.S. and McClelland & Stewart in Canada.  Born in Sri Lanka, Ondaatje currently lives in Toronto. Read his works here.

Jun 18, 2018 Behind the Scenes

Camille Perri, author of the delightful new romantic comedy novel When Katie met Cassidy answered a few questions about New York, new love, and more.

So much loving detail is given to clothing in this novel – can you tell me a little about how you present your main characters?

I like clothes. I like fashion; particularly men’s fashion. Both my father and my grandmother on my mother’s side were tailors, so I think it’s in my blood. In terms of fiction writing, clothing serves as an efficient and fun method of characterization. You can not know a single thing about someone—a stranger who steps into a restaurant, let’s say—but their clothing tells you so much about them before they even open up their mouths to speak. Clothing reveals what a character is trying to project, as well as what they’re giving away about themselves without even realizing it: their socioeconomic class; their confidence level; their vulnerabilities.

For Cassidy, the clothing she chooses to wear is of utmost importance because it functions as a reflection of her gender identity. Everything she puts on has been curated. Her clothes are her armor. Katie, on the other hand, is always deliberating about what to wear. Depending on where she’s going and which version of herself she wants to accentuate, her clothing varies greatly. I think of Katie’s many costume changes as a reflection of the way she’s still trying on different versions of herself in this novel. She’s still searching for what feels right, which version of herself is the most authentic.

This book is such a joyful, fun depiction of two women falling in love – that’s still pretty rare. Are there any books or movies with romantic relationships that meant a lot to you?

My favorite lesbian romance of all time is the 1999 movie But I’m a Cheerleader, starring Natasha Lyonne and Clea DuVall. RuPaul is also in it, so is the brilliant Melanie Lynskey. It’s a satirical comedy about a cheerleader who is sent to conversion therapy camp to cure her lesbianism. It’s one of the smartest, funniest movies I’ve ever seen. The magic of this film is that it’s so much fun to watch as it tackles the complexity of hetero-normativity and the social construction of gender.

Do you have a favorite romantic comedy?

Everything Nora Ephron. My novel isn’t called When Katie Met Cassidy for nothing! But shh…my favorite Nora Ephron rom-com isn’t When Harry Met Sally—it’s You’ve Got Mail.

What I love about all of Ephron’s romantic comedies though is the way they’re more than just love stories. They also function as reflections of something specific going on in American culture at the time they were made. YGM, for example, is more than a simple feel-good story about two people in an online romance who are unaware that they’re business rivals. It’s also about how romance was changing with advances in technology, and how chains of mega bookstores were putting beloved independent shops out of business at alarming rates. I guess I like a little bit of social commentary with my romantic comedies. And nobody did that better than Nora Ephron.

Katie grew up pretty sheltered and has always thought of herself as straight. Why did you want someone new to dating women as one of your protagonists?

I liked the idea of someone who has never before been romantically attracted to a woman, and who’s never considered herself anything but straight and “normal,” to suddenly have to rethink her assumptions. Most of us who identify as LGBTQ at one time thought of ourselves as straight, too. That process of opening oneself up to a different path is very interesting to me and ripe for good storytelling.

Part of the issue for Katie, too, goes beyond her surprise at her attraction to Cassidy; it’s also that Katie is someone who very much needs to be liked. She yearns to be approved of. It’s difficult for her to risk upsetting her parents, or to accept that if she’s out with Cassidy, some people will look at her differently, in a way that may not be as approving as she’s accustomed to. That’s what I wanted to write about because part of coming to terms with being read as gay is adjusting to the fact that there will be some people out there who aren’t going to like you, no matter how hard you try, solely because of this one aspect of your personhood.

You previously worked as a books editor for Cosmopolitan and Esquire – what would surprise the average reader to know about that kind of job?

I think the average reader would be surprised by how many Readers with a capital “R” and book lovers work at those magazines. The people behind even the glossiest of magazines are, for the most part, smart and socially aware and many of them are doing their best to provide a service—a social good—even as they’re under a tremendous amount of pressure to put out a product that remains popular and profitable.

What novels have you especially loved lately?

I’ve enjoyed the recent hardcover releases The Wife by Alafair Burke; Sunburn by Laura Lippman; The Favorite Sister by Jessica Knoll, and in paperback, Julie Buntin’s Marlena.

You obviously have a lot of love for New York – are there any bars or restaurants that feel like home?

I’m big on coffee shops. Fortunately I live in Brooklyn where there are many to choose from. When I lived in Williamsburg, I basically lived in a coffee/pie shop called The Blue Stove. That’s were I wrote most of my first novel, The Assistants. I’ve since moved to the Brooklyn Heights/Downtown Brooklyn area and have set up shop at a wonderful café called Swallow in Cobble Hill. It only took a few months for most of the staff to know me by name. I leave them no choice!

Check out When Katie Met Cassidy here:

Sep 12, 2017 Behind the Scenes

Ever wonder how a book makes it from the author’s mind to a reader’s shelf? We’ve we delved deep into two very different books before: But What If We’re Wrong? by Chuck Klosterman and Gemina by Amie Kaufman and Jay Kristoff.

This time, we’re so excited to host an interview series all about Little Fires Everywhere, the second book by Celeste Ng. Her first book, Everything I Never Told You, was a smash hit and ever since fans have been waiting with bated breath.

This final post in the series features a podcast interview with Celeste Ng all about her book, and the designer responsible for the beautiful cover, Jaya Miceli.  

Listen to Celeste talk about family, secrets, empathy, and activism: 

A Q&A with the designer behind Little Fires Everywhere’s beautiful cover art: 

Did you interact with Ng when planning your design?

I worked closely with the art director, Darren Haggar. We bounced around ideas and tried to figure out a mood/setting that would best capture the closeness and secrets in this particular town. I came across Amy Bennett’s artwork and we both felt we’d hit upon something.

What were some ideas for this book that you didn’t end up using?

Some of the ideas were very abstract and some were too specific to the book. I painted some tudor homes. 

What is your favorite part of your job? What’s the hardest?

I love reading the manuscripts. The hardest part is creating a cover that fits the tone of the book and that is also visually striking.

How has your approach to designing covers changed over time? What did you most want this cover to convey?  

I was especially pulled into Ng’s book. I really loved the compellingly intricate and complex storyline and characters. The hard part is the process. I do a lot of art/photo research and sometimes create my own illustrations or hand-lettering, which can all take time. For this particular cover, finding Amy Bennett’s artwork was a perfect fit for Ng’s book. The evening hues, the aerial view of winding roads and the light in the homes, the idyllic sweet suburban street. You know that all can’t be right here. 

Thank you so much for following along with The Life of A Book! Be sure to grab a copy of Little Fires Everywhere, especially now you know all the behind-the-scenes work that has shaped it.

 

Sep 7, 2017 Behind the Scenes

Ever wonder how a book makes it from the author’s mind to a reader’s shelf? We’ve we delved deep into two very different books before: But What If We’re Wrong? by Chuck Klosterman and Gemina by Amie Kaufman and Jay Kristoff.

This time, we’re so excited to host an interview series all about Little Fires Everywhere, the second book by Celeste Ng. Her first book, Everything I Never Told You, was a smash hit and ever since fans have been waiting with bated breath.

In the coming weeks, we’ll interview different people who have been a major part of making the book: a marketer, the book designer, a sales representative, and finally, Celeste herself!

This week’s interview is with Assistant Director of Publicity at the Penguin Press, Juliana Kiyan.

What do you think is special or unique about LITTLE FIRES EVERYWHERE? Why will readers want to get their hands on it?

I think I can only start with its author, the wonderful Celeste Ng. She’s an incredibly thoughtful and keen observer, expert craftsman, and indefatigable worker. These qualities all shine through in Little Fires Everywhere, but it’s just as important to note that she embodies them off the page as well. (I’d be shirking my duties if I didn’t say to check her out at @pronounced_ing!) She’s been a terrific partner to all of us at Penguin Press and PRH since the early days of Everything I Never Told You, and it’s a thrill to be a part of this next step in her long career. Celeste is a bona fide talent, and Little Fires Everywhere is a seriously unputdownable read.

How did you market this book differently from Everything I Never Told You?

Launching a second novel is a very different process from a debut. With a debut, the goal is to introduce a new literary voice to a wide audience and persuade people to take a chance on the book. We were fortunate to achieve this with Everything I Never Told You, as readers from all over were just as taken with Celeste’s gorgeous writing and the Lee family as we were. With a second novel, we certainly want to reach the fans of the first book and expand upon that, while also making it clear this isn’t Everything I Never Told You 2.0. The reasons why you fell in love with the first book are in the DNA in Little Fires Everywhere, but this is a wholly new story. In terms of publicity, the first item on my check list was easy, thankfully: people were eager to read the new book! Celeste’s profile has risen since her first book published, and many were looking forward to her next work.

Juliana Kiyan

How would you describe your job and how you worked on this book to a layman? What are some of the steps you take when you first start working on a title?

Ultimately my job is to help get a book out into the wider world in ways that compel readers to check it out and hopefully buy it. As a publicist, I work on connecting with media and with booksellers. On the media front, we aim to secure reviews and interviews with outlets that people know and trust and that have a wide reach. We line up as much media as we can at publication in order to get the book in front of a wide range of potential readers, and we continually build on those opportunities from there. With booksellers, we plan events that bring the author out to different parts of the country to connect directly with fans and customers. Booksellers are among a book’s earliest readers, and it’s incredibly exciting to hear from a bookseller who fell in love with a book and is eager to support it by hosting an event, by handselling, by writing a staff recommendation. My colleagues and I pursue all these avenues and more to, essentially, get the word out.

With a beloved author like Celeste, this was all a lot of fun. We began working on the publicity and marketing campaigns for Little Fires Everywhere relatively early, maybe about nine or ten months before publication in earnest. We had a rich foundation from our experiences with her first book, and we laid out our top goals and priorities. Early on in the year, Celeste visited the office, and that was the first of many productive discussions we’ve had as a team. It’s hard to believe we’re finally at publication.

Describe the book in one sentence.

Through the lens of the placid suburb of Shaker Heights and a deeply human cast of characters, Little Fires Everywhere is a finely observed examination of privilege and identity, words and action, secrets and belonging, and what it means to be a mother.

How closely do you work with the editor, art department, etc. when working on a title?

We all work very closely together. Both Little Fires Everywhere and Everything I Never Told You were true team efforts from beginning to end. The publicity and marketing generally come in closer to the book’s pub date, but in the case of Little Fires Everywhere it was all hands on deck from the day of acquisition. We all loved the first book and couldn’t wait to dive in right away. Celeste’s editor, Ginny Smith Younce, and I have spoken and emailed more about this book than either of us could ever count—we always want to make sure we’re on the same page. Same with our marketing team: Matt Boyd, Caitlin O’Shaughnessy, and Grace Fisher. Marketing and publicity are very intertwined, and it’s important that we connect regularly since our efforts play off of and benefit each other.  Marketing is also doing the crucial job of working with sales to make sure booksellers and accounts have everything they need as we approach publication. We’re all on Team Celeste and proud by association.

Anything else you think would be interesting for readers to know?

If it ever comes up in casual conversation, perhaps ask Celeste about her former career as a miniaturist. She is a fountain of information when it comes to teeny tiny physical recreations of objects from everyday life.

Tune in next week for the next interview in this series, and learn more about the book below:

 

Aug 30, 2017 Behind the Scenes

Ever wonder how a book makes it from the author’s mind to a reader’s shelf? We’ve we delved deep into two very different books before: But What If We’re Wrong? by Chuck Klosterman and Gemina by Amie Kaufman and Jay Kristoff.

This time, we’re so excited to host an interview series all about Little Fires Everywhere, the second book by Celeste Ng. Her first book, Everything I Never Told You, was a smash hit and ever since fans have been waiting with bated breath.

In the coming weeks, we’ll interview different people who have been a major part of making the book: a marketer, the book designer, a sales representative, and finally, Celeste herself!

This week’s interview is with sales manager Megan Sullivan.

When you describe Little Fires Everywhere to book buyers, what is your hook? What is memorable or unique about the book? Why would they want it in their store?

First a little back story. I had been a buyer and bookseller at Harvard Book Store for many years and when I was hired to be his co-rep in New England, Karl Krueger invited me to an author dinner with Celeste and a bunch of booksellers even before I was a rep. I was excited to meet her as she lives just minutes away from me. Her book Everything I Never Told You was the first book I read as a PRH rep and is special to me for all this, so when I heard she had a new book coming, I hounded the editor (okay, asked politely a lot). I read Little Fires Everywhere as soon as the manuscript was posted, about 4 months before sales conference and I was immediately hooked. A sophomore novel can often slump a bit relative to an author’s first book. Not so this one—it dazzles. Rich characters and sense of place, Celeste is able to make you see the story from a variety of perspectives. I told my stores that this will be one of the biggest books in the fall and they should pile it up.

Megan's Workspace
Megan’s Workspace

What do you like about this new book? Do you have a favorite moment or line? Were you surprised by anything?

I think the character development is richer in Little Fires Everywhere. And there are so many moments to pause and think that I don’t have a favorite. Elena Richardson, the mother of the Richardson clan, surprised me. She could have been written as a cookie-cutter wealthy woman, unaware of her privilege, but I felt Celeste wrote her with some compassion.

What’s your favorite thing about your job? What would surprise a layman to know?

I love getting to read books so early! It’s so much fun to talk with booksellers when you know one of their favorite authors has a book coming. I often feel like I’m a bookseller still just in a slightly different role.

Do you have a favorite bookstore in the Boston/Cambridge area?

I love all the stores around here, but I spent 14 years at Harvard Book Store and it’s part of my DNA now.

Tune in next week for the next interview in this series, and learn more about the book below:

Aug 24, 2017 Behind the Scenes

Ever wonder how a book makes it from the author’s mind to a reader’s shelf? We’ve we delved deep into two very different books before: But What If We’re Wrong? by Chuck Klosterman and Gemina by Amie Kaufman and Jay Kristoff.

This time, we’re so excited to announce an interview series all about Little Fires Everywhere, the second book by Celeste Ng. Her first book, Everything I Never Told You, was a smash hit and ever since fans have been waiting with bated breath.

In the coming weeks, we’ll interview different people who have been a major part of making the book: a marketer, the book designer, a sales representative, and finally, Celeste herself!

Let’s kick things off with a Q&A with the book’s editor, Virginia Smith. Read on below!

What do you look for when you acquire a new book? How does that apply to Celeste Ng?
It depends on the kind of book, of course, but I love to encounter a fully-realized world. And Celeste does that as well as anyone writing today. From the first line of Little Fires Everywhere, you are dropped into a placid, progressive suburb of Cleveland, where everything is meticulously planned. And where something is deeply wrong. The gun is loaded, so to speak, and you’re dreading the moment it fires. I was traveling when Celeste’s agent Julie Barer sent me the manuscript for the novel, and I read it in one furious sitting, stuck on the tarmac at La Guardia in a cramped, delayed plane. I cried, I gasped, I laughed, I cheered, I hummed along to the Mighty Mighty Bosstones. By the time we finally landed, everyone else on the flight was asleep, but I was nearly bouncing in my seat, excited to get out and tell my colleagues how wonderful Celeste’s second book was.

How is your work different with a debut vs. a second book?
One obvious difference is that you don’t have to “introduce” a non-debut writer. And that was certainly the case with Celeste, who immediately established herself as one our most captivating writers with her stunning first book, Everything I Never Told You. The love that book received was so heartening to see, especially in a difficult time for debut fiction. But it was a reception truly earned. And now Celeste has created something even more exceptional: a triumphant second novel. These are a rare species, but Celeste is a rare talent. The job of the entire team at Penguin Press is to spread that good word to our bookselling partners, to media, and most importantly, to readers.

Author Celeste Ng
Author Celeste Ng

What do you think was your biggest impact on Little Fires Everywhere?
In my mind, I am her ideal reader. By happenstance, I am exactly the same age as both Celeste and one of the main characters in Little Fires Everywhere. And while every person’s experience is unique, I felt like my personal history gave me insight into the world Celeste has created. The novel is set in and around a high school in the late 1990s. Celeste artfully evokes the quality of teenage life in that period, and I could read those aspects of the novel out of my own experience. I knew Celeste had nailed the landscape. Now, twenty years later, I find myself the mother of two young daughters, so the novel’s beautiful exploration of the possibilities and pulls of motherhood also resonates with me on a deep level.

What do you think would surprise a layman to know about your job? What is your favorite part?
People who aren’t in publishing are generally surprised that editors are involved in all aspects of a book’s publication. And I enjoy that. It’s an honor to advocate for creative work I love. I trained and worked as an actor before coming into publishing, and I appreciate how important that support is for an artist. It’s also a great privilege to work in a community of people who are all so excited about writing. And I enjoy all aspects of bookmaking, from the puzzle of editing to the aesthetics of the physical book. I’ve been lucky throughout my career to work with wonderful mentors who have taught me the importance of all of those aspects of publishing. I find the sales process invigorating. Our launch at Penguin Press is fun. Ann Godoff is just the platonic ideal of a publisher, and I decided to be an editor after hearing Scott Moyers pitch Tom Ricks’ FIASCO at the Columbia Publishing Course in 2006. Working with the two of them makes me better.

Virginia Smith
Editor Virginia Smith

How are you involved with the other aspects? Art, marketing, publicity?
I’m very fortunate to have talented colleagues who bring experience and expertise to bear on books I love. I enjoy seeing the vision of the art department worked out in the cover design, strategizing about a publicity campaign, and getting into the weeds on the marketing plan. It is particularly great in this case because our whole team worked with Celeste on her first book. We all had such a lovely experience partnering with Celeste for Everything I Never Told You, as she is just a delight and a star in every sense.

Why will readers want to read this book?
Because it’s just fantastic? One of the things I love most about Celeste’s work is her profound empathy. Every character in her Shaker Heights is fully realized—and the novel is still completely propulsive. We are plunged into a chilling mystery from the opening line; a seemingly perfect family is undone by secrets; the underlying racism of a community is uncovered; and mother-daughter relationships are powder kegs ready to detonate. Celeste’s meditations on the complexities of motherhood are worth the read alone, but the novel’s examinations of identity, belonging, and the nature of art are equally powerful and rewarding. She writes about issues that polarize us today with such heart for all involved. She tells a good story, which of course is job one, but she is also searching for what motivates each of us—and what sparks a fire.

Tune in next week for the next interview in this series, and learn more about the book below:

Jun 8, 2017 Blog

Hillary Manton Lodge is the author of the critically acclaimed Two Blue Doors series and the Plain and Simple duet. Jane of Austin is her sixth novel. In her free time, she enjoys experimenting in the kitchen, graphic design, and finding new walking trails. She resides outside of Memphis, Tennessee with her husband and two pups. She can be found online at www.hillarymantonlodge.com.

My grandmother read everything. Books about travel, antiques, architecture, mushrooms. She read murder mysteries by the stack until my grandfather passed; afterwards, her tastes veered into sweet romances, narrow paperbacks with titles like The Sophisticated Urchin and Destiny is a Flower.
But she loved the classics best, Jane Austen most of all. When I was nine, she gave me a battered paperback Penguin Classics copy of Pride & Prejudice. I didn’t make much progress with at the time – I was an advanced reader, but not that advanced – so my first experiences of Austen were in film. First, with the 1940 Greer Garson and Laurence Olivier version, and later with the 1995 Andrew Davies mini-series for the BBC.
When the latter aired on Masterpiece Theater, I visited my grandparents’ home every Sunday night for six weeks while we watched Jennifer Ehle and Colin Firth argue and make eyes at each other. My grandfather made us an English dinner – or rather, his interpretation of one – and asked if they were “dahn-cing yet?” As a twelve-year-old with two younger siblings, the dedicated time with my grandparents felt special and grown-up.
But it wasn’t until I was an adult that I was able to read and appreciate Austen’s work. As a high-schooler, the subtext of Emma flew right over my head. But as an adult – and author – I was able to see the work, craft, and wicked humor just beneath the surface. I made my way with pleasure through Pride & Prejudice, Persuasion, Sense & Sensibility, and Emma – Mansfield Park and Northanger Abbey are next on the list.
I read them in time to talk to my grandmother about the text; she passed away at the age of 100, and by then the one-two punch of dementia and hearing loss had made it difficult to converse on a specific topic for any length of time. But we were able to compare notes, and we shook our heads over what a pill Darcy could be.
A deep dive into Austen for Jane of Austin, then, felt natural. My editor gave me the title and free reign over it, and after a little consideration I reached for Sense & Sensibility – after all, my last four books had featured self-contained women who navigated the world while keeping it arm’s length. Who better to buck that trend than a character modeled after Marianne Dashwood?

But updating a novel set during the early 19th Century has its challenges. For starters, there’s the teeny fact that women can not only inherit both property and money, but can have jobs without being cast out of polite society. When necessary, I borrowed from other Austen novels, and gave my version of Marianne – Jane, in my own novel – depth that would have eluded the original 17-year-old character.

There were challenges, but also pleasures. And it’s the pleasures that are why we revisit Austen’s work so often. Her books are populated with people we know. I’ve met Fanny Dashwoods and Mr. Eltons and Mary Musgroves – we all have. Her stories resonate because they’re inhabited by our own neighbors, parents, and co-workers.
But the familiarity of Austen’s literary world should never be mistaken for simplicity. As I wrote Jane of Austin, I got stuck. A lot. And when I did, I returned to the text. Every time, there was something there. Whether it was a witty line or an insightful scene, I always found something to springboard off of and keep the story rolling.
And that’s the beauty of Austen’s work. There’s always something there. There’s wit and romance on the surface. For the deep thinker, there’s sharp social commentary and character study. And no matter the novel, there’s the pleasure in knowing that there will always, somewhere, be dancing.

Learn about the book here:

May 9, 2017 News

Artemis, a near-future thriller by Andy Weir, author of the # 1 New York Times bestseller and international blockbuster The Martian, will be published November 14, 2017.

Said Andy Weir, “I’m really excited about Artemis. I got to do the science-dork stuff I love, but this time with a much more complex and character-driven plot. It’s a big stretch for me, but I think it came out well. Hopefully the readers will agree.”

An adrenaline-charged crime caper that features smart, detailed world-building based on real science and the charm that makes Weir’s writing so irresistible, Artemis introduces a protagonist every bit as memorable asThe Martian’s Mark Watney: Jasmine Bashara, aka Jazz. Jazz is just another too-smart, directionless twenty-something, chafing at the constraints of her small town and dreaming of a better life.  Except the small town happens to be named Artemis—and it’s the first and only city on the moon.

Life on Artemis is tough if you’re not a rich tourist or an eccentric billionaire, and Jazz is decidedly not a member of either category.  She’s got debts to pay, her job as a porter barely covers the rent, and her budding career as a smuggler isn’t exactly setting her up as a kingpin, much to her disappointment. So when the chance at a life-changing score drops in her lap, Jazz can’t say no, even though she’s sure there’s more to the setup than meets the eye. And indeed, pulling off the perfect crime is just the first of Jazz’s problems as she finds herself in the middle of a conspiracy for control of Artemis itself.

Andy Weir Photo: © John Weir
Andy Weir Photo: © John Weir

As first reported by Tracking-Board.com, movie rights to Artemis have been acquired in a preempt by 20th Century Fox and New Regency, with Simon Kinberg and Aditya Sood, two of the producers of The Martian, attached to produce for Genre Films. Starring Matt Damon and directed by Ridley Scott, The Martian was nominated for seven Oscars and won both the Best Picture and Best Actor awards at the Golden Globes. The movie has grossed more than $630 million worldwide.

Hailed as a new science-fiction classic,The Martian book has sold more than three million copies in North America, spending over a year and a half on the New York Times bestseller list since its February 2014 publication by Crown. To date, the book has been published in forty languages worldwide.

Learn more about the book here;

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