Nancy Paulsen, president and publisher of her eponymous Penguin Young Readers imprint, shares personal insights into her outstanding career in book publishing, her bestselling, award-winning authors – Jacqueline Woodson, Lynda Mullaly Hunt and Maira Kalman, among them – as well as new books and authors she is looking forward to publishing in the coming year.
What initially attracted you to the world of book publishing and the editor/publisher role in particular?
Like most people in publishing, it was the love of books. I was an avid reader as a child and loved how reading transported me to new places and allowed me to understand how it felt to stand in someone else’s shoes. When I brought my résumé to Viking Penguin (as it was called back then), the job opening was in Children’s Editorial. I saw so many favorite books on the shelves when I walked into the offices—Madeline, The Snowy Day, Pippi Longstocking, The Outsiders—that I knew I had arrived at my new home. From then on I wanted to work with authors and artists and help them make books forever.
What have been some of your most rewarding achievements over the course of your career as a publisher?
Right from the beginning I wanted to publish books that made kids feel good and that made all kinds of kids feel represented. One of my early books at Viking was a picture book called I Like Me! by Nancy Carlson, about a confident pig, and I adored its message. When I became the publisher of Putnam in the mid-1990s, I signed up Jacqueline Woodson because I loved her extraordinary, lyrical voice, and I was thrilled when so many of her books won major awards. Her most recent picture book with E. B. Lewis, Each Kindness, won the Jane Addams Peace Prize and shows kids in such a stunning way that actions have consequences. Maira Kalman’s picture books have also been thrilling to publish, as her viewpoint is so unique and eye-opening. It’s exciting that I get to work on both picture books and novels that speak to so many kids and make a difference in their lives.
When you started your own imprint, how did you envision what your emphasis would be as well as the breadth of your authors and character of your lists?
From the start I planned to focus on diverse and distinctive voices and books that offered kids hope, because life can be so hard. Having Jacqueline Woodson’s stunning memoir, Brown Girl Dreaming, win the National Book Award and become a huge bestseller has been so gratifying to us both, as we’ve worked together for twenty years and it was a fabulous culmination of all the things we’ve dreamed about happening. When I published Lynda Mullaly Hunt’s first book, One for the Murphys, about a foster child and everyday heroes, the word of mouth among kids was incredible and propelled the book onto state award lists all over the country. Lynda’s new book, Fish in a Tree is a bestseller that is being read in classrooms all over the world, and it’s a beautifully told story that reminds us not to judge people by their learning styles (“Great minds don’t think alike!”) and shows how a good teacher makes such a difference in a child’s life.
What have been some of the most satisfying aspects of having your own imprint and what excites you most about its future?
It is super-satisfying to work with people who amaze me with their talents. On the picture book side, I get to work with some industry greats like the inimitable Tomie dePaola, and to also discover new talent like Lori Nichols and Eliza Wheeler. And on the fiction side I am thrilled that I have lots more coming from Jacqueline Woodson and Lynda Mullaly Hunt. I also have novels from Brenda Woods, Aisha Saeed, and Padma Venkatraman—all who are powerful diverse voices. It is so rewarding when fabulous books reach readers and excite them and help expand their worldview, and it’s magical when a book becomes a child’s favorite. That’s what excites me about the future—more books and more stories to be told and the ability to connect with kids in such a meaningful way.
Learn more about Nancy Paulsen Books here, and find a new book to share with the child in your life!
Get to know the newest Penguin Random House imprint! Tim Duggan Books was founded in 2014 and is committed to the highest standard of storytelling across a range of genres. Our list of books is small, select, and curated from both well-established and brand new authors, including Eric Schlosser, Timothy Snyder, Emily Barton, Michael Kinsley, Yasmine El Rashidi, and Colin Jost. The imprint is dedicated to publishing books of quality, accuracy, elegance, and vision, and to authors who take risks and tell singular stories.
Read on for an interview with Tim Duggan about this exciting new imprint.
What do you look for in the books and authors that you acquire?
The first thing I usually look for in a book is the voice, which hopefully has energy and confidence and personality, and not a whiff of pretension. You can usually tell from the first page whether an author’s writing feels genuine and fresh and powerful, and whether there’s a real sense of urgency there, as if the author almost had no choice but to write this book. So in that sense I’m drawn toward books that somehow feel essential, by authors who are driven by a passion that probably borders on obsession, no matter what the genre is. For an author, that’s something you can’t manufacture, and for an editor, that’s the gold standard, and it’s a big part of what I’m looking for.
In what way do you think Tim Duggan books aligns with the Crown publishing group?
I’ve been incredibly impressed, long before I came here, with the way Crown has been publishing its books, from marketing, publicity, and sales to art, design, and production. There’s a wide variety of imprints, all of which struck me as very focused and backed by clever campaigns and extraordinary attention to detail. My imprint is small, selective, and idiosyncratic, so I feel I have plenty of room here to pursue what I want to pursue, while tapping into the deep pool of knowledge and resources that Crown is known for. It turned out to be a really easy and natural fit.
What has been the hardest part of launching your own imprint?
Ask me in a month! Truth be told, the first year has been totally exhilarating and fun, and part of that is probably a result of the fact that I’ve been doing more acquiring and editing at this point than anything else. That will change this fall when the first books hit the market, which I’m looking forward to. So I’m not even sure that starting an imprint is the hard part – but maintaining it and keeping up the momentum surely will be.
Has it always been a goal of yours to launch your own imprint, or did it come about more organically?
It came about pretty organically, in that I’ve always thought that having a little imprint within a much bigger organization would be the best of both worlds, which is definitely how this feels. I wanted to have a small list with a wide range, which comes out to about ten books a year, half fiction and half nonfiction, including memoir, humor, science, and poetry. My sense is that the whole publishing marketplace, from authors and agents to critics and booksellers, has been really supportive of small imprints like this one, which helped pave the way for me and made it a little less daunting – just knowing that even though I’m on my own, there are others out there who’ve done this and done it really well. Not to mention that once I got here and saw the level of support I had from my colleagues, it actually felt a lot less like I was on my own.
Check out the new books from the Tim Duggan imprint:
Learn more about the imprint here.