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Articles Tagged “unbury carol”
Oct 17, 2018 Blog

This essay was written by Josh Malerman and originally appeared on Unbound Worlds. Josh Malerman defines the new generation of horror writers as only he can in this inventive essay. Unbury Carol is out now, and Inspection is coming in April 2019.


Oh, poor horror, misunderstood.

Mother says you’re made up of witches and woods, brutal bloodletting, slashers in hoods. But I know better, having eaten my share, saved some for later, stashed under stairs.

Mixed ‘em and matched ‘em and made new pairs.

Mother doesn’t like you. She says you are trite! I try to convince her night after night. I beseeched her, “Dear Mother, open thy mind. Horror is no longer a word you will find so neatly packaged with stuffing and twine.”

“Leave me, dark child, with a full foamy stein.
And take your common monsters, speckled with teeth
Used so often they put me to sleep.
Take your old bones lying out in the rain
While I read something compelling and sane.”

Oh, poor horror, misunderstood.

I continued with Mother, as well as I could. My argument expanded to include books she deemed good. “Some say Jane Eyre is as much of a fright as Tanith Lee’s Dreams of Dark and Light. And some cite Melville as a man of such tales, for what could be scarier than a giant white whale? But never mind the classics, fuddy mother of mine, horror no longer grows on the vine Here, let me show you one of mine.”

Here I showed Mother Inspection of mine.

She huffed and she hawed until halfway she knew it, she lifted the book and she almost threw it, then brought it back down to the yarn on her knees, and read the second half at her ease.

“But this isn’t horror, rotten child of mine, for it has no vampires or inverted nines.”

“But Mother, you see! The word is elastic, and all us new writers are made of new plastic! We’ll write of such things, but not cause they’re gaudy, we’re interested in both the mind and the body. We thrill but we think, we’re intellectually naughty. We’re interested in both the mind and the body.”

Dear Mother then frowned and dismissed me again. But she hadn’t yet thrown the book in her hand.

“What does your kind know of the ways of the soul? Coming of age? Quality control? Leave me, braindead child, and take with you your trolls.”

Oh poor horror, misunderstood.

I took leave as she ordered but for only so long, and returned with a stack of new songs.
A tower of books, a stack of new songs.

“Horror has changed, Dear Mother it’s true, it’s not the same now as it was for you. The genre is present as the ice in your drink, it’s come up through the pipes and the sink.”

Here Mother looked to the kitchen, to the sink, and I felt I’d made progress, had got her to think.

“The genre has fled from the castles of yore and is no longer steeped in bones and gore–though we love such elements, we love them, it’s true! But did you know the color blue could be as much monster as the thing in the brew? Did you know we see monsters in even baby blue?”

“The way you talk, it’s as if you see scares everywhere.”

“That’s it! That’s right! Even over there!”

I pointed to a corner where nothing was there.

Mother shook her head and pointed, too, a long wrinkled finger and said, “You, oh you. Do you think me so vulgar to believe such a thing? That your genre might be found on a butterfly’s wing?”

“But what better place–do not make a face–for your likeness may match the pattern of lace in the curtains of this room in which we debate, or the pattern indeed of the butterfly’s mate.”

“Oh!” Mother said, shaking her head. “Leave me, gross child, and take your undead. You speak as though you’d marry Dreary and Dread.”

Oh poor horror, misunderstood.

“I’ll leave you, Dear Mother, I’ll go up to my bed. But not without repeating the things that I’ve said. For horror has risen from the graves of yore and can be found now in places never heard of before, or perhaps even the corners of this very room! A brand new monster in this very room!”

She looked to the corner and I felt I’d scored, but I’d need to describe what stood where the walls met the floor.

“Do you see it, Dear Mother? The crown of its head? Why, it’s not even a ghost, it’s not even dead. Nor is it invisible, as you’ve read of before. What stands in this room is More.”

More as a monster?” Mother laughed at me so. “But what sort of horror does More have in store?”

I crossed the room then.

“The livers are living but they still want More.
The lovers are loving but they still want More.
Mothers are presented with examples but they still want More.
Do you see, Dear Mother, we’ve made a monster of More?”

Mother seemed to consider, but did not look resigned.

“I told you,” I said, “the body and the mind.”

She set down my book, took the yarn from her lap, rose to a standing, and clapped a lone clap.

“Bedtime for me, ugly child of mine.” And she made for the staircase of antique pine.

Her opinion, I thought, as hard as the wood.

Oh poor horror, misunderstood.

But as she took the first step, and the step did shriek, she paused without turning to speak: “The way you see it, stairs could be horror. And a person who takes them, an explorer.”

She did turn then, and gave me a wink, nodded her head as if to rethink, then climbed the stairs and called over her shoulder, “Interesting child, you simmer and smolder–do all you new writers think this way? Horror in all things, every day?”

She stopped outside her bedroom up there, perhaps pondering a brand new scare.

“Yes, Dear Mother,” Dear Mother, I swore.

And she whispered, “Not bad,” before closing the door.


Photo by W A T A R I on Unsplash

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