In Hoban’s final work, rough-edged characters who speak in prose-poetry hurtle through an Arctic world in which humans, animals, and underworld spirits share a dizzying variety of magical powers… Hoban fearlessly tackles the big questions: the distinction between the real and the unreal, the nature of courage, and the debt humans owe the dead and the unborn. Deacon’s charcoal drawings render Hoban’s mix of horror and slapstick note for note. Hoban’s fans will revel in this last tale of his, and they’ll mourn when it’s done.
—Publishers Weekly (starred review)
It's sort of a legend and sort of contemporary, it's both playful and challenging, and it's equally profound and offhandedly glib. And among its numerous, unexpected joys is perhaps the simplest and best summation of life yet: "It's one good-bye after another until you reach the Big Hello at the end when That's All She Wrote." . . . Deacon's contributions to the story begin as a few pieces of spot art scattered about the periphery, which then become more integrated and even include pages-long sequences that carry just as much weight and wit as the narrative. Together, they weave a funny and wise tale that will echo with readers for a long time.
—Booklist (starred review)
A lyrically beautiful, existential fable…
Deacon's charcoal-and-pencil drawings, particularly of animals such as the ice bear, walrus, and killer whale, are impressive
—School Library Journal
These illustrations, combined with the author's lyrical language, engage the reader in a magical, thought-provoking expedition.
—NY Journal of Books
The story and accompanying pencil and charcoal illustrations are alternately funny, dark and deeply thought provoking. One to pick up again and again, with a timeless message that will re-resonate with each read; a stunning collaboration.
—Midwest Book Review