Finally back in Penguin Classics: the poems and prose of cult WWI writer Edward Thomas, with a new introduction by Robert Macfarlane, authorofThe Old Ways
Beloved writer Edward Thomas is best known for his evocative poetry, though his writing career was varied and prolific, with more than two thousand reviews and nearly thirty volumes of topography, biography, and literary criticism published by the time of his death at age thirty-nine in World War I. After years of writing about poetry, Thomas, an intensely contemplative man who believed deeply in the power of perambulation, was encouraged by his close friend Robert Frost to write his own verse. This stunning collection includes some of his most treasured work and, with a beautiful introduction by bestselling author Robert Macfarlane, will bring Thomas’s extraordinary writings to a new generation of readers and aspiring writers.
For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
About Edward Thomas
Edward Thomas was born in London in 1878 and was educated at Lincoln College, Oxford. He made his living as a literary journalist, writing biographies, volumes of natural history, and one novel, editing anthologies, and contributing hundreds of reviews to… More about Edward Thomas
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Praise for Edward Thomas:
“The father of us all.” —Ted Hughes
“[B]y the fire in our strange habitation under the castle mound, nobody else at home, I read him at once, entire, knowing ever more certainly, poem by poem, that I loved him, he would be with me for life, I would learn from him.” —David Constantine in The Guardian
“With Wright’s succinct notes, this might be considered the most fully representative edition of Thomas’s work.” —John Greening, Times Literary Supplement