Get a FREE Books of the Moment  sampler!
Check Out These
21 Books You’ve Been Meaning to Read
See the List

READERS GUIDE

The questions, discussion topics, book descriptions, and author biography are designed to enhance your group’s reading and discussion of Dorothy Dunnett’s six bestselling novels in the Lymond Chronicles. We hope they will enrich your experience of these imaginative and adventuresome works of historical fiction.

First set in sixteenth-century Scotland following a disastrous war with England, the Lymond novels have as their hero Francis Crawford of Lymond, a nobleman and soldier of fortune possessed of a scholar’s erudition, an elastic sense of morals, and the tongue of a poet. The six novels take this compellingly charismatic figure on a perilous and colorful tour through the glittering courts and power centers of sixteenth-century Europe.

To these novels, Dorothy Dunnett brings an effortless narrative mastery, in-depth human portraiture, and an uncanny ability to reanimate the past. The Lymond novels are works of marvelous intelligence and pure enchantment, adventures for both the heart and mind.

Introduction

Sixth in the legendary Lymond Chronicles

Francis Crawford returns to France to lead an army against England. But even as the soldier-scholar succeeds brilliantly on the battlefield, his haunted past becomes a subject of intense interest to forces in both the French and English courts. For whoever knows the secret of Lymond’s parentage possesses the power to control him–or destroy him.

With a cast of characters that includes the young princess Elizabeth and the astrologer Nostradamus, Checkmate is a masterly evocation of the intrigue and pageantry of sixteenth-century Europe–a triumphant conclusion to the Lymond saga.

Questions and Topics for Discussion

1. Checkmate opens with a cockfight that has a decidedly symbolic feel to it. What are some of the symbolic possibilities in the conflict between the red and the gold birds? Does it in some respects mirror the developing antagonism between Francis Crawford and Austin Gray and the climax of that antagonism?

2. Marthe explains to Sybilla Crawford that the reason her marriage to Jerott Blyth has failed is that each partner "has married the other as a substitute for somebody else." What does she mean? What does Marthe want from Sybilla Crawford? What does she want from Francis Crawford?

3. First seen as a shouting five-year-old in The Game of Kings and then as a defiant and imperilled seven-year-old in Queen’s Play, Mary Queen of Scots is a complex teenager in Checkmate. How does the novel assess her character? What does her character portend for the future of Scotland?

4. After a long and difficult romance the hero and heroine of the Lymond Chronicles finally return to one another and to Scotland at the end of this novel. What has been blocking these returns, and what unblocks them? What losses balance this gain?

For discussion of the Lymond Chronicles

1. The hero of a long series of historical novels, like the hero of a crime or detective series, lives properly in a milieu of struggle and physical violence and is likely to be the object of this violence over and over. Yet, of course, he must survive it if the series is to continue: "Popular resurrections are a tedious pastime of Francis’," says Lady Lennox in Queens’ Play, trying to recover from yet another reappearance by the handsome nemesis she had thought was dead. What are the most interesting or important examples of the deaths and resurrections of Francis Crawford in the series? How and for what purpose do such scenes play with the feelings of the reader?

2. In its various travels and stories, the Lymond Chronicles encompass several religious systems–Roman Catholic, Protestant, and Russian Orthodox Christianity, as well as several forms of the Islamism of the Ottoman Empire. What is the series’ attitude toward religion, religious institutions, and authentic spirituality? What do figures like the Dame de Doubtance, John Dee, and Michel de Nostradamus–astrologers and scientists, mystics and psychologists–represent in this respect?

3. Over the length of the Lymond Chronicles the protagonist must withstand the attacks of three powerful antagonists–Margaret Lennox, Graham Malett, and Leonard Bailey. How do these figures of evil differ in their reasons for wanting to possess or destroy Francis Crawford? Does the manner of their deaths or downfalls seem particularly appropriate to their characters?

4. As the secrets of the Crawford family structure surface one by one, through the very last few pages of the last novel, the questions raised in the first novel about Francis Crawford’s relationship with his father, his brother, and his sister acquire disconcerting new dimensions. What new father, brother, sister does he need to integrate into his understanding of his family? One thing never changes, however–the centrality of his relationship to his mother for his psyche, his sexuality, even his politics. What by the end do we think of Sybilla Semple Crawford?

5. The essence of a good historical novel is its capacity to create colorful scenes for pure entertainment value, while also offering shrewd characterization, complex plot evolution, and acute political and social insight. Is the comedy of a scene like the feast and fight at the Ostrich Inn in Part II of The Game of Kings, for instance, a good balance for the pure thrill of the swordfight and chase into Hexham in Part IV? How do these scenes illuminate character, plot, and relationships?

About this Author

Dorothy Dunnett was born in 1923 in Dunfermline, Fife, Scotland. Her time at Gillespie’s High School for Girls overlapped with that of the novelist Muriel Spark. From 1940-1955, she worked for the Civil Service as a press officer. In 1946, she married Alastair Dunnett, later editor of The Scotsman.

Dunnett started writing in the late 1950s. Her first novel, The Game of Kings, was published in the United States in 1961, and in the United Kingdom the year after. She has published 20 books to date, including the six-part Lymond Chronicles and the ongoing Niccolo Series. Also an accomplished professional portrait painter, Dunnett has exhibited at the Royal Scottish Academy on many occasions and has had portraits commissioned by a number of prominent public figures in Scotland.

She has also led a busy life in public service. In the past, she has been a member of the Board of Trustees of the National Library of Scotland, a Trustee of the Scottish National War Memorial, and Director of the Edinburgh Book Festival. She has also served on numerous cultural committees, and is a Fellow of the Royal Society of Arts. In 1992 she was awarded the Office of the British Empire for services to literature. She lives in Scotland and has two sons and one grandson.
 
Back to Top