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The Absolute Book by Elizabeth Knox

The Absolute Book

Best Seller
The Absolute Book by Elizabeth Knox
Hardcover $28.00
Feb 09, 2021 | ISBN 9780593296738

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  • Feb 09, 2021 | ISBN 9780593296738

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  • Feb 09, 2021 | ISBN 9780593296745

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Praise

Praise for Elizabeth Knox and The Absolute Book

“Majestic, brain-bending . . . Every once in a while, as a reader, you run into one of those books that is just too big for your mind to entirely take in. . . . It’s quite bracing to come up against the hard edge of your own imagination as you try to pursue a visionary author through the limitless expanse of hers. This is all to say that the experience of reading the New Zealand writer Elizabeth Knox’s contemporary fantasy novel The Absolute Book reminded me of how I felt reading Jonathan Strange and Mr. Norrell or The Left Hand of Darkness or His Dark Materials or, to move out of genre, Life After Life or The Underground Railroad. I felt that my position in relation to the book’s capacious intellect and imagination and moral purpose was a vertiginous one. It was thrilling and frightening. . . . Each time I thought the book was done surprising me, Knox flexed her own golden gauntlet and opened another gate and flung me through it.”
—Dan Kois, Slate

“This darkly luminous fantasy reads like a mystery, thoroughly and wonderfully transporting readers to another world.”
Kirkus

“An astonishing novel from an author I have long loved, The Absolute Book catches the reader up on the very first page and carries them away in an exhilarating rush.”
—Kelly Link, author of Get In Trouble

“Gorgeous . . . The payoffs and reveals are mind-blowing.”
—Laini Taylor, author of Daughter of Smoke and Bone

“Elizabeth Knox has the most original and lateral literary mind in New Zealand.” 
—Metro

“Explosive and surprising . . . quite brilliant.”
—The Spinoff (NZ)

“The Absolute Book‘s power is in the skill and pace of Knox’s storytelling, the perfect spinning of the intricate plot, the sharp dialogue and luminous evocation of place. Knox’s landscapes are vivid and beautiful, both the earthly and the otherworldly. I was carried along without objection, and the great pleasure for me, along with the simple one of wanting to know what would happen next, was the feeling that my realist mind had been flattened out – that I had, temporarily, due to the intensity and momentum of the narrative, made some kind of mental shift, lost the compulsion to search for psychological depth (always a source of disquiet) and gone back to an earlier imaginative state, one that pulsed with mysterious possibility.” 
—Charlotte Grimshaw, Noted (NZ)

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