Celebrating Black Women Writers Series

Winner of the American Book Award

A classic of the Black Arts Movement brought back to life in a refreshed edition

“A lion in literature’s forest. When she writes she roars, and when she sleeps other creatures walk gingerly.”—Maya Angelou

Originally published in 1984, this collection of prose, prose poems, and lyric verses is as fresh and radical today as it was then. Sonia Sanchez, the premiere poet of the Black Arts Movement, shows the “razor blades” in clenched in her teeth in these powerful pieces.

For readers of The Vanishing Half, a hidden gem from the Harlem Renaissance about a young Black woman’s journey toward self-acceptance while passing as white in 1920s New York City.

Originally published in 1929 at the height of the Harlem Renaissance, Plum Bun is the story of Angela Murray, a young Black woman of mixed heritage who uses the advantages of her lighter skin to escaper her own life. Beginning with a childhood in her Black middle class Philadelphia neighborhood, Angela dreams of being a renowned painter. She believes she will only achieve this through whiteness and being a part of white society. Bestowed with the light skin of her mother, while her sister Virginia’s darker complexion resembles that of their father’s, Angela refuses to accept a life dictated by the limitations that come with her race and gender.

Leaving behind her family and identity, Angela escapes to a roaring New York City where she befriends the art elites and presents herself as a white woman. Thrust into a world of seduction, betrayal, love, lust, and heartbreak, Angela soon discovers that to find true fulfillment within herself, she must accept and embrace her own identity—both her race and gender. Written with meticulous care and appreciation for the complicated nature of her characters, while also highlighting the beauty of every day Black life, Jessie Redmon Fauset’s Plum Bun raises important questions to inspire new readers.

From the highly acclaimed author of Corregidora and The Healing—a rare and unforgettable journey set along the US–Mexico border about identity, immigration, and “the new underground railroad.”

“Jones’s great achievement is to reckon with both history and interiority, and to collapse the boundary between them.”—Anna Wiener, The New Yorker

First discovered and edited by Toni Morrison, Gayl Jones has been described as one of the great literary writers of the 20th century. In Mosquito, she examines the US–Mexico border crisis through the eyes of Sojourner Nadine Jane Johnson, an African American truck driver known as Mosquito. Her journey beings after discovering a stowaway who nearly gives birth in the back of her truck, sparking her accidental and yet growing involvement in “the new underground railroad,” a sanctuary movement for Mexican immigrants.

As Mosquito’s understanding of the immigrants’s need to forge new lives and identities deepens, so too does Mosquito’s romance with Ray, a gentle revolutionary, philosopher, and, perhaps, a priest. Along the road, Mosquito introduces us to Delgadina, a Chicana bartender who fries cactus, writes haunting stories, and studies to become a detective; Monkey Bread, a childhood pal who is, improbably, assistant to a blonde star in Hollywood; Maria, the stowaway who names her baby Journal, a misspelled tribute to her unwitting benefactor Sojourner; and many more.

“The Best American Novelist Whose Name You May Not Know”—Calvin Baker, The Atlantic

“A literary giant, and one of my absolute favourite writers” -TAYARI JONES, author of AN AMERICAN MARRIAGE

“An American writer with a powerful sense of vital inheritance, of history in
the blood.” -John Updike, The New Yorker

Eva’s Man is a gripping psychological portrait of a woman unable to love for fear of pain. Imprisoned for the bizarre murder of her lover, Eva Median Canada weaves together memory and fantasy to reveal a life tormented by the brutality of sexual abuse and emotional silence. Brilliantly experimenting with language, Jones infuses her graphic and powerful narrative of the triple yoke of race, class, and gender with a rich musical and oral idiom.

From a major voice in Caribbean literature—this is a story of Gwennie Glaspole, a schoolteacher trapped in an unhappy marriage, fighting to resist Jamaican cultural expectations and for her independence

A new edition of the “remarkable first novel” from a major voice in Caribbean literature in the Celebrating Black Women Writers series. Written in modified Jamaican patois, Powell traces the life of Gwennie, a strong woman who plays the role of wife and mother while suffering through a loveless and violently abusive marriage to Walter. Faced with choice of remain a victim to her duties or flee from the cruelties of her everyday life, Gwennie decides to start anew and embrace the pressures of sudden and laudable change. Me Dying Trial ambitiously conveys what goes unspoken—issues regarding identity, homosexuality, religion, and personal afflictions, and how often that strong sense of community holds us back from growing.

Powell’s debut solidified her status as “one of the most exciting writers living and writing on the island that is the Caribbean-American hyphen.” (Edwidge Danticat)

A new edition of a National Book Award finalist follows a black faith healer whose shrewd observations about human nature are told with the rich lyricism of the oral storytelling tradition.

From the acclaimed author of Corregidora, The Healing follows Harlan Jane Eagleton as she travels to small towns, converting skeptics, restoring minds, and healing bodies. But before she found her calling, Harlan had been a minor rock star’s manager and, before that, a beautician. Harlan retraces her story to the beginning, when she once had a fling with the rock star’s ex-husband and found herself infatuated with an Afro-German horse dealer. Along the way she’s somehow lost her own husband, a medical anthropologist now traveling with a medicine woman across eastern Africa. Harlan draws us deeper into her world and the mystery at the heart of her tale: the story of her first healing.

The Healing is a lyrical and at times humorous exploration of the struggle to let go of pain, anger, and even love. Slipping seamlessly back through Harlan’s memories in a language rich with the textured cadences of unfiltered dialogue, Gayl Jones weaves her story to its dramatic—and unexpected—beginning.

An expanded edition of a celebrated book that travels throughout the African diaspora to savor the timeless joy of black cuisine and culture.

A hidden gem by the author of For Colored Girls Who Have Considered Suicide/When the Rainbow Is Enuf, Some Sing, Some Cry, Sassafrass, Cypress & Indigo, and Betsey Brown, a delightfully eclectic tribute to black cuisine as a food of life that reflects the spirit and history of a people. This edition, with delectable illustrations, features additional recipes—including two vegan dishes—that connect the culinary past to the present and welcomes a new generation of readers. With recipes such as “Cousin Eddie’s Shark with Breadfruit” and “Collard Greens to Bring You Money,” Shange instructs us in the nuances of a cuisine born on the slave ships of the Middle Passage, spiced by the jazz of Duke Ellington, and shared by generations across the African diaspora. Rich with personal memories and historical insight, If I Can Cook/You Know God Can is a timeless story of the migration of a people and the cuisine that marks their living legacy and celebration of taste.

Selected by The Atlantic as one of THE GREAT AMERICAN NOVELS.  (“You have to read them.”)

One of The New Yorker’s “The Best Books We Read in 2020” picks

“Jones’s great achievement is to reckon with both history and interiority, and to collapse the boundary between them.”—Anna Wiener, The New Yorker

The new edition of an American masterpiece, this is the harrowing story of Ursa Corregidora, a blues singer in the early 20th century forced to confront the inherited trauma of slavery.

A literary classic that remains vital to our understanding of the past, Corregidora is Gayl Jones’s powerful debut novel, examining womanhood, sexuality, and the psychological residue of slavery. Jones masterfully tells the story of Ursa, a Kentucky blues singer, who, in the wake of a tragic loss, confronts her maternal history and the legacy of Corregidora, the Brazilian slave master who fathered both her mother and grandmother. Consumed and haunted by her hatred of the man who irrevocably shaped her life and the lives of her family, Ursa Corregidora must come to terms with a past that is never too distant from the present.

Selected, edited, and first edited by Toni Morrison, it is “the most brutally honest and painful revelation of what has occurred, and is occurring, in the souls of Black men and women,” (James Baldwin) and “a tale as American as Mount Rushmore and as murky as the Florida swamps.” (Maya Angelou).