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The Dog Stars Reader’s Guide

By Peter Heller

The Dog Stars by Peter Heller


The introduction, discussion questions, and suggested further reading that follow are designed to enliven your group’s discussion Peter Heller’s novel about a pilot and his dog trying to survive in a world filled with loss, The Dog Stars.


A novel of extraordinary depth and power, The Dog Stars is narrated by Hig, a pilot who has taken refuge in an abandoned airport in Erie, Colorado, with his beloved dog Jasper and a gun-nut neighbor appropriately named Bangley. Nine years ago a devastating pandemic ravaged the globe, killing off everyone Hig loves, and taking much of the plant and animal life as well.
Hig misses the world that’s gone, his wife, Melissa, and all the trout wiped out by the rising temperatures in mountain streams. Bangley, on the other hand, seems born for just this kind of life. He enjoys nothing more than picking off marauders from the sniper tower he and Hig built. He’s a shoot-first-and-ask-questions-later kind of guy. “Never, ever negotiate,” he tells Hig repeatedly, advice which Hig frequently ignores, to his own peril.
They exist in an uneasy alliance. Bangley needs Hig to secure the perimeter, grow vegetables, and hunt deer. Hig needs Bangley to cover his ass and bring out the firepower—machine guns, grenades, mortars—when things get especially dicey. They don’t entirely trust or like each other but they make it work, like a difficult marriage. But Hig wants more than a life devoted to mere survival and fending off murderous intruders.
He visits a village of diseased Mennonites, dropping off supplies and helping them in whatever way he can. He takes frequent trips, with his copilot Jasper, to the high country to fish and bask in the brisk, clean air. He longs for human connection, so much so that he risks flying beyond the point of no return—the point beyond which he won’t have enough fuel to get back—looking for something or someone.
From there, the story takes some surprising turns, some of them tender and some of them treacherous. Indeed, the tension between compassion, lovingness, and the desire for human connection on the one hand, and self-protection and a merciless kill-or-be-killed instinct on the other, is one of the novel’s major themes.
As well as being a thrilling page-turner and a vivid imagining of life after global catastrophe, The Dog Stars offers a thought-provoking exploration, alternately hopeful and terrifying, of the essential features of human nature—what humans are, or what we may become after the protective veneer of civilization has been stripped away.

Questions and Topics for Discussion


The prose style of The Dog Stars is clipped, terse, often fragmented. Why would Heller choose this way of writing this particular story? In what ways is it fitting?

2. At the beginning of Chapter III, the narrator wonders why he’s telling this story. What might be his motivations? Who does he imagine his audience will be?

3. Hig says that Bangley “had been waiting for the End all his life. . . . He didn’t do anything that wasn’t aimed at surviving” [p. 71]. He also clearly enjoys killing people. In what ways is Hig different from Bangley? How did “the End” affect him? How does he feel about killing?

4. How and why does Hig’s relationship with Bangley change over the course of the novel?

5. Jasper’s death is a turning point for Hig. How and why does it affect him so powerfully?

6. When Cima’s father asks Hig why he came to their canyon—why he flew beyond the point of no return—Hig can’t find an answer. What might have prompted Hig to take that risk? What was he looking for?

7. When they decide to take a ewe and a ram with them on the plane, Hig says, “Like the Ark. Here we go” [p. 273]. He says it jokingly, but does the novel offer a sense of hope that life on the planet might continue, postapocalypse? What other biblical references occur in the novel?

8. The Dog Stars is a serious book about a devastating subject, but what are some of its more lighthearted moments? Why is it important that the book have this mixture of tenderness and violence, anxiety and peace?

9. What has caused the end of human civilization in the novel? Why have the scattered survivors become so savage? Does the postapocalyptic world Heller presents seem accurate and likely, given the state of the world today?

10. Why is Hig’s relationship with Cima so important in the novel? What makes it particularly touching, given what each of them has suffered?

11. The novel’s ending is ambiguous. Cima, Hig, Bangley, and Pops have formed a kind of family, the spruce and aspen are coming back, eagles and hawks are flourishing, but the trout and elk are gone, water is disappearing, and mysterious jets are flying overhead. What might happen next, or in the next ten years, for these characters and the world they live in?

12. Why does Heller conclude The Dog Stars with Hig’s favorite poem “When Will I Be Home?” by Li Shang-Yin? Why is this a fitting way to end the story? In what ways is the novel about the longing for home?

13. What does the novel imply about human nature, after the constraints of civilization have been removed? What does it suggest about the possible consequences of the way we are living now?


What similarities does The Dog Stars share with other recent dystopian novels like The Hunger Games and The Road?  In what important ways does it differ from them?

About this Author

Peter Heller holds an MFA from the Iowa’s Writers’ Workshop in both fiction and poetry. An award-winning adventure writer and longtime contributor to NPR, Heller is a contributing editor at Outside magazine, Men’s Journal, and National Geographic Adventure, and a regular contributor to Bloomberg Businessweek. He is also the author of several nonfiction books, including Kook, The Whale Warriors, and Hell or High Water: Surviving Tibet’s Tsangpo River. He lives in Denver, Colorado.

Suggested Reading

J. G. Ballard, The Drowned World; Max Brooks, World War Z; Suzanne Collins, The Hunger Games; Justin Cronin, The Passage; Cormac McCarthy, The Road; Walter M. Miller, Jr., A Canticle for Leibowitz; Kim Stanley Robinson, The Wild Shore; Mary Shelley, The Last Man; Alan Weisman, The World Without Us.
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