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Mambo in Chinatown

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Mambo in Chinatown by Jean Kwok
Paperback $16.00
Jul 07, 2015 | ISBN 9781594633805

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  • Jul 07, 2015 | ISBN 9781594633805

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  • Jun 24, 2014 | ISBN 9781101632550

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“Western convention clashes with traditional Eastern culture when a young, impoverished Chinese-American woman dips her toe into the glittering world of professional ballroom dancing—and finds love.” — Woman’s Day

“Rarely has [this story] been told with such grace, lightness and humor as in this delightful novel by the author of the best-selling Girl in Translation (2010).” — Chicago Tribune

“Best Books of 2014: One of This Summer’s Hottest Page-Turners. A riveting story about a young woman who ultimately finds her calling and manages to exceed everyone’s expectations – including, most important, her own.” — Real Simple

“A young woman who finds herself through ballroom dancing must make peace with her old life in New York’s Chinatown. Charming.” — USA Today

“Dreams Take Flight in Jean Kwok’s Mambo in Chinatown…a great story of cultural conflict and reaching for your dreams.” — Boston Herald

“Mambo in Chinatown has a propulsive narrative drive and tells an often compelling tale of East-West conflict, adaptation, and assimilation…[readers] will keep turning the pages.” — Boston Globe  

“… Like a ballroom dance itself: captivating and sure-footed, and hard to look up from. Kwok draws from her own experience working in Chinatown in her youth, eventually becoming a ballroom dancer and taking to the floor with confidence. Kwok brings to the page all the detail and fluidity that one would expect of a seasoned dancer and writer.” — Bustle

“Kwok is at her best when exploring and smudging such differences involving culture or class — which in turn suggests that any of us really could become whomever we want to be.” — Journal Sentinel 

“Editors’ Picks: Excited for Jean Kwok’s Mambo in Chinatown. The story is akin to that in Chimamanda Ngozi Adichie’s Americanah, one of my favorite novels from 2013, in that the main character is torn between two cultures and is unsure of her place in either.”  Library Journal

“The kind of book where I put it down, closed my eyes, and the characters were still dancing in my mind. Sweet and lovely, filled with old-world tradition, Chinese superstition, and the complicated dance of forbidden love.” — Jamie Ford, New York Times bestselling author of Hotel on the Corner of Bitter and Sweet and Songs of Willow Frost

“Although the characters are fictional, their personal struggles and emotions are based upon authentic experiences, which make them unforgettable.”
— Sing Tao (largest and oldest Chinese newspaper in the US)

“In her winning second novel (after Girl in Translation, 2010), Kwok infuses her heartwarming story with both the sensuality of dance and the optimism of a young woman coming into her own.”  Booklist
“Kwok has created a charming heroine into whose dance shoes readers can easily step. Charlie faces many of the same dilemmas that plague modern young women: balancing the demands of family and career without sacrificing too much of either, choosing whether or not to pursue love when it may mean giving up a fulfilling work life. Kwok has a gift for conveying the passion and sensuality of ballroom dancing in her energetic prose.” — Shelf Awareness

“Best Books Read in June: Kwok does an exceptional job of rendering this lesser-visited part of America in a way that’s reverent toward both sides of the story…The sister relationship between Charlie and Lisa, who is much younger than her, was my favorite part of the story though — the love they have for one another and the pain and grief they endure together is vivid.”— Book Riot

“An engrossing cross-cultural coming-of-age tale.” Largehearted Boy

“It’s hard to improve on the Cinderella theme, but Jean Kwok manages to do just that.” — Book Reporter

“From Kwok (Girl in Translation, 2010), another story about a plucky young Chinese-American woman whose hard work transports her out of poverty and hidebound traditions to find love and success… Charlie’s Cinderella story, not to mention Charlie herself, is charming.” — Kirkus

Author Essay

Dear Reader,

I’m so happy you’ve come to my new book, Mambo in Chinatown. It’s a story that I’ve wanted to tell for a long time.

Like many working class people, I did not have the opportunity to take lessons for extracurricular activities as a child. It was in college that I discovered I loved to dance. Then, post graduation, looking for a day job, I stumbled across a newspaper ad that read, “Wanted: Professional Ballroom Dancer, Will Train.” Terrified and unprepared, I went to the dance studio in an oversized red dress, black pumps I had covered with permanent marker to disguise their bald patches, and a long red scarf wrapped around my head. Somehow, despite all this, they invited me back for the audition, and then for the three-week training class. Ultimately, they hired me and taught me how to dance. I worked as a professional ballroom dancer for Fred Astaire Studios in New York City for three years. I trained, did shows and competitions, and taught students how to waltz, swing and mambo. For a young immigrant woman who had never fit in, who had never felt graceful, it was a great personal transformation. I wanted to give that transforming experience to the heroine of my new book.

Many of the people I know from my childhood working in Chinatown didn’t go to college. They’re still there, washing dishes, sorting garments, supporting their families. I have enormous respect for them. We’re all familiar with the stereotype of the high-achieving Asian student – and indeed, my first novel was about a Chinese immigrant who is saved from the sweatshops by her success in school — but that’s not actually the reality for many. The less known Chinatown story is one in which formal education stops in adolescence, and the path out of poverty is much less available or direct. For Charlie Wong, the Chinatown noodle-shop dishwasher of my new book, academics are not where her talents lie, but her ambitions for the future are no less important for being less obvious or common. What if her passion is not math and science, but something unconventional – and untraditionally Chinese – like ballroom dance? Could her dreams of working as a dance studio receptionist expose her to a world she would not otherwise have seen?

Finding one’s place in the world, moving into adulthood, is never easy for anyone, and for an American-born Chinese girl braced against a very traditional Asian family, that road would be especially bumpy. Charlie Wong’s story shows how one’s personal choices have ramifications beyond oneself, how we exist within a wider community of friends and family who all have their own expectations. She might find herself in the world of ballroom dance, but that freedom is not won easily.

I hope you love reading it!

Warmest regards,

Jean Kwok

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