American Wife

Paperback $15.00

Random House Trade Paperbacks | Feb 10, 2009 | 592 Pages | 5-3/16 x 8 | ISBN 9780812975406

  • Paperback$15.00

    Random House Trade Paperbacks | Feb 10, 2009 | 592 Pages | 5-3/16 x 8 | ISBN 9780812975406

  • Ebook$11.99

    Random House | Sep 02, 2008 | ISBN 9781588367532

  • Audiobook Download$20.00

    Random House Audio | Sep 02, 2008 | 540 Minutes | ISBN 9780739323878

  • Audiobook Download$27.50

    Random House Audio | Sep 02, 2008 | 1404 Minutes | ISBN 9781415956984

Praise

“A well-researched book that imagines what lies behind that placid façade of the first lady…Ms. Sittenfeld was not out to sensationalize but to sympathize.
Maureen Dowd, The New York Times

“Brilliant…[A] triumph…Curtis Sittenfeld has provided a plausible secret history of an American embarrassment – and a grand entertainment.”
Joe Klein, Time Magazine

“A smart and sophisticated portrait of a high-profile political wife…Sittenfeld has an astonishing gift for creating characters that take up residence in readers’ heads.”
Connie Schultz,Washington Post Book World

“Sittenfeld boldly imagines the inner life of a first lady…an intimate and daring story…American Wife is a vicarious experience, an up-close portrait of the interior life of a very complicated woman…cinematic.”
–USA Today

“The novel, Sittenfeld’s most fully realized yet, artfully evokes the painful reverberations of the past.”
–New Yorker

“Compelling…enormously sympathetic…Sittenfeld’s remarkable gifts as a storyteller draw you back into the fictional world of Alice Blackwell. She writes in the sharp, realistic tradition of Philip Roth and Richard Ford–clear, unpretentious prose; metaphors so spot-on you barely notice them. Sittenfeld may have lifted the set pieces from a real woman’s life, but in the process she has created a wise and insightful character who is entirely her own.”
–Time Out New York

“Ambitious…Sittenfeld installs herself deep within the psyche of the tight-lipped wife of the president and emerges with an evenhanded, compassionate look at her mind and heart…powerfully intimate. Grade: A”
–Washington Post

“A masterful highbrow-lowbrow mash-up that satisfies as ass-kicking literary fiction
and juicy gossip simultaneously.”
–Radar

“With American Wife, Curtis Sittenfeld has deftly crossed an extraordinarily high wire…I read American Wife in just two or three delicious sittings, struck by the granular clarity of the author’s descriptions and the down-to-earth believability of the story, bewitched by the charming, frustrating woman at the center of it: Laura Bush.”
— Ana Marie Cox, The New York Observer

“Curtis Sittenfeld is one of our best contemporary chroniclers of class and caste… Sittenfeld imagines this couple so deliciously and so plausibly… Curtis Sittenfeld invents a deep, messy, sympathetic life for a public person whose surface is all we’ll ever know.”
— St Petersburg Times

“Immensely readable. It’s a nuanced portrait of a woman in a singularly fascinating position.”
— Cleveland Plain Dealer

“A broad, deep and utterly convincing account…a portrait of a woman and a marriage that also brings the reader as close to the probable essence of the outgoing president as any other novelist, or any biographer, is likely to get.”
— Portland Oregonian

“We love Sittenfeld. We love her wry, razor-sharp observations. We love her funny, straightforward honesty…[American Wife] is an empathetic, fascinating, and gorgeously written story about a 30-year marriage. We devoured it in one night.”
— Boston Magazine

“Endearing and poignant, humorous and enlightening, American Wife is a must-read for Sittenfeld fans–and a good first read for would-be converts.”
— Fredericksburg Freelance Star

“An entertaining, racy tale that’s inspired more than a bit by the life of our current president’s wife, Laura Bush…A well-told tale that will leave many readers wondering: How much of Sittenfeld’s story might be closer to fact than fiction?”
— St Louis Post Dispatch

“The scope and detail of American Wife are reminiscent of Richard Russo. Like Russo, she creates characters from the ground up, ancestry, neighborhood, culture and all.”
–LA Times

American Wife  promises to be another sensation.”
- Dayton Daily News

American Wife is a sparkling, sprawling novel…A ridiculously gifted writer…Sittenfeld has harnessed her talents perfectly in American Wife, producing an exhilirating epic infused with humor, pain, and hope.”
–BookPage

“Widely anticipated and vastly entertaining… An intelligent, well-crafted, psychologically astute novel”
–New York Sun

“Highly engaging…fascinating depth.”
— Seattle Times

“A well-researched, juicy roman a clef about the current first lady.”
— Boston Globe

“Ambitious…entertaining…a parable of America in the years of the second Bush presidency.”
Joyce Carol Oates, cover of The New York Times Book Review

“With her first line – “Have I made terrible mistakes?” – Alice Blackwell (a fictional First Lady modeled after Laura Bush) reels us into a gripping epic of public and private lives. A gem.”
–Good Housekeeping

“This searing page-turner will make you wonder what unspoken promises lie behind the victory smiles of any power couple.”
- Redbook

“What is Laura Bush thinking? That’s the question Sittenfeld ponders in her novel,
loosely based on the life of our First Lady…Just as she did in Prep, Sittenfeld masterfully deflates
the middle-class fairy tale — rose gardens and all.”
–Marie Claire

“Bold…conveys in convincing, thoroughly riveting detail a life far more complicated than it appears on the surface…What she does here, in prose as winning as it is confident, is to craft out of the first-person narration a compelling, very human voice, one full of kindness and decency. And, as if making the Bush-like couple entirely sympathetic is not enough of a feat in itself, she also provides many rich insights into the emotional ebb and flow of a long-term marriage.”
–Booklist, Upfront and Starred review

“Terrific . . . an intelligent, bighearted novel about a controversial political dynasty.”
–Entertainment Weekly

“Remarkable . . . American Wife is about the long history of a marriage, and . . . the way we make decisions when we’re young that have consequences we couldn’t have anticipated. . . . Sittenfeld’s most ambitious and impressive work to date.”
Chicago Tribune

Author Q&A

A Conversation with the Author

Grateful acknowledgment is made to Time for permission to reprint an interview with Curtis Sittenfeld by Radhika Jones, senior arts editor, Time, copyright © 2008 by Time. Reprinted by permission of Time Inc.

Time: How did this idea come to you?

Curtis Sittenfeld:
Soon after George W. Bush was elected I read a few articles about Laura Bush that made her seem different from what I would have expected. I learned that she’s a big reader, and that she would invite people who had political opinions different from her husband’s to events at the governor’s mansion and then events at the White House. And then I read a biography of her in 2004 by Ann Gerhart called The Perfect Wife: The Life and Choices of Laura Bush. That reinforced the sense I had that she had led a really complex and interesting life. So I wrote this article for Salon—which I would not have written if I’d known that I would end up writing this book—that was basically about being a liberal who has this weird admiration for Laura Bush. In that article I said that her life resembled a novel. And then two years later it occurred to me, I should write that novel.

It’s clear when you read the book that it’s about the first couple, but it feels equally like a book about relationships and how you fall in love and how your character forms.

I agree one hundred percent. And if I’d wanted to write a book that was a hatchet job on Laura Bush—if that was my big goal—I could have made it two hundred pages. But I wanted to explore the human heart much more than I wanted to explore politics. Some people have said to me, Why did you not write more about Charlie Blackwell’s political ascension and his becoming governor, and the campaign, and I feel like there are excellent books out there on political campaigns and mine wouldn’t add anything to the mix. There are so many people who are so much better qualified to write about politics than I am.

I understand that plot is very important to you; you have literary concerns but you also want to keep people turning the pages. And that happens in American Wife. But in this case, unlike your earlier novels, many of the elements of the plot came to you ready-made. Did that affect the way you worked?

The book has four sections, and in each section there’s a major plot twist that has a strong resemblance to an event in the real life of Laura Bush. But then everything else is made up. There’s a chapter where
Charlie Blackwell is drinking heavily, and he buys the baseball team and gives up drinking and finds religion, and obviously those have George Bush parallels. But there’s all this other stuff that has to do with a Princeton reunion, and Alice Blackwell’s sister-in-law having doubts about her own marriage. So even in the sections that borrow most heavily from real life, almost everything is made up. And of course, literally, every scene is made up—because even if we all know that there’s a point when George Bush became religious, I sure wasn’t there!

How long ago did you start working on it?

It’s been two years in the making. When I was writing my first two books I was also freelancing and teaching and doing other odd jobs. For this one I pretty much just wrote. And I wrote much longer hours
than I had in the past. I worked more intensively on this book than I plan to for any future book. I don’t think I’ll have another book for four or five years, and that’s fine with me. In some ways I think it would be very dignified if I went away for twenty years and then wrote my fourth book.

Can you describe the research you did? You mentioned The Perfect Wife.

That was my biggest influence, and that’s the book I recommend to people. If someone says, Oh, American Wife makes me curious to learn more about Laura Bush, I would definitely urge them to read Ann Gerhart. I read another biography of Laura Bush by Ronald Kessler. I read a book by Frank Bruni called Ambling into History: The Unlikely Odyssey of George W. Bush about Bush’s first presidential campaign. I read Hillary Rodham Clinton’s autobiography, which I enjoyed much more than I thought I would. I read a book called For Love of Politics: Inside the Clinton White House by Sally Bedell Smith. I interviewed some people who worked in the White House. Because the book takes place primarily in Wisconsin, I ordered 1960s Wisconsin yearbooks off eBay, and I interviewed people from Wisconsin. For the Princeton stuff I talked to Princeton librarians. And I interviewed friends and family members who I thought had expertise on any topic that might be relevant to the book.

How about the sex in the book? I was reminded of something you said about Prep, that it might not be your parents’ cup of tea for various reasons, and the graphic sex was part of that. It’s
quite a visual, the sex in American Wife.

Actually, for Christmas last year I gave my parents a special copy of the book that had all the sex scenes cut out. Then when some of the sex scenes were put up by websites in July—which was very misrepresentative of the book—my dad stumbled upon them and I basically said, You know, I tried to protect you from that, and if you sought it out on your own, that has to be your concern, not mine. I mean, the book is about a thirty-year marriage, so of course there’s sex.

And realistically, there’s less of it as it goes on.

Exactly. And I know the distinction is hard for people to make, but I do not feel like I wrote a novel about Laura and George Bush. I feel like I read things about them that inspired me to create fictional characters, and then these fictional characters lead their own lives and have their own interactions. So this is not a book about Laura Bush’s sex life.

I’ve read that you didn’t expect Prep to get the kind of reception that it did. But American Wife was coming into an environment where it would get a lot of attention precisely because it is so relevant. Was the run-up to publication different? Did it feel different as you were writing?

To me the question when I was writing was, one, will I finish it, ever? That’s a question that a lot of novelists ask themselves while writing. And, two, will I feel like it’s good enough that I’ll want it to be published? Those were the questions I was focused on. The fact is that in this day and age I don’t think any novelist can assume that a book will get attention. There are books that have pretty provocative subjects that disappear without a trace. I would say that already it’s gotten more attention than I anticipated. At the same time I think it’s probably the most commercial book that I’ll ever write. It has the most obvious hook of any book that I’ll write.


From the Trade Paperback edition.

 

A Conversation with the Author

Grateful acknowledgment is made to Time for permission to reprint an interview with Curtis Sittenfeld by Radhika Jones, senior arts editor, Time, copyright © 2008 by Time. Reprinted by permission of Time Inc.

Time: How did this idea come to you?

Curtis Sittenfeld:
Soon after George W. Bush was elected I read a few articles about Laura Bush that made her seem different from what I would have expected. I learned that she’s a big reader, and that she would invite people who had political opinions different from her husband’s to events at the governor’s mansion and then events at the White House. And then I read a biography of her in 2004 by Ann Gerhart called The Perfect Wife: The Life and Choices of Laura Bush. That reinforced the sense I had that she had led a really complex and interesting life. So I wrote this article for Salon—which I would not have written if I’d known that I would end up writing this book—that was basically about being a liberal who has this weird admiration for Laura Bush. In that article I said that her life resembled a novel. And then two years later it occurred to me, I should write that novel.

It’s clear when you read the book that it’s about the first couple, but it feels equally like a book about relationships and how you fall in love and how your character forms.

I agree one hundred percent. And if I’d wanted to write a book that was a hatchet job on Laura Bush—if that was my big goal—I could have made it two hundred pages. But I wanted to explore the human heart much more than I wanted to explore politics. Some people have said to me, Why did you not write more about Charlie Blackwell’s political ascension and his becoming governor, and the campaign, and I feel like there are excellent books out there on political campaigns and mine wouldn’t add anything to the mix. There are so many people who are so much better qualified to write about politics than I am.

I understand that plot is very important to you; you have literary concerns but you also want to keep people turning the pages. And that happens in American Wife. But in this case, unlike your earlier novels, many of the elements of the plot came to you ready-made. Did that affect the way you worked?

The book has four sections, and in each section there’s a major plot twist that has a strong resemblance to an event in the real life of Laura Bush. But then everything else is made up. There’s a chapter where
Charlie Blackwell is drinking heavily, and he buys the baseball team and gives up drinking and finds religion, and obviously those have George Bush parallels. But there’s all this other stuff that has to do with a Princeton reunion, and Alice Blackwell’s sister-in-law having doubts about her own marriage. So even in the sections that borrow most heavily from real life, almost everything is made up. And of course, literally, every scene is made up—because even if we all know that there’s a point when George Bush became religious, I sure wasn’t there!

How long ago did you start working on it?

It’s been two years in the making. When I was writing my first two books I was also freelancing and teaching and doing other odd jobs. For this one I pretty much just wrote. And I wrote much longer hours
than I had in the past. I worked more intensively on this book than I plan to for any future book. I don’t think I’ll have another book for four or five years, and that’s fine with me. In some ways I think it would be very dignified if I went away for twenty years and then wrote my fourth book.

Can you describe the research you did? You mentioned The Perfect Wife.

That was my biggest influence, and that’s the book I recommend to people. If someone says, Oh, American Wife makes me curious to learn more about Laura Bush, I would definitely urge them to read Ann Gerhart. I read another biography of Laura Bush by Ronald Kessler. I read a book by Frank Bruni called Ambling into History: The Unlikely Odyssey of George W. Bush about Bush’s first presidential campaign. I read Hillary Rodham Clinton’s autobiography, which I enjoyed much more than I thought I would. I read a book called For Love of Politics: Inside the Clinton White House by Sally Bedell Smith. I interviewed some people who worked in the White House. Because the book takes place primarily in Wisconsin, I ordered 1960s Wisconsin yearbooks off eBay, and I interviewed people from Wisconsin. For the Princeton stuff I talked to Princeton librarians. And I interviewed friends and family members who I thought had expertise on any topic that might be relevant to the book.

How about the sex in the book? I was reminded of something you said about Prep, that it might not be your parents’ cup of tea for various reasons, and the graphic sex was part of that. It’s
quite a visual, the sex in American Wife.

Actually, for Christmas last year I gave my parents a special copy of the book that had all the sex scenes cut out. Then when some of the sex scenes were put up by websites in July—which was very misrepresentative of the book—my dad stumbled upon them and I basically said, You know, I tried to protect you from that, and if you sought it out on your own, that has to be your concern, not mine. I mean, the book is about a thirty-year marriage, so of course there’s sex.

And realistically, there’s less of it as it goes on.

Exactly. And I know the distinction is hard for people to make, but I do not feel like I wrote a novel about Laura and George Bush. I feel like I read things about them that inspired me to create fictional characters, and then these fictional characters lead their own lives and have their own interactions. So this is not a book about Laura Bush’s sex life.

I’ve read that you didn’t expect Prep to get the kind of reception that it did. But American Wife was coming into an environment where it would get a lot of attention precisely because it is so relevant. Was the run-up to publication different? Did it feel different as you were writing?

To me the question when I was writing was, one, will I finish it, ever? That’s a question that a lot of novelists ask themselves while writing. And, two, will I feel like it’s good enough that I’ll want it to be published? Those were the questions I was focused on. The fact is that in this day and age I don’t think any novelist can assume that a book will get attention. There are books that have pretty provocative subjects that disappear without a trace. I would say that already it’s gotten more attention than I anticipated. At the same time I think it’s probably the most commercial book that I’ll ever write. It has the most obvious hook of any book that I’ll write.

 

A Conversation with the Author

Grateful acknowledgment is made to Time for permission to reprint an interview with Curtis Sittenfeld by Radhika Jones, senior arts editor, Time, copyright © 2008 by Time. Reprinted by permission of Time Inc.

Time: How did this idea come to you?

Curtis Sittenfeld:
Soon after George W. Bush was elected I read a few articles about Laura Bush that made her seem different from what I would have expected. I learned that she’s a big reader, and that she would invite people who had political opinions different from her husband’s to events at the governor’s mansion and then events at the White House. And then I read a biography of her in 2004 by Ann Gerhart called The Perfect Wife: The Life and Choices of Laura Bush. That reinforced the sense I had that she had led a really complex and interesting life. So I wrote this article for Salon—which I would not have written if I’d known that I would end up writing this book—that was basically about being a liberal who has this weird admiration for Laura Bush. In that article I said that her life resembled a novel. And then two years later it occurred to me, I should write that novel.

It’s clear when you read the book that it’s about the first couple, but it feels equally like a book about relationships and how you fall in love and how your character forms.

I agree one hundred percent. And if I’d wanted to write a book that was a hatchet job on Laura Bush—if that was my big goal—I could have made it two hundred pages. But I wanted to explore the human heart much more than I wanted to explore politics. Some people have said to me, Why did you not write more about Charlie Blackwell’s political ascension and his becoming governor, and the campaign, and I feel like there are excellent books out there on political campaigns and mine wouldn’t add anything to the mix. There are so many people who are so much better qualified to write about politics than I am.

I understand that plot is very important to you; you have literary concerns but you also want to keep people turning the pages. And that happens in American Wife. But in this case, unlike your earlier novels, many of the elements of the plot came to you ready-made. Did that affect the way you worked?

The book has four sections, and in each section there’s a major plot twist that has a strong resemblance to an event in the real life of Laura Bush. But then everything else is made up. There’s a chapter where
Charlie Blackwell is drinking heavily, and he buys the baseball team and gives up drinking and finds religion, and obviously those have George Bush parallels. But there’s all this other stuff that has to do with a Princeton reunion, and Alice Blackwell’s sister-in-law having doubts about her own marriage. So even in the sections that borrow most heavily from real life, almost everything is made up. And of course, literally, every scene is made up—because even if we all know that there’s a point when George Bush became religious, I sure wasn’t there!

How long ago did you start working on it?

It’s been two years in the making. When I was writing my first two books I was also freelancing and teaching and doing other odd jobs. For this one I pretty much just wrote. And I wrote much longer hours
than I had in the past. I worked more intensively on this book than I plan to for any future book. I don’t think I’ll have another book for four or five years, and that’s fine with me. In some ways I think it would be very dignified if I went away for twenty years and then wrote my fourth book.

Can you describe the research you did? You mentioned The Perfect Wife.

That was my biggest influence, and that’s the book I recommend to people. If someone says, Oh, American Wife makes me curious to learn more about Laura Bush, I would definitely urge them to read Ann Gerhart. I read another biography of Laura Bush by Ronald Kessler. I read a book by Frank Bruni called Ambling into History: The Unlikely Odyssey of George W. Bush about Bush’s first presidential campaign. I read Hillary Rodham Clinton’s autobiography, which I enjoyed much more than I thought I would. I read a book called For Love of Politics: Inside the Clinton White House by Sally Bedell Smith. I interviewed some people who worked in the White House. Because the book takes place primarily in Wisconsin, I ordered 1960s Wisconsin yearbooks off eBay, and I interviewed people from Wisconsin. For the Princeton stuff I talked to Princeton librarians. And I interviewed friends and family members who I thought had expertise on any topic that might be relevant to the book.

How about the sex in the book? I was reminded of something you said about Prep, that it might not be your parents’ cup of tea for various reasons, and the graphic sex was part of that. It’s
quite a visual, the sex in American Wife.

Actually, for Christmas last year I gave my parents a special copy of the book that had all the sex scenes cut out. Then when some of the sex scenes were put up by websites in July—which was very misrepresentative of the book—my dad stumbled upon them and I basically said, You know, I tried to protect you from that, and if you sought it out on your own, that has to be your concern, not mine. I mean, the book is about a thirty-year marriage, so of course there’s sex.

And realistically, there’s less of it as it goes on.

Exactly. And I know the distinction is hard for people to make, but I do not feel like I wrote a novel about Laura and George Bush. I feel like I read things about them that inspired me to create fictional characters, and then these fictional characters lead their own lives and have their own interactions. So this is not a book about Laura Bush’s sex life.

I’ve read that you didn’t expect Prep to get the kind of reception that it did. But American Wife was coming into an environment where it would get a lot of attention precisely because it is so relevant. Was the run-up to publication different? Did it feel different as you were writing?

To me the question when I was writing was, one, will I finish it, ever? That’s a question that a lot of novelists ask themselves while writing. And, two, will I feel like it’s good enough that I’ll want it to be published? Those were the questions I was focused on. The fact is that in this day and age I don’t think any novelist can assume that a book will get attention. There are books that have pretty provocative subjects that disappear without a trace. I would say that already it’s gotten more attention than I anticipated. At the same time I think it’s probably the most commercial book that I’ll ever write. It has the most obvious hook of any book that I’ll write.


From the Trade Paperback edition.

 

A Conversation with the Author

Grateful acknowledgment is made to Time for permission to reprint an interview with Curtis Sittenfeld by Radhika Jones, senior arts editor, Time, copyright © 2008 by Time. Reprinted by permission of Time Inc.

Time: How did this idea come to you?

Curtis Sittenfeld:
Soon after George W. Bush was elected I read a few articles about Laura Bush that made her seem different from what I would have expected. I learned that she’s a big reader, and that she would invite people who had political opinions different from her husband’s to events at the governor’s mansion and then events at the White House. And then I read a biography of her in 2004 by Ann Gerhart called The Perfect Wife: The Life and Choices of Laura Bush. That reinforced the sense I had that she had led a really complex and interesting life. So I wrote this article for Salon—which I would not have written if I’d known that I would end up writing this book—that was basically about being a liberal who has this weird admiration for Laura Bush. In that article I said that her life resembled a novel. And then two years later it occurred to me, I should write that novel.

It’s clear when you read the book that it’s about the first couple, but it feels equally like a book about relationships and how you fall in love and how your character forms.

I agree one hundred percent. And if I’d wanted to write a book that was a hatchet job on Laura Bush—if that was my big goal—I could have made it two hundred pages. But I wanted to explore the human heart much more than I wanted to explore politics. Some people have said to me, Why did you not write more about Charlie Blackwell’s political ascension and his becoming governor, and the campaign, and I feel like there are excellent books out there on political campaigns and mine wouldn’t add anything to the mix. There are so many people who are so much better qualified to write about politics than I am.

I understand that plot is very important to you; you have literary concerns but you also want to keep people turning the pages. And that happens in American Wife. But in this case, unlike your earlier novels, many of the elements of the plot came to you ready-made. Did that affect the way you worked?

The book has four sections, and in each section there’s a major plot twist that has a strong resemblance to an event in the real life of Laura Bush. But then everything else is made up. There’s a chapter where
Charlie Blackwell is drinking heavily, and he buys the baseball team and gives up drinking and finds religion, and obviously those have George Bush parallels. But there’s all this other stuff that has to do with a Princeton reunion, and Alice Blackwell’s sister-in-law having doubts about her own marriage. So even in the sections that borrow most heavily from real life, almost everything is made up. And of course, literally, every scene is made up—because even if we all know that there’s a point when George Bush became religious, I sure wasn’t there!

How long ago did you start working on it?

It’s been two years in the making. When I was writing my first two books I was also freelancing and teaching and doing other odd jobs. For this one I pretty much just wrote. And I wrote much longer hours
than I had in the past. I worked more intensively on this book than I plan to for any future book. I don’t think I’ll have another book for four or five years, and that’s fine with me. In some ways I think it would be very dignified if I went away for twenty years and then wrote my fourth book.

Can you describe the research you did? You mentioned The Perfect Wife.

That was my biggest influence, and that’s the book I recommend to people. If someone says, Oh, American Wife makes me curious to learn more about Laura Bush, I would definitely urge them to read Ann Gerhart. I read another biography of Laura Bush by Ronald Kessler. I read a book by Frank Bruni called Ambling into History: The Unlikely Odyssey of George W. Bush about Bush’s first presidential campaign. I read Hillary Rodham Clinton’s autobiography, which I enjoyed much more than I thought I would. I read a book called For Love of Politics: Inside the Clinton White House by Sally Bedell Smith. I interviewed some people who worked in the White House. Because the book takes place primarily in Wisconsin, I ordered 1960s Wisconsin yearbooks off eBay, and I interviewed people from Wisconsin. For the Princeton stuff I talked to Princeton librarians. And I interviewed friends and family members who I thought had expertise on any topic that might be relevant to the book.

How about the sex in the book? I was reminded of something you said about Prep, that it might not be your parents’ cup of tea for various reasons, and the graphic sex was part of that. It’s
quite a visual, the sex in American Wife.

Actually, for Christmas last year I gave my parents a special copy of the book that had all the sex scenes cut out. Then when some of the sex scenes were put up by websites in July—which was very misrepresentative of the book—my dad stumbled upon them and I basically said, You know, I tried to protect you from that, and if you sought it out on your own, that has to be your concern, not mine. I mean, the book is about a thirty-year marriage, so of course there’s sex.

And realistically, there’s less of it as it goes on.

Exactly. And I know the distinction is hard for people to make, but I do not feel like I wrote a novel about Laura and George Bush. I feel like I read things about them that inspired me to create fictional characters, and then these fictional characters lead their own lives and have their own interactions. So this is not a book about Laura Bush’s sex life.

I’ve read that you didn’t expect Prep to get the kind of reception that it did. But American Wife was coming into an environment where it would get a lot of attention precisely because it is so relevant. Was the run-up to publication different? Did it feel different as you were writing?

To me the question when I was writing was, one, will I finish it, ever? That’s a question that a lot of novelists ask themselves while writing. And, two, will I feel like it’s good enough that I’ll want it to be published? Those were the questions I was focused on. The fact is that in this day and age I don’t think any novelist can assume that a book will get attention. There are books that have pretty provocative subjects that disappear without a trace. I would say that already it’s gotten more attention than I anticipated. At the same time I think it’s probably the most commercial book that I’ll ever write. It has the most obvious hook of any book that I’ll write.


From the Trade Paperback edition.

Biographile.com
Back to Top