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Look Inside | Reading Guide
Reading Guide
Mar 13, 1989 | ISBN 9780679723165 Buy
Nov 10, 2009 | ISBN 9780307474674 Buy
Mar 09, 1993 | ISBN 9780679410430 Buy
Aug 24, 2010 | ISBN 9780307744029 Buy
Sep 20, 2005 | 689 Minutes Buy
Buy from Other Retailers:
Mar 13, 1989 | ISBN 9780679723165
Nov 10, 2009 | ISBN 9780307474674
Mar 09, 1993 | ISBN 9780679410430
Aug 24, 2010 | ISBN 9780307744029
Sep 20, 2005 | ISBN 9780739333211
689 Minutes
Awe and exhiliration–along with heartbreak and mordant wit–abound in Lolita, Nabokov’s most famous and controversial novel, which tells the story of the aging Humbert Humbert’s obsessive, devouring, and doomed passion for the nymphet Dolores Haze. Lolita is also the story of a hypercivilized European colliding with the cheerful barbarism of postwar America. Most of all, it is a meditation on love–love as outrage and hallucination, madness and transformation.
Lolita, la más famosa y controversial novela de Vladimir Nabokov, cuenta la historia de la obsesión devoradora del cuarentón Humbert Humbert por la nínfula Dolores Haze. Ternura y fascinación —además de tristeza y un humor mordaz— llenan sus páginas pero es, por encima de todo, una meditación sobre el amor—el amor como abuso y alucinación, locura y transformación.
When it was published in 1955, Lolita immediately became a cause célèbre because of the freedom and sophistication with which it handled the unusual erotic predilections of its protagonist. But Vladimir Nabokov’s wise, ironic, elegant masterpiece owes its stature as one of the twentieth century’s novels of record not to the controversy its material aroused but to its author’s use of that material to tell a love story almost shocking in its beauty and tenderness.
Awe and exhilaration–along with heartbreak and mordant wit–abound in this account of the aging Humbert Humbert’s obsessive, devouring, and doomed passion for the nymphet Dolores Haze. Lolita is also the story of a hypercivilized European colliding with the cheerful barbarism of postwar America, but most of all, it is a meditation on love–love as outrage and hallucination, madness and transformation. With an introduction by Martin Amis.
Vladimir Nabokov studied French and Russian literature at Trinity College, Cambridge, then lived in Berlin and Paris, writing prolifically in Russian under the pseudonym Sirin. In 1940, he left France for America, where he wrote some of his greatest works—Bend Sinister (1947), Lolita (1955), Pnin (1957),… More about Vladimir Nabokov
"The only convincing love story of our century." —Vanity Fair"Lolita blazes with a perversity of a most original kind. For Mr. Nabokov has distilled from his shocking material hundred-proof intellectual farce…Lolita seems an assertion of the power of the comic spirit to wrest delight and truth from the most outlandish materials. It is one of the funniest serious novels I have ever read; and the vision of its abominable hero, who never deludes or excuses himself, brings into grotesque relief the cant, the vulgarity, and the hypocritical conventions that pervade the human comedy." —Atlantic Monthly"Intensely lyrical and wildly funny." —Time"The conjunction of a sense of humor with a sense of horror [results in] satire of a very special kind, in which vice or folly is regarded not so much with scorn as with profound dismay and a measure of tragic sympathy…The reciprocal flow of irony gives to both the characters and their surroundings the peculiar intensity of significance that attends the highest art." —The New Yorker"Lolita is an authentic work of art which compels our immediate response and serious reflection–a revealing and indispensable comedy of horrors." —San Francisco Chronicle
Audie Awards WINNER 1998
Like the sweat of lust and guilt, the sweat of death trickles through Lolita. I wonder how many readers survive the novel without realizing that its heroine is, so to speak, dead on arrival, like her child. Their brief obituaries, school-newsletter form:‘Mona Dahl’ s a student in Paris. ‘Rita’ has recently married the proprietor of a hotel in Florida. Mrs. ‘Richard F. Schiller’ died in childbed, giving birth to a stillborn girl, on Christmas Day 1952, in Gray Star, a settlement in the remotest Northwest. ‘Vivian Darkbloom’ has written a biographyThen, once the book begins, Humbert’s childhood love Annabel dies, at thirteen (typhus) and his first wife Valeria dies (also in childbirth), and his second wife Charlotte dies (‘a bad accident’ – though of course this death is structural), and Charlottes’ friend Jean Farlow dies at thirty-three (cancer), and Lolita’s young seducer Charlie Homes dies (Korea), and her old seducer Quilty dies (murder: another structural exit). And then Humbert dies (coronary thrombosis). And then Lolita dies. And her daughter dies. In a sense Lolita is too great for its own good. It rushes up on the reader like a recreational drug more powerful than any yet discovered or devised. In common with its narrator, it is both irresistible and unforgivable. And yet it all works out. I shall point the way to what I take to be its livid and juddering heart – which is itself in pre-thrombotic turmoil, all heaves and lifts and thrills.
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