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Feb 17, 2004 | ISBN 9780375756573 Buy
Feb 11, 2003 | ISBN 9781588362766 Buy
Feb 06, 2018 | 270 Minutes Buy
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Feb 17, 2004 | ISBN 9780375756573
Feb 11, 2003 | ISBN 9781588362766
Feb 06, 2018 | ISBN 9780525631453
270 Minutes
During World War Two, 131 German cities and towns were targeted by Allied bombs, a good number almost entirely flattened. Six hundred thousand German civilians died—a figure twice that of all American war casualties. Seven and a half million Germans were left homeless. Given the astonishing scope of the devastation, W. G. Sebald asks, why does the subject occupy so little space in Germany’s cultural memory? On the Natural History of Destruction probes deeply into this ominous silence.
W.G. Sebald completed this extraordinary and important — and already controversial — book before his untimely death in December 2001. On the Natural History of Destruction is W.G. Sebald’s harrowing and precise investigation of one of the least examined “silences” of our time. In it, the acclaimed novelist examines the devastation of German cities by Allied bombardment, and the reasons for the astonishing absence of this unprecedented trauma from German history and culture.This void in history is in part a repression of things — such as the death by fire of the city of Hamburg at the hands of the RAF — too terrible to bear. But rather than record the crises about them, writers sought to retrospectively justify their actions under the Nazis. For Sebald, this is an example of deliberate cultural amnesia; his analysis of its effects in and outside Germany has already provoked angry and painful debate.Sebald’s incomparable novels are rooted in meticulous observation; his essays are novelistic. They include his childhood recollections of the war that spurred his horror at the collective amnesia around him. There are moments of black humour and, throughout, the unmatched sensitivity of Sebald’s intelligence. This book is a vital study of suffering and forgetting, of the morality hidden in artistic decisions, and of both compromised and genuine heroics.
W.G. Sebald’s military classic, ON THE NATURAL HISTORY OF DESTRUCTION, will now be available for the first time in audio!On the Natural History of Destruction is W.G. Sebald’s harrowing and precise investigation of one of the least examined “silences” of our time. In it, the acclaimed novelist examines the devastation of German cities by Allied bombardment, and the reasons for the astonishing absence of this unprecedented trauma from German history and culture.This void in history is in part a repression of things — such as the death by fire of the city of Hamburg at the hands of the RAF — too terrible to bear. But rather than record the crises about them, writers sought to retrospectively justify their actions under the Nazis. For Sebald, this is an example of deliberate cultural amnesia; his analysis of its effects in and outside Germany has already provoked angry and painful debate.Sebald’s incomparable novels are rooted in meticulous observation; his essays are novelistic. They include his childhood recollections of the war that spurred his horror at the collective amnesia around him. There are moments of black humour and, throughout, the unmatched sensitivity of Sebald’s intelligence. This book is a vital study of suffering and forgetting, of the morality hidden in artistic decisions, and of both compromised and genuine heroics.Cover credits:Photograph: World War II Berlin, 1945, by Yevgeny Khaldej/Granger www.granger.com.Design: Peter Hassiepen/Hanser.
W. G. Sebald was born in Wertach im Allgäu, Germany, in 1944. He studied German language and literature in Freiburg, Switzerland, and Manchester. He taught at the University of East Anglia in Norwich, England, for thirty years, becoming professor of… More about W.G. Sebald
“Most writers, even good ones, write of what can be written. . . . The very greatest write of what cannot be written. . . . I think of Akhmatova and Primo Levi, for example, and of W. G. Sebald.” —The New York Times “[Sebald] is writing about what he regards as a disquieting refusal to face facts—not only about what was done to the nation, but by implication, by the nation. . . . No better future for humankind is possible if we do less than look upon the crimes of our past, and their catastrophic results, with ‘a steadfast gaze.’”—The Boston Sunday Globe “This may well be the last of Sebald’s writing we’ll ever have, so how amazing—and fitting—it is that it seems, in a fashion as uncanny as his prose and perceptions could often be, to close the circle of the ruminations that preoccupied his writing life.” —The Washington Post “Sebald approaches his subject with sensitivity, yet avoids neither descriptions of horrible carnage nor criticism of writers too preoccupied with absolving themselves of blame to faithfully portray a destroyed Germany. The result is a balanced explication of devastation and denial, and a beautiful coda for Sebald.” —Booklist “The secret of Sebald’s appeal is that he saw himself in what now seems almost an old-fashioned way as a voice of conscience, someone who remembers injustice, who speaks for those who can no longer speak.” —The New York Review of Books
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