READERS GUIDE

Questions and Topics for Discussion

INTRODUCTION

Clarence King was one of the most widely admired and talented men of his generation. Friend to Secretary of State John Hay and eminent historian Henry Adams, King was a brilliant conversationalist and spellbinding storyteller, a visionary geologist who did more than anyone to map the American West, and a man who seemed to embody the American ideals of powerful intelligence wedded to manly vigor and adventurous spirit.

But as Martha Sandweiss shows in Passing Strange, King led a double life, passing as a black man in order to marry Ada Copeland, who was very likely born a slave and who was as far outside King’s social and intellectual circle as a woman could possibly be. King created an alternate identity as James Todd, pullman porter, and hid a thirteen-year marriage from his family, friends, and the world, a marriage that would produce five children and last until King’s death in 1901.

Sandweiss tells this fascinating story—a story that has been overlooked until now—with remarkable insight, providing the historical, social, and political context that illuminate the racial attitudes that dominated Jim Crow and Gilded Age America. She shows that even though King was fair-skinned with sandy blond hair and blue eyes, the nation’s racial definitions, which asserted that having even one out of eight great grandparents could make one legally black, enabled King to cross the color line without suspicion. And while many blacks in late nineteenth-century America passed as white, the kind of racial passing that King accomplished was understandably rare. As a prominent scientist and member of the social elite of New York, King risked everything to be with the woman he loved. Had his relationship been discovered during his lifetime, it would have caused a major scandal and brought an end to his public life. Sandweiss explores King’s possible motives and methods for carrying out this elaborate deception, revealing the full complexity of a man who both embraced and embodied paradox: a man who exemplified the ideals of the age but in many ways hated “civilization,” preferring dark-skinned peoples and the rugged life of the mountains or the tropics to the social elitism of Boston, New York, and Washington; a man who possessed enormous literary promise but wrote little, devoting his powers of fictional invention to creating his alter ego James Todd instead; a man whose was as talented as any but lived most of his life under crushing debt; a man who advocated a racially mixed America, but who would not reveal his own interracial marriage and mixed-race children.

Passing Strange also provides a revealing glimpse into Ada Copeland’s life before, during, and after her marriage to King—her rise from slavery to a comfortable middle-class life in New York City, her determined legal battles to recover the trust fund she was sure King had left for her, her devoted family life, and most of all, the passionate love she shared with the man she knew as James Todd.

A truly extraordinary story about an extraordinary man and an extraordinary couple, Passing Strange illuminates, as no other recent book has done, the vexed intersection of race, class, identity, and ambition in America’s Gilded Age.

Martha A. Sandweiss is a professor of history at Princeton University. She began her career as a museum curator and taught for twenty years at Amherst College. She is the author of numerous works on western American history and the history of photography, including Print the Legend: Photography and the American West, winner of the Organization of American Historians’ Ray Allen Billington Award, and Laura Gilpin: An Enduring Grace and is the coeditor of the Oxford History of the American West.

Q. What drew you to the story of Clarence King?

Many years ago, in graduate school, I read a marvelous biography of King, one of the great heroes of western exploration. The author devoted only about five pages of this five hundred page book, however, to a discussion of King’s relationship with an African American woman named Ada. It struck me that a thirteen-year relationship that produced five children deserved more attention than that, even if it was a secret life that would be difficult to uncover. In our celebrity-obsessed world, public figures find it very difficult to have truly private lives. I decided to return to the story of Clarence King because I was curious to learn more about his secret life, but also because I was curious to figure out why it was so much easier for public figures to maintain their privacy in the late nineteenth century.

Q. What turned out to be the most surprising aspects of King’s life for you?

I uncovered the fact of King’s racial passing the very first day I turned to this project. No one had ever considered the possibility that this fair-haired, blue-eyed man might have represented himself as a person of African American descent. No fact proved as surprising to me as that! I used the census document that disclosed King’s racial masquerade to me as the basis for the opening anecdote of the book.

Q. You suggest that at this particular historical moment, King’s personal life is a richer vein to mine than his scientific accomplishments and his more public life. Why do you think no one has told the story of King’s racial passing before?

King’s friends, as well as his earliest biographers, idolized the man, regarding him as an ideal mix of physical courage, charming wit, and dazzling intelligence. I don’t think they wanted to push too hard at those aspects of his life that might challenge their ideal image of the man. Only one of King’s friends knew about King’s secret marriage before King’s death. None knew about his racial masquerade. And though some of King’s later biographers knew the general outline of his life with Ada Copeland, none cared to ask many questions about her or to explore the world she and King shared. They viewed his private life as essentially irrelevant to his professional life.

Q. It remains unclear just how much Ada knew of her husband’s deceptions while he was alive. What is your own view of the extent of her knowledge about James Todd’s other life?

I think that Ada knew something was unusual about her husband. After all, she never met any of his friends or family members, and she must have noted that she and her husband never traveled together in very public places. But I do not believe that she knew James Todd was really the celebrated Clarence King. King revealed his true name to her for the first time in a letter written from his deathbed.

Nonetheless, we might also ask whether Ada truly believed her husband to be a man of African American descent. I think she did. She would have known many people of African American heritage in New York who had very light skin, and known that complexion might not always be an accurate marker of ancestry. She would also have known that within the African American community, light skin offered certain social privileges. The confidence with which she moved into the world as a black middleclass matron suggests to me that she thought herself married to a light-skinned black man. An interracial marriage would have been much more difficult for her to manage.

Q. You repeatedly note how much King was admired by his contemporaries—by men like John Hay, Henry Adams, and many others. But you also include a quote from Harry Herbert Crosby who called King “the most lavishly overpraised man of his time” (p. 296). Where does King stand in your own estimation?

I see King as a brilliant thinker and an immensely talented explorer. I suppose I might concur with those who argue that in his later years he squandered his prodigious talents, at least with regard to his scientific career. As we now know, he was directing his energies and his imagination towards his secret family. But I also see him as a tragic figure, a man unable to rise above the prejudices of his time to do the right thing for his family. Even if I can forgive him for his subterfuge, acknowledging that he felt caught between the competing demands of his two worlds, I find it difficult to forgive him for not providing for his wife and his four surviving children in his will.

Q. How difficult was your research on Ada Copeland? What were the challenges of finding public information about a former slave?

As many Americans researching their family trees know, it can be very difficult to find reliable records for enslaved people. They generally had no surnames, no birth records, none of the other sorts of civil or religious documents with which we can trace the lives of so many other people living in the United State during the early and mid-nineteenth century. As my readers will see, I had to circle around Copeland’s early years, using scattered historical sources and the recollections of other people to augment the scant evidence I had about Copeland herself. I went down to Georgia to attend the reunion of her extended family. But no one there had any family stories about the girl named Ada who had moved north so very long ago. In the course of my research, however, I did track down Ada’s great granddaughter and discovered—to my astonishment—that she had vivid memories of this woman who had been born in 1860! When I began my research I had no idea that Ada King lived to be 103. I never suspected I would meet someone who could describe her character and personality to me.

Q. How would you explain King’s remarkable affection for dark-skinned women and his disdain for more “civilized” white women?

This is a question I’d prefer to leave to the psycho-biographers! As I’ve noted in the book, King had a very close relationship with a black nursemaid as a boy. He also had a very demanding, hypochondriacal mother with whom he grew quite close after the early death of his father. He later assumed the emotional and financial responsibility for his mother’s care, a burden that weighed heavily on him all his life. Ada Copeland was about as different from King’s mother as one could imagine, in terms of social class, race, and personal wherewithal. She was strong and self-reliant, and clearly held out the promise of a different sort of family life.

Q. How difficult was it to tell this story while being unable to really know what King’s life with Ada Copeland was like? How much did you have to use your imagination, as well as a scrupulous adherence to the historical facts, to write this book?

While working on this book, I often wished to be a novelist who could invent, with splendid omniscience, everything going on inside my characters’ heads. But I am not a fiction writer. I am a historian whose work rests firmly upon footnoted sources. When I don’t know precisely what happened at a particular moment, I signal to my readers that I am engaging in informed historical speculation by using words like perhaps, must have, would have, or likely. Two beliefs lay behind this. First, I imagine that since I know more about this story than my readers do, I have an obligation to give them my best hypothesis as to what happened. But second, since I am a historian I feel compelled never to assert something with certainty unless I have very persuasive evidence.

Q. To what extent is racial passing still occurring in America today?

Racial passing occurs in societies in which greater benefits accrue to people of one racial identity than to those of another. Certainly, racial inequalities still exist in the United States. There’s no denying that. But I like to think that we live in a world in which the sharp racial boundaries that marked Clarence King’s and Ada Copeland’s worlds are being erased. When Americans become truly oblivious to racial identity there will be no more reason to claim a false racial heritage.

Q. What do you think Clarence King would think of your book, if he could read it?

He dreamed of an America in which people would be identified not as black or white, but simply as Americans. Perhaps he would shudder at his deepest secrets being disclosed, but I like to imagine he would be glad to see what happened to his children and grandchildren and pleased to see his family’s story become a part of a larger American conversation about race. With a president of the United States who himself comes from an interracial marriage (and who chooses to self-identify as black), we now live in a world that even Clarence King could not have imagined possible. I think he might breathe a sigh of relief that his story could now be told, and without any great threat to his historical reputation as a scientist or writer.

1. Henry Adams observed that for King “it was not the modern woman that interested him; it was the archaic female, with instincts and without intellect” (p. 62). King himself said “Woman, I am ashamed to say, I like best in the primitive state” (p. 124). Why did King feel such disdain for “modern” women? Why did he prefer women who had not been so thoroughly shaped by western civilization?
    
2. What does Passing Strange reveal about both the fluidity of racial identities and the rigidities of racial prejudice in late nineteenth-century America?
    
3. In what ways does Ada Copeland’s life, before, during, and after her marriage to King illuminate both the racial limitations of late nineteenth century America and the new freedom available to someone like Ada?
    
4. Sandweiss writes of King: “Acting from a complicated mix of loyalty and self-interest, reckless desire and social conservatism, he deceived his mother, his close friends, his colleagues, and all the people who knew him in his public role. He also deceived the woman he married” (p. 303). How harshly or kindly should we judge King today for the double life he led? What factors— personal, social, historical—might mitigate our judgment of his deceptions?
    
5. Was Ada Copeland’s marriage to King, and the deceit it entailed, ultimately beneficial or harmful to her? How did marrying King change her life?
    
6. What were King’s most remarkable and admirable personal characteristics? What made him so well liked and so widely admired during his lifetime?
    
7. In what ways were King’s racial attitudes progressive for the time he lived in? How did he envision racial equality evolving in America? How might King regard America’s current state of race-relations?
    
8. Frances Farquhar, in his introduction to King’s “The Helmet of Mambrino,” argues that King was a tragic hero, “in the sense of Aristotle—‘One highly renowned and prosperous, whose misfortune is brought upon him by some error of judgment or frailty’” (p. 296). Was King a tragic hero? What was the error of judgment or frailty that caused his fall?
    
9. Why did King fail to fulfill the promise of a brilliant literary career so many of his friends predicted for him?
    
10. In what ways does Passing Strange illuminate the racial complexities—as well as the tensions between public and private life—of our own historical moment?