“Mishima is a giant. . . . One of the most acclaimed writers of the 20th century. . . . The uniquely askew relationships at the center of the story mean that its most riveting scenes are well and truly riveting; unforgettable, even.” —The New York Times Book Review
“A compelling tale of love and violence. . . . Mishima is a magnificent and important storyteller. . . Admirers of the enigmatic Japanese master have reason to rejoice. Those still unfamiliar with his work might very well have a new entryway to one of the most vital—and troubling—literary voices of the 20th century. . . . By the time we reach the end, Mishima’s twisty timeline pays huge dividends. A powerful epilogue ties a neat ribbon around the plot.” —The Washington Post
“[A] little gem.” —The Wall Street Journal
“[A] luridly propulsive novel. . . . This disturbing book is a masterful look into the ‘very instant when the truth of perverse human nature begins to shine.’ . . . With Mishima’s baroque, beautiful prose hinting at depravity on every page.” —Publishers Weekly (starred review)
“[A] psychologically complex novel finally available in a honed translation by Andrew Clare. . . . Mishima, an extraordinary literary talent, was to the last a consummate multifaceted performance artist, profoundly aware of the pressing momentum of time.” —The Times Literary Supplement
“Classic Mishima terrain. . . . A stimulating read and a welcome addition to the canon of Mishima translations.” —The Japan Times
“Masterful. . . . A tale of lust, violence and acceptance, the story stands as another example of [Mishima’s] genius.” —Shelf Awareness
“The kind of book you scribble all over in excitement because every line is so brilliant.” —Chicago Review of Books
“The Frolic of the Beasts has finally been published in English, in a decent translation by Andrew Clare. . . . Mishima was prolific and versatile in a manner reminiscent of a writer like John Updike. In addition to hundreds of short stories and eleven volumes of critical essays, he wrote thirty-five novels and thirteen plays . . . including adaptations from the Noh theater repertory.” —The New York Review of Books
“Representative Mishima. . . . [The Frolic of the Beasts shows] the author’s penchant for meticulously peeling the onion.” —The Hudson Review
“A tragic, haunting work from a master.” —The Gazette (Cedar Rapids)
