“It is thrilling to be in the room with the two of them once their cat-and-mouse game commences. . . [The Impostor] vibrates with an insomniac energy. I did, too, while in its throes. There’s no looking away from it; it has the hot, charged energy of sitting through a trial. . . The brilliance of The Impostor is how Cercas connects Marco’s desire for reinvention with Spain’s national project of burying its history as it transitioned from dictatorship to democracy. . . The language is precise, distinctive and delicious. . . Is there a more gifted or versatile translator working today than Frank Wynne?. . . The voice of this book, the voice of Cercas, with its beautiful grain and restlessness, its swerves from pity to fury, from calm to hysteria, owe much to Wynne’s almost musical modulations.”—Parul Sehgal, The New York Times
“Luminous. . . Magnificent. . . As well as an incisive piece of journalistic investigation, Mr. Cercas’s book is a subtle essay on the nature of fiction and the ways in which it can invade our lives and transform them. . . But his sickness is a sickness of our time, of a culture in which truth is less important than appearance and in which performing is the best (and perhaps the only) way of being and living. Fiction has replaced reality in today’s world and, for that reason, the everyday characters of the real world no longer interest or entertain us. Fantasists do.”—Mario Vargas Llosa, The Wall Street Journal
“Acclaimed Spanish novelist Cercas looks deeply at the curious case of a man who wasn’t there . . . A charged examination of a surpassingly strange matter and of the masks and fictions we construct.”
—Kirkus Reviews
“Remarkable, fascinating . . . Cercas’s analysis of post-Franco Spain will be invaluable for any non-Spaniard trying to understand this complex period. Yet it’s not just for this that The Impostor is a great book. It is also because of the intellectual depth and even-handedness with which Cercas explores Marco’s lifelong lie and his motivations for telling it.” —Mark Nayler, El País (American edition)
“Mesmerizing . . . Shines a light not only on the methods of the deceiver but the willingness of the deceived to accept such falsehoods.”—Publishers Weekly, starred review
Reviews from the UK
“Cercas often presents himself on the page as a bit of a neurotic bumbler, the better to work doubts and second thoughts into his formidably polished storytelling . . . He tell[s] Marco’s story with great skill, some impressive detective work and an irony that’s sometimes amused and sometimes appalled . . . Hair-raising.”
—Christopher Tayler, London Review of Books
“A fascinating, highly charged, scalpel-sharp dissection of Marco’s deception, which also looks at the dilemma of the justifiable lie, and the collective lies Spain told itself as it moved from dictatorship to democracy.” —The Times (UK)
“No Spanish writer has probed the unhealed wounds of the country’s history with more subtlety and rigour than Cercas . . . . The Impostor is a true story that even the most fanciful yarn-spinner would blush to invent . . . Mixing dogged research and testy, sparring interviews with the charming pretender, Cercas scrupulously tracks Marco’s big lie.” —The Economist
“A humane, artistically responsible, and civilised book, one that you finish feeling heartened that such a serious-minded writer as Cercas is at work.” —The Sunday Times
“Cercas probes this mysterious and extraordinary life with uncommon patience, uncommon skill, and uncommon sympathy . . . A fascinating book.” —The Scotsman
“Besides being a piece of nifty journalistic detective work, Cercas’s book is an insightful psychological study . . . Both convincing and compelling.” —The Spectator
“An awful lot here resonates—not just the buzzy issues of myth-making that dominate much of contemporary politics, but more enduring questions about the nature of truth and storytelling.” —Daily Mail
“Cercas’s best book to date . . . A marvelous book that readers will enjoy.” —ABC Cultural
