Port William Series

Thirteen new stories of the Port William membership spanning the decades from World War II to the present moment

For those readers of his poetry and inspired by his increasingly vital work as advocate for rational land use and the right-size life, these stories of Wendell Berry’s offer entry into the fictional place of value and beauty that is Port William, Kentucky. Berry has said it’s taken a lifetime for him to learn to write like an old man, and that’s what we have here, stories told with grace and ease and majesty. Wendell Berry is one of our greatest living American authors, writing with the wisdom of maturity and the incandescence that comes of love.

These thirteen new works explore the memory and imagination of Andy Catlett, one of the well-loved central characters of the Port William saga. From 1932 to 2021, these stories span the length of Andy’s life, from before the outbreak of the Second World War to the threatened end of rural life in America.

The story of the community of Port William is one of the great works in American literature. This collection, the tenth volume in the series, is the perfect occasion to celebrate Berry’s huge achievement. It feels as if the entire membership—all the Catletts, Burley Coulter, Elton Penn, the Rowanberrys, Laura Milby, the preacher’s wife, Kate Helen Branch, Andy’s dog, Mike—nearly everyone returns with a story or two, to fill in the gaps in this long tale. Those just now joining the Membership will be charmed. Those who’ve attended before will be enriched.

For more than fifty years, Wendell Berry has been telling us stories about Port William, a mythical town on the banks of the Kentucky River, populated over the years by a cast of unforgettable characters living in a single place over a long time. In A Place in Time, the stories dates range from 1864, when Rebecca Dawe finds herself in her own reflection at the end of the Civil War, to one from 1991 when Grover Gibbs’ widow, Beulah, attends the auction as her home place is offered for sale.

“And so it’s all gone. A new time has come. Various ones of the old time keep faith and stop by to see me, Coulter and Wilma and a few others. But the one I wait to see is Althie. Seems like my whole life now is lived under the feeling of her hand touching me that day of the sale, and every day still.

I lie awake in the night, and I can see it all in my mind, the old place, the house, all the things I took care of so long. I thought I might miss it, but I don’t. The time has gone when I could do more than worry about it, and I declare it’s a load off my mind. But the thoughts, still, are a kind of company.”— Beulah Gibbs

A young boy takes a trip on his own to visit his grandparents in Kentucky in this luminous entry in the acclaimed Port William series.

In this “eloquent distillation of Berry’s favorite themes: the importance of family, community and respect for the land” (Kirkus Reviews), nine-year-old Andy Catlett embarks on a solo trip by bus to visit his grandparents in Port William, Kentucky, during the Christmas of 1943. Full of “nostalgic, admiring detail” (Publishers Weekly), Andy observes the modern world crowding out the old ways, and the people he encounters become touchstones for his understanding of a precious and imperiled world. This beautiful, short memoir-like novel is a perfect introduction to Wendell Berry’s rich and ever-evolving saga of the Port William Membership, filled with images “as though describing a painting by Edward Hopper” (The New York Times).

Hannah Coulter is Wendell Berry’s seventh novel and his first to employ the voice of a woman character in its telling. Hannah, the now–elderly narrator, recounts the love she has for the land and for her community. She remembers each of her two husbands, and all places and community connections threatened by twentieth–century technologies. At risk is the whole culture of family farming, hope redeemed when her wayward and once lost grandson, Virgil, returns to his rural home place to work the farm.

Originally published in 2005, That Distant Land brings together twenty–three stories from the Port William Membership. Arranged in their fictional chronology, the book is not an anthology so much as it is a coherent temporal mapping of this landscape over time, revealing Berry’s mastery of decades of the life lived alongside this clutch of interrelated characters bound by affection and followed over generations.

This volume combines the stories found in The Wild Birds (1985), Fidelity (1992), and Watch with Me (1994), together with a map and a charting of the complex and interlocking genealogies.

“This is a book about Heaven,” says Jayber Crow, “but I must say too that . . . I have wondered sometimes if it would not finally turn out to be a book about Hell.” It is 1932 and he has returned to his native Port William to become the town’s barber.

Orphaned at age ten, Jayber Crow’s acquaintance with loneliness and want have made him a patient observer of the human animal, in both its goodness and frailty.

He began his search as a “pre–ministerial student” at Pigeonville College. There, freedom met with new burdens and a young man needed more than a mirror to find himself. But the beginning of that finding was a short conversation with “Old Grit,” his profound professor of New Testament Greek.

“You have been given questions to which you cannot be given answers. You will have to live them out—perhaps a little at a time.”

“And how long is that going to take?”

“I don’t know. As long as you live, perhaps.”

“That could be a long time.”

“I will tell you a further mystery,” he said. “It may take longer.”

Wendell Berry’s clear–sighted depiction of humanity’s gifts—love and loss, joy and despair—is seen though his intimate knowledge of the Port William Membership.

In this, Wendell Berry’s fifth novel and ninth work of fiction, Andy Catlett revisits his own ninth year in the summer of 1944 when his beloved uncle is shot and killed by the surly and mysterious Carp Harmon. This is his Uncle Andrew, after whom the boy is named, someone who savored “company, talk, some kind of to–do, something to laugh at.”

Years later, still possessed by the story, Andy seeks to get to the bottom of all this, to understand the two men and their lethal connection.

“Berry deftly balances Andy’s investigation into the town’s past with an equally moving realization not only of the sustaining value of memory but of the manner in which they are shaped in enduring ways by what they love . . . a sharp portrait of a town nursing its secrets over decades.” —Kirkus Reviews

A poetic novel of despair, hope, and the redemptive power of work deepens an award–winning author’s grand Port Williams literary project.

After losing his hand in an accident, Andy Catlett confronts an agronomist whose surreal vision can see only industrial farming. This vision is powerfully contrasted with that of modest Amish farmers content to live outside the pressures brought by capitalist postindustrial progress, and by working the land to keep away the three great evils of boredom, vice, and need.

As Andy’s perspective filters through his anger over his loss and the harsh city of San Francisco surrounding him, he begins to remember: the people and places that wait 2,000 miles away in his Kentucky home, the comfort he knew as a farmer, and his symbiotic relationship to the soil. Andy laments the modern shift away from the love of the land, even as he begins to accept his own changed relationship to the world. Wendell Berry’s continued fascination with the power of memory continues in this treasured novel set in 1976.

“[Berry’s] poems, novels and essays . . . are probably the most sustained contemporary articulation of America’s agrarian, Jeffersonian ideal.” —Publishers Weekly

“Wendell Berry is one of those rare individuals who speaks to us always of responsibility, of the individual cultivation of an active and aware participation in the arts of life.” —The Bloomsbury Review

“Berry is a superb writer. His sense of what makes characters tick is extraordinary . . . Short stories don’t get any better than these.” —People

As part of Counterpoint’s celebration of beloved American author Wendell Berry comes this reissue of his 1986 classic, The Wild Birds: Six Stories of the Port William Membership. Those stories include “Thicker Than Liquor”, “Where Did They Go?”, “It Wasn’t Me”, “The Boundary”, “That Distant Land”, and the titular “The Wild Birds.”

Spanning more than three decades, from 1930 to 1967, these wonderful stories follow Wheeler Catlett, and reintroduce readers to the beloved people who live in Berry’s fictional town of Port William, Kentucky.

Nathan Coulter, Wendell Berry’s first book, was published in 1960 when he was twenty–seven. In his first novel, the author presents his readers with their first introduction to what would become Berry’s life’s work, chronicling through fiction a place where the inhabitants of Port William form what is more than community, but rather a “membership” in interrelatedness, a spiritual community, united by duty and bonds of affection for one another and for the land upon which they make their livelihood.

When young Nathan loses his grandfather, Berry guides readers through the process of Nathan’s grief, endearing the reader to the simple humanity through which Nathan views the world. Echoing Berry’s own strongly held beliefs, Nathan tells us that his grandfather’s life “couldn’t be divided from the days he’d spent at work in his fields.” Berry has long been compared to Faulkner for his ability to erect entire communities in his fiction, and his heart and soul have always lived in Port William, Kentucky. In this eloquent novel about duty, community, and a sweeping love of the land, Berry gives readers a classic book that takes them to that storied place.