The Destructives

“It’s a work that doesn’t so much subvert expectations as shatter them utterly. It’s dense, but it also moves; it’s both a breakneck thriller and one of the year’s most thoughtful works of science fiction.”
– B&N Sci-Fi & Fantasy Blog

“Matthew De Abaitua has the knack of delivering the most complex of concepts and diabolical leaps of imagination in a way that first entices then completely draws the reader in. A thrilling book.”
– Strange Alliances

“A marvellously written book, whose invention and surprises gain momentum until its boggler of an ending.”
– SFX Magazine

“The story is set against a detailed background that blends creative imagination with intelligent prediction to arrive at a credible future. From designer drugs to shopping malls that double as asylums, from obsessive data tracking to floating offshore habitats for the wealthy, the future depicted here is a credible offshoot of current trends.”
– Tzer Island

“A distinctive and grand work of the imagination. You don’t need a VR headset to appreciate this work of art, just eyes and a brain.”
– The Generalist

“The Destructives is as successful as its predecessor and together they make one of the most intriguing and disturbing near-future speculations published for some years.”
– Strange Horizons

“J. G. Ballard does John Varley, or David Marusek by way of M. John Harrison, with frostings of Philip K. Dick and Peter Watts… De Abaitua’s novel gives us a portrait of an utterly foreign yet believable future.”
– Asimov’s Science Fiction (print)

“The Destructives is well written and of superior construction, and the ideas De Abaitua grapples with in this novel – the nature of artificial intelligence, the endgame of global capitalism, the eternal mismatch between material prosperity and emotional fulfilment – are compelling and attention-worthy. That De Abaitua navigates the often abstruse territory of his particular science fiction without once sacrificing the predominantly literary values of formal coherence or linguistic suppleness is yet more testament to his skill, not just as a writer but as a thinker.”
– Nina Allan, for The Anglia Ruskin Centre for Science Fiction and Fantasy