Eats, Shoots & Leaves

About Eats, Shoots & Leaves

The spirited and scholarly #1 New York Times bestseller combines boisterous history with grammar how-to’s to show how important punctuation is in our world—period.

In Eats, Shoots & Leaves, former editor Lynne Truss, gravely concerned about our current grammatical state, boldly defends proper punctuation. She proclaims, in her delightfully urbane, witty, and very English way, that it is time to look at our commas and semicolons and see them as the wonderful and necessary things they are. Using examples from literature, history, neighborhood signage, and her own imagination, Truss shows how meaning is shaped by commas and apostrophes, and the hilarious consequences of punctuation gone awry.

Featuring a foreword by Frank McCourt, and interspersed with a lively history of punctuation from the invention of the question mark in the time of Charlemagne to George Orwell shunning the semicolon, Eats, Shoots & Leaves makes a powerful case for the preservation of proper punctuation.

About Eats, Shoots & Leaves

In 2002 Lynne Truss presented Cutting a Dash, a well-received BBC Radio 4 series about punctuation, which led to the writing of Eats, Shoots & Leaves. The book became a runaway success in the UK, hitting number one on the bestseller lists and prompting extraordinary headlines such as Grammar Book Tops Bestseller List (BBC News). With more than 500,000 copies of her book in print in her native England, Lynne Truss is ready to rally the troops on this side of the pond with her rousing cry, Sticklers unite!

Through sloppy usage and low standards on the Internet, in e-mail, and now text messages, we have made proper punctuation an endangered species. In Eats, Shoots & Leaves, former editor Lynne Truss dares to say, in her delightfully urbane, witty and very English way, that it is time to look at our commas and semicolons and see them as the wonderful and necessary things they are. If there are only pedants left who care, then so be it. This is a book for people who love punctuation and get upset when it is mishandled. From George Orwell shunning the semicolon, to New Yorker editor Harold Ross’s epic arguments with James Thurber over commas, this lively history makes a powerful case for the preservation of a system of printing conventions that is much too subtle to be mucked about with.