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Look Inside | Reading Guide
Reading Guide
Oct 18, 2016 | ISBN 9780143129493 Buy
Sep 21, 2006 | ISBN 9780143038092 Buy
Apr 23, 2014 | ISBN 9780143124849 Buy
Mar 22, 1989 | ISBN 9780399134203 Buy
Sep 21, 2006 | ISBN 9781101502730 Buy
Buy from Other Retailers:
Oct 18, 2016 | ISBN 9780143129493
Sep 21, 2006 | ISBN 9780143038092
Apr 23, 2014 | ISBN 9780143124849
Mar 22, 1989 | ISBN 9780399134203
Sep 21, 2006 | ISBN 9781101502730
“The Joy Luck Club is one of my favorite books. From the moment I first started reading it, I knew it was going to be incredible. For me, it was one of those once-in-a-lifetime reading experiences that you cherish forever. It inspired me as a writer and still remains hugely inspirational.” —Kevin Kwan, author of Crazy Rich AsiansPart of the Penguin Orange Collection, a limited-run series of twelve influential and beloved American classics in a bold series design offering a modern take on the iconic Penguin paperbackWinner of the 2016 AIGA + Design Observer 50 Books | 50 Covers competition For the seventieth anniversary of Penguin Classics, the Penguin Orange Collection celebrates the heritage of Penguin’s iconic book design with twelve influential American literary classics representing the breadth and diversity of the Penguin Classics library. These collectible editions are dressed in the iconic orange and white tri-band cover design, first created in 1935, while french flaps, high-quality paper, and striking cover illustrations provide the cutting-edge design treatment that is the signature of Penguin Classics Deluxe Editions today.The Joy Luck Club In 1949 four Chinese women, recent immigrants to San Francisco, begin meeting to eat dim sum, play mahjong, and talk. United in shared unspeakable loss and hope, they call themselves the Joy Luck Club. With wit and sensitivity, Amy Tan’s debut novel—now widely regarded as a modern classic—examines the sometimes painful, often tender, and always deep connection between these four women and their American-born daughters.
“The Joy Luck Club is one of my favorite books. From the moment I first started reading it, I knew it was going to be incredible. For me, it was one of those once-in-a-lifetime reading experiences that you cherish forever. It inspired me as a writer and still remains hugely inspirational.” —Kevin Kwan, author of Crazy Rich AsiansAmy Tan’s beloved, New York Times bestselling tale of mothers and daughters, now the focus of a new documentary Amy Tan: Unintended Memoir on Netflix Four mothers, four daughters, four families whose histories shift with the four winds depending on who’s “saying” the stories. In 1949 four Chinese women, recent immigrants to San Francisco, begin meeting to eat dim sum, play mahjong, and talk. United in shared unspeakable loss and hope, they call themselves the Joy Luck Club. Rather than sink into tragedy, they choose to gather to raise their spirits and money. “To despair was to wish back for something already lost. Or to prolong what was already unbearable.” Forty years later the stories and history continue.With wit and sensitivity, Amy Tan examines the sometimes painful, often tender, and always deep connection between mothers and daughters. As each woman reveals her secrets, trying to unravel the truth about her life, the strings become more tangled, more entwined. Mothers boast or despair over daughters, and daughters roll their eyes even as they feel the inextricable tightening of their matriarchal ties. Tan is an astute storyteller, enticing readers to immerse themselves into these lives of complexity and mystery.
“The Joy Luck Club is one of my favorite books. From the moment I first started reading it, I knew it was going to be incredible. For me, it was one of those once-in-a-lifetime reading experiences that you cherish forever. It inspired me as a writer and still remains hugely inspirational.” —Kevin Kwan, author of Crazy Rich AsiansFrom A to Z, the Penguin Drop Caps series collects 26 unique hardcovers—featuring cover art by Jessica Hische It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectible and hardcover editions, each with a type cover showcasing a gorgeously illustrated letter of the alphabet. In a design collaboration between Jessica Hische and Penguin Art Director Paul Buckley, the series features unique cover art by Hische, a superstar in the world of type design and illustration, whose work has appeared everywhere from Tiffany & Co. to Wes Anderson’s recent film Moonrise Kingdom to Penguin’s own bestsellers Committed and Rules of Civility. With exclusive designs that have never before appeared on Hische’s hugely popular Daily Drop Cap blog, the Penguin Drop Caps series debuted with an ‘A’ for Jane Austen’s Pride and Prejudice, a ‘B’ for Charlotte Brönte’s Jane Eyre, and a ‘C’ for Willa Cather’s My Ántonia. It continues with more perennial classics, perfect to give as elegant gifts or to showcase on your own shelves. T is for Tan. In 1949 four Chinese women, recent immigrants to San Francisco, begin meeting to eat dim sum, play mahjong, and talk. United in shared unspeakable loss and hope, they call themselves the Joy Luck Club. With wit and sensitivity, Amy Tan examines the sometimes painful, often tender, and always deep connection between these four women and their American-born daughters. As each woman reveals her secrets, trying to unravel the truth about her life, the strings become more tangled, more entwined.
Master storyteller Amy Tan examines the sometimes painful, often tender, and always deep connection between mothers and daughters in this New York Times bestseller.“The Joy Luck Club is one of my favorite books. From the moment I first started reading it, I knew it was going to be incredible. For me, it was one of those once-in-a-lifetime reading experiences that you cherish forever. It inspired me as a writer and still remains hugely inspirational.”—Kevin Kwan, author of Crazy Rich AsiansIn 1949 four Chinese women-drawn together by the shadow of their past-begin meeting in San Francisco to play mah jong, invest in stocks, eat dim sum, and “say” stories. They call their gathering the Joy Luck Club.Nearly forty years later, one of the members has died, and her daughter has come to take her place, only to learn of her mother’s lifelong wish—and the tragic way in which it has come true. The revelation of this secret unleashes an urgent need among the women to reach back and remember…
Amy Tan is the author of The Joy Luck Club, The Kitchen God’s Wife, The Hundred Secret Senses, and two children’s books, The Moon Lady and The Chinese Siamese Cat, which has been adapted as Sagwa, a PBS series for children. Tan was also the coproducer and co-screenwriter of… More about Amy Tan
“Powerful as myth.” —The Washington Post Book World
“Beautifully written…a jewel of a book.” —The New York Times Book Review
“Powerful…full of magic…you won’t be doing anything of importance until you have finished this book.” —Los Angeles Times
“Wonderful…a significant lesson in what storytelling has to do with memory and inheritance.” —San Francisco Chronicle“This Beloved Novel Is the Kind of Book We Need Right Now. Mothers and daughters lay at the heart of Amy Tan’s The Joy Luck Club but in bridging the generational gap—and crisscrossing the globe—this 1989 novel imparts key lessons for forging ahead in trying times” —Martha Cheng, Wall Street Journal“The Joy Luck Club is one of my favorite books. From the moment I first started reading it, I knew it was going to be incredible. For me, it was one of those once-in-a-lifetime reading experiences that you cherish forever. It inspired me as a writer and still remains hugely inspirational.” —Kevin Kwan, author of Crazy Rich Asians“Reading it really changed the way I thought about Asian-American history. Our heritage has a lot of difficult stuff in it — a lot of misogyny, a lot of fear and rage and death. It showed me a past that reached beyond borders and languages and cultures to bring together these disparate elements of who we are. I hadn’t seen our history like that before. At that time, we hadn’t seen a lot of Asian-American representations anywhere, so it was a big deal that it even existed. It made me feel validated and seen. That’s what’s so important about books like that. You feel like, Oh my god, I exist here. I exist in this landscape of literature and memoir. I’m here, and I have a story to tell, and it’s among the canon of Asian-American stories that are feminist and that are true to our being. It’s a book that has stayed with me and lived in me.” —Margaret Cho
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