The Stanislavski SystemAuthor’s Note to the Second Revised Edition
Preface by Sir John Gielgud
Foreword by Joshua Logan
Stanislavski and his System
The Method of Physical Actions
Elements of an Action
The “Magic If”
Given Circumstances
Imagination
Concentration of Attention
Truth and Belief
Communion
Adaptation
Tempop-Rhythm
Emotional Memory
Analysis through Events and Actions
The Super-Objective and the Through Line of Actions
The Actor’s Physical Apparatus
Work on the Role: Building a Character
The Subtext of Behavior
The Director
Eugene Vakhtangov: The Disciple
Bibliography
Index
