Furious Hours

Praise

One of the Best Books of the Year
The New York Times * The Washington Post * Time * Dallas Morning News * The Economist

“Captivating. . . . A spellbinding true crime story.” —The New York Times Book Review

“A triumph on every level. One of the losses to literature is that Harper Lee never found a way to tell a gothic true-crime story she’d spent years researching. Casey Cep has excavated this mesmerizing story and tells it with grace and insight and a fierce fidelity to the truth.” —David Grann, author of Killers of the Flower Moon

“An enthralling work of narrative nonfiction. . . . Cep delivers edge-of-your-seat courtroom drama while brilliantly reinventing Southern Gothic.” —O, The Oprah Magazine
 
“The sort of story that even Lee would have been proud to write.” —Michael Lewis, The New York Times

“A marvel.” —Time

“Impossible to put down.” —Helen Macdonald, author of H Is for Hawk

“Remarkable, thoroughly researched. . . . Cep manages the feat that all great nonfiction aspires to: combining the clean precision of fact with the urgency of gossip.” —The New York Review of Books

“Fascinating. . . . Lyrically composed.” —Minneapolis Star Tribune

“Stunning.” —Financial Times

“A rich, ambitious, beautifully written book.” —The Washington Post

“[A] well-told, ingeniously structured double mystery.” —The Economist

“A gripping, incredibly well-written portrait of not only Harper Lee, but of mid-20th century Alabama. . . . What I didn’t see coming was the emotional response I’d have as I blazed through the last 20 pages of the book—yet there I was, weeping.” —Ilana Masad, NPR

“A brilliant take on the mystery of inspiration and the even darker mysteries of the human heart.” —People

“A compelling hybrid of a novel, at once a true-crime thriller, courtroom drama, and miniature biography of Harper Lee.” —Southern Living

“There’s a stirring poetry to Furious Hours that eludes most contemporary nonfiction. . . . [The book] fills in the gap of Lee’s post-Mockingbird career with insatiable curiosity and impressive research. It reveals not just her intellectual interests, but within them, her personal relationships and motivations.” —Entertainment Weekly

“Gripping and meticulous, Cep’s work doesn’t make us choose between fidelity and style.” —Vulture
 
“This riveting account of both the murders and Lee’s reporting, writing, and editing process is fascinating for its behind-the-scenes look at one of the South’s cherished creative minds.” —Garden & Gun

“Essential reading.” —Publishers Weekly (starred review)
 
“Cep paints a vivid picture of the political and social makeup of a small Southern town, where family trees and the organizational charts of local institutions intersect often; where memories are long; and where the collective conscience of a community sometimes carries more weight than the law.” —The Atlanta Journal-Constitution
 
“A riveting true crime story, and a dazzling biography of one of America’s most beloved writers.” —Bustle