Our Man in Iraq

Praise

“Robert Perisic depicts, with acerbic wit, a class of urban elites who are trying to reconcile their nineties rebellion with the reality of present–day Croatia . . . The characters’ snide remarks could easily sound cynical but the novel has a levity informed by the sense of social fluidity that comes with democracy.” —The New Yorker

“Robert Perisic is a light bright with intelligence and twinkling with irony, flashing us the news that postwar Croatia not only endures but matters.” —Jonathan Franzen

“This jivey—and I should say x–rated—story stays with us.”—Alan Cheuse, “All Things Considered” NPR

“Despite the serious themes, the novel is largely comic and in many ways falls into the same genre of satirical anti–war novels that includes The Good Soldier by Jaroslav Hasek and Kurt Vonnegut’s Slaughterhouse Five. Perisic constructs a series of long and entertaining scenes full of quirky dialogue and rhythmic interior monologue.”—The Times Literary Supplement

“In this raucous and funny novel about an entire country’s post–traumatic stress syndrome, Toni discovers that you can’t entirely escape your past no matter how must you try to live your life in fast forward.” —The Huffington Post

“In addition to being a delightfully acerbic primer on a literarily underrepresented part of Europe, Our Man in Iraq may well prove to be one of those rare cases where something is actually gained in translation.” —Toronto Star

“Given the uncountable billions of words they have dedicated to the war in Iraq, it might be easy for Americans to think of it as belonging solely to them. Even its possession by the Iraqis can feel tenuous at times. So it is a refreshing reminder of the new global village to read a novel like Robert Perisic’s Our Man in Iraq, which studies the fighting in Baghdad from the distant shores of Croatia.” —The Boston Globe

“A must–read . . . brilliantly captures modern–day Zagreb.” —The Guardian

“Perceptive and affective.” —Time Out New York

“What’s most compelling about Perisic’s novel are the relentlessly insightful one–liners, offering poignant commentary on the unsettled day–to–day of a society trying to find its footing after devastating violence and in the throes of nascent capitalism . . this smart, cutting book powerfully illustrates the horrible hangover of war.” —Publishers Weekly