The Loneliness of the Long-Distance Cartoonist

“Adrian Tomine has gone from “the boy wonder of mini-comics” (per Daniel Clowes) to master of the form… The 26 vignettes here trace a lifetime of neuroses and humiliations [with] artful minimalism.”—Ed Park, New York Times Book Review

“What Tomine is exploring is the dichotomy between how we see ourselves and how we are (or are not) seen…. We are each alone in our heads. Yet the faith of memoir, or autofiction, is that this is what connects us: the expression of our humanity.”—David Ulin, Los Angeles Times

“Tomine, now considered a master of the graphic novel form, returns in an autobiographical mode, in a book that lets vent the rage and fragility that are always just beneath the surface of his pristine drawings.”
—New York Times, 100 Notable Books of 2020

“The Loneliness of the Long-Distance Cartoonist is another laugh-out-loud book with self-worth issues. Here Tomine looks back at his outwardly successful career as a cartoonist via anecdotes that take in deserted book signings, mortifying radio spots and the perils of taking a cruise with Neil Gaiman, in a feast of self-deprecation.” —The Guardian, Best of 2020

“Tomine’s mortifying misadventures become funnier and more emotionally resonant in the latter part of this memoir, as professional success and a growing family find the anger and anxiety that ruled the author’s early years transformed into an insightful and profound vulnerability.” —Library Journal, Best Graphic Novels of 2020

“An unforeseen event near the end unlocks a flood of emotion unlike anything Tomine has expressed before on paper. What starts out as playful self-deprecation becomes his most heartbreaking work to date.”
—The New York Times, Best Graphic Novels of 2020

“Tomine, who is perhaps the John Cheever of comics (in the way they both excavate the human heart), shows how our lives are less tidy than that common memoir arc.”—Kerri Arsenault, Literary Hub

“[The Loneliness of the Long-Distance Cartoonist is] acutely, almost painfully funny—proving even a literary comics genius can still deliver great laughs—elevated by a moving, philosophical close.”
—Publishers Weekly, Best Books of 2020

“In this heartfelt and beautifully crafted work, Adrian Tomine presents the most honest and insightful portrait you will ever see of an industry that I can no longer bear to be associated with.”—Alan Moore, author of Jerusalem

“A wonderful book about feeling morbidly self-conscious while also longing to connect with other people, even though it doesn’t always—i.e. usually doesn’t—work out the way one wants it to. It perfectly captures what it’s like to be a cartoonist, and also what it’s like to be a person.”—Roz Chast, author of Can’t We Talk About Something More Pleasant?

“A painfully honest and often hilarious view behind the curtain of the ‘glamorous’ life of a cartoonist. Tomine draws on life’s stresses, embarrassments, and achievements as he goes through an evolution of self-awareness. A must-read for Tomine fans and all aspiring cartoonists.”—Richard McGuire, author of Here

“I couldn’t put this book down. Tomine’s vulnerability and willingness to share the cringiest moments of his life (ranging from juicy to uproarious to deeply healing) are a reminder to be braver, because what have you got to lose?”—Lisa Hanawalt, author of Coyote Doggirl

“A charming, occasionally maddening ledger of our profession’s unrelenting parade of indignities.”—Michael DeForge, author of Leaving Richard’s Valley

“In this deeply self-aware, darkly funny memoir, Tomine recounts the highlights of his career through a series of cringe-worthy encounters, and readers hardly need to be a world-famous cartoonist to relate.”—Malaka Gharib, author of I Was Their American Dream

“Tomine explores with the precise touch of a dentist gazing perpetually into a mouth, doing the crucial work of the quotidian. It’s lonely work, indeed, but by dwelling for so long and so thoroughly in the loneliness of his art, Tomine brings us close, terribly close, to the halitosis of being human, to the emotions we might prefer to keep at a distance.” —Viet Thanh Nguyen, The Paris Review

“The book is a catalog of decades’ worth of slights and indignations that come with being a giant in a tiny corner of the literary world, and it’s painfully funny.” —Forbes, Best Graphic Novels of 2020

“This merciless memoir delivers laughter with a wince, to the point of tears.”
—Publishers Weekly, Starred Review

“Subtle, provocative, and sharply drawn.”—Kirkus, Starred Review

“A hilarious, frequently cringe-inducing masterpiece from a fearless artist at the height of his powers.”—Library Journal, Starred Review

“In this exquisitely rendered, prodigiously articulated work, Tomine proves again why he’s still that “famous cartoonist.”—Booklist, Starred Review