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Sep 12, 2000 | ISBN 9780679746980 Buy
Apr 13, 2011 | ISBN 9780307787934 Buy
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Available from:
Sep 12, 2000 | ISBN 9780679746980
Apr 13, 2011 | ISBN 9780307787934
An original member of the famed Group Theater, Stella Adler was one of the most influential artists to come out of the American theater. As a Stanislavsky disciple and founder of her own highly esteemed acting conservatory, the extravagant actress was also an eminent acting teacher, training her students–among them Marlon Brando, Al Pacino, and Robert DeNiro–in the art of script interpretation. The classic lectures collected here, delivered over a period of forty years, bring to life the plays of the three fathers of modern drama: Henrik Ibsen, August Strindberg, and Anton Chekhov. With passionate conviction and shrewd insight, Adler explains how their plays forever changed the world of dramaturgy while offering enduring insights on society, class, culture, and the role of the actor. She explores the struggles of Ibsen’s characters to free themselves from societal convention, the mortal conflicts that trap Strindberg’s men and women, and the pain of loss and transition lyrically evoked by Chekhov. A majestic volume, Stella Adler on Ibsen, Strindberg, and Chekhov allows us to experience the work of these masters "as if to see, hear and feel their genius for the first time." (William H. Gass)
In her long-awaited book, the legendary acting teacher Stella Adler gives us her extraordinary insights into the work of Henrik Ibsen ("The creation of the modern theater took a genius like Ibsen. . .Miller and Odets, Inge and O’Neill, Williams and Shaw, swallowed the whole of him"), August Strindberg ("He understood and predicted the forces that would break in our lives"), and Anton Chekhov ("Chekhov doesn’t want a play, he wants what happens in life. In life, people don’t usually kill each other. They talk").Through the plays of these masters, Adler discusses the arts of playwriting and script interpretation ("There are two aspects of the theater. One belongs to the author and the other to the actor. The actor thinks it all belongs to the author. . .The curtain goes up and all he knows are the lines. . .It is not enough. . .Script interpretation is your profession").She looks into aspects of society and class, and into our cultural past, as well as the evolution of the modern spirit ("The actor learns from Ibsen what is modern in the modern theater. There are no villains, no heroes. Ibsen understands, more than anything, there is more than one truth").Stella Adler–daughter of Jacob Adler, who was universally acknowledged to be the greatest actor of the Yiddish theater, and herself a disciple of Stanislavsky–examines the role of the actor and brings to life the plays from which all modern theater derives: Ibsen’s Hedda Gabler, The Master Builder, An Enemy of the People, and A Doll’s House; Strindberg’s Miss Julie and The Father; Chekhov’s The Seagull, Uncle Vanya, The Cherry Orchard, and Three Sisters ("Masha is the sister who is the mystery. You cannot reach her. You cannot reach the artist. There is no logical way. Keep her in a special pocket of feelings that are complex and different"). Adler discusses the ideas behind these plays and explores the world of the playwrights and the history–both familial and cultural–that informed their work. She illumines not only the dramatic essence of each play but its subtext as well, continually asking questions that deepen one’s understanding of the work and of the human spirit. Adler’s book, brilliantly edited by Barry Paris, puts her famous lectures into print for the first time.
Stella Adler began her life on the stage at the age of five in a production that starred her father, the legendary actor of the Yiddish Theatre, Jacob Adler. Stella Adler was one of the co-founders of the revolutionary Group… More about Stella Adler
"No critic has ever talked about theater . . . with more insight and passion. Earthy and sophisticated, imperious and droll, [Adler] had the gift of making plays written over 100 years earlier seem excitingly modern." —The Los Angeles Times Book Review"Plunges you into the world of theater . . . [and] reveals Stella Adler as a literary and social analyst, Stella Adler as an acting teacher, and Stella Adler as a great personality." —The New Republic"These inspired lectures are evidence that Stella Adler is hands down the greatest acting teacher America has produced. . . . Nobody with a serious interest in the theater can afford to be without this book." –John Guare"One regrets never having seen [Adler] perform, but reading her on these writers, especially Chekhov, is the next best thing." —The New York Times
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