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Library of America Philip K. Dick Edition

Philip K. Dick
Philip K. Dick: Four Novels of the 1960s (LOA #173) by Philip K. Dick
Philip K. Dick: Five Novels of the 1960s & 70s (LOA #183) by Jonathan Lethem
Philip K. Dick: VALIS and Later Novels (LOA #193) by Philip K. Dick

Library of America Philip K. Dick Edition : Titles in Order

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In 2007, Philip K. Dick: Four Novels of the 1960s became the fastest selling title in The Library of America’s history. The 2008 companion volume, Five Novels of the1960s & 70s, broke series records for advance sales. Now comes a third and final volume gathering the best novels of Dick’s final years, when religious revelation, always important in his work, became a dominant and irresistible theme.

In A Maze of Death (1970), a darkly speculative mystery that foreshadows Dick’s final novels, colonists on the planet Delmak-O try to determine the nature of the God-or “Mentufacturer”-who plots their destiny. The late masterpiece VALIS (1981) is a novelistic reworking of “the events of 2-3-74,” when Dick’s life was transformed by what he believed was a mystical revelation. It is a harrowing self-portrait of a man torn between conflicting interpretations of what might be gnostic illumination or psychotic breakdown. The Divine Invasion (1981), a sequel to VALIS, is a powerful exploration of gnostic insight and its human consequences. The Transmigration of Timothy Archer (1982), Dick’s last novel, is by turns theological thriller, roman à clef, and disenchanted portrait of late 1970s California life, based loosely on the controversial career of Bishop James Pike-a close friend and kindred spirit.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
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Jonathan Lethem, editor

“The most outré science fiction writer of the 20th century has finally entered the canon,” exclaimed Wired Magazine upon The Library of America’s May 2007 publication of Philip K. Dick: Four Novels of the 1960s, edited by Jonathan Lethem. Now comes a companion volume collecting five novels that offer a breathtaking overview of the range of this science-fiction master.

Philip K. Dick (1928-82) was a writer of incandescent imagination who made and unmade world-systems with ferocious rapidity and unbridled speculative daring. “The floor joists of the universe,” he once wrote, “are visible in my novels.” Martian Time-Slip (1964) unfolds on a parched and thinly colonized Red Planet where schizophrenia is a contagion and the unscrupulous seek to profit from a troubled child’s time-fracturing visions. Dr. Bloodmoney, or How We Got Along After the Bomb (1965) chronicles the deeply-interwoven stories of a multi-racial community of survivors, including the scientist who may have been responsible for World War III. Famous, among other reasons, for a therapy session involving a talking taxicab, Now Wait for Last Year (1966) explores the effects of JJ-180, a hallucinogen that alters not only perception, but reality. In Flow My Tears, the Policeman Said (1974), a television star seeks to unravel a mystery that has left him stripped of his identity. A Scanner Darkly (1977), the basis for the 2006 film, envisions a drug-addled world in which a narcotics officer’s tenuous hold on sanity is strained by his new surveillance assignment: himself. Mixing metaphysics and madness, phantasmagoric visions of a post-nuclear world and invading extraterrestrial authoritarians, and all-too-real evocations of the drugged-out America of the 70s, Dick’s work remains exhilarating and unsettling in equal measure.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
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Known in his lifetime primarily to readers of science fiction, Philip K. Dick is now seen as a uniquely visionary figure, a writer who, in editor Jonathan Lethem’s words, “wielded a sardonic yet heartbroken acuity about the plight of being alive in the twentieth century, one that makes him a lonely hero to the readers who cherish him.”

This Library of America volume brings together four of Dick’s most original novels. The Man in the High Castle (1962), which won the Hugo Award, describes an alternate world in which Japan and Germany have won World War II and America is divided into separate occupation zones. The dizzying The Three Stigmata of Palmer Eldritch (1965) posits a future in which competing hallucinogens proffer different brands of virtual reality, and an interplanetary drug tycoon can transform himself into a godlike figure transcending even physical death.

Do Androids Dream of Electric Sheep? (1968), about a bounty hunter in search of escaped androids in a postapocalyptic society where status is measured by the possession of live animals and religious life is focused on a television personality, was the basis for the movie Blade Runner. Ubik (1969), with its future world of psychic espionage agents and cryonically frozen patients inhabiting an illusory “half-life,” pursues Dick’s theme of simulated realities and false perceptions to ever more disturbing conclusions, as time collapses on itself and characters stranded in past eras search desperately for the elusive, constantly shape-shifting panacea Ubik. As with most of Dick’s novels, no plot summary can suggest the mesmerizing and constantly surprising texture of these astonishing books.

Posing the questions “What is human?” and “What is real?” in a multitude of fascinating ways, Dick produced works—fantastic and weird, yet developed with precise logic, marked by wild humor and soaring flights of religious speculation—that are startlingly prescient imaginative anticipations of twenty-first-century quandaries.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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