The New York Times’ Best Books of the Year (So Far)

Moving from Pakistan’s dazzling chaotic cities to its lawless feudal countryside, This Is Where the Serpent Lives powerfully evokes contemporary feudal Pakistan, following the destinies of a dozen unforgettable characters whose lives are linked through violence and tragedy, triumph, and love. In matters of power and money and the heart, Mueenuddin’s characters struggle to choose between paths that are moral and just and more worldly choices that allow them to survive in the systems of caste, capital, and social power that so tightly grip their culture.

On a cold night in the remote Irish village of Ardnakelty, a girl goes missing. Sweet, loving Rachel Holohan was about to be engaged to the son of the local big shot. Instead, she’s dead in the river. In a close-knit small town, a death like this isn’t simple. It comes wrapped in generations – old grudges and power struggles, and it splits the townland in two. Retired Chicago detective Cal Hooper has friends here now, and he owes them loyalty, but his fiancée Lena wants nothing to do with Ardnakelty’s tangles. As the feud becomes more vicious, their settled peace starts to crack apart.

Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? One morning she wakes up in a life that isn’t hers. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

In March 2020, Belle Burden was safe and secure with her family at their house on Martha’s Vineyard, navigating the early days of the pandemic together. Then, with no warning or explanation, her husband of twenty years announced that he was leaving her. Overnight, her caring, steady partner became a man she hardly recognized. He exited his life with her like an actor shrugging off a costume. In Strangers, Burden revisits her marriage, searching for clues that her husband was not who she always thought he was. As she examines her relationship through a new lens, she reckons with her own family history and the lessons she intuited about how a woman is expected to behave in the face of betrayal.

On December 22, 1984, in a graffiti-covered New York City subway car, passengers looked on in horror as a white loner named Bernhard Goetz shot four Black teens, Darrell Cabey, Barry Allen, Troy Canty, and James Ramseur, at point-blank range. After an intense manhunt, the man the tabloid media had dubbed the “Death Wish Vigilante” would become a celebrity and a hero to countless ordinary Americans who had been frustrated with the economic fallout of the Reagan 80s. Overnight, Goetz’s young victims would become villains. Drawing from never-before-seen archival materials, legal files, and more, Heather Ann Thompson narrates the Bernie Goetz Subway shootings and their decades-long reverberations, while deftly recovering the lives of the boys whom too many decided didn’t matter.

In the early morning of November 29th, 2019, surveillance cameras at the headquarters of MI6, Britain’s spy agency, captured video of a young man pacing back and forth on a high balcony of Riverwalk, a luxury tower on the bank of the river Thames. At 2:24 a.m., he jumped into the river. In a quiet London neighborhood several miles away, Rachelle Brettler was worried about her son. Days later, a police car pulled up and two officers relayed the dreadful news: Her son was dead. In their unbearable grief, Rachelle and her husband, Matthew, struggled to understand what had happened to Zac. Patrick Radden Keefe chronicles the Brettlers’ quest, peeling back layers of mystery and exposing the seedy truths behind the glamorous London of posh mansions and private nightclubs, a city in which everything is for sale, and aspirational fantasies are underwritten by dirty money and corruption.

Tennyson rose to eminence as rapid and revolutionary discoveries were being made in the fields of biology, astronomy, geology, and marine science. It was a period of immense change akin to our own. Tennyson’s work during these years is suffused with strangely modern magic, and in Holmes’ extraordinary biography, we witness Tennyson wrestling with mind-altering ideas about geology and deep time, the vastness, beauty, and terror of the new cosmology, and the challenges of social revolution. Tennyson’s wild imagination and deep engagement with these concepts helped him emerge as the poetic voice of his generation — and he remains an inspiration for our own age.

Drawing on the lives of soldiers and officers, doctors and nurses, journalists and activists, artists and politicians, Haygood illuminates a generation caught between two battles: one on the front lines in Vietnam and another for justice and dignity in America. Surrounding their experiences are the cultural and political forces of the era, including Martin Luther King Jr., Marvin Gaye, Berry Gordy, and Lyndon Johnson, whose voices and actions shaped a decade of turbulence and transformation.

Toni Morrison, Nobel Laureate and one of our most beloved writers, has inspired generations of readers. But her artistic genius is often overshadowed by her monumental public persona, perhaps because, as Namwali Serpell puts it, “she is our only truly canonical black female writer — and her work is highly complex.” In On Morrison, Serpell brings her unique experience as both an award-winning writer and a professor who teaches a course on Morrison to illuminate her masterful experiments with literary form. At once accessible and uncompromisingly rigorous, On Morrison is a primer not only on how to read one of the most significant American authors of all time but also on how to read great works of literature in general. This dialogue on the page between two black women artist – readers is stylish, edifying, and thrilling in its scope and intelligence.