Did you interact with Ng when planning your design?
I worked closely with the art director, Darren Haggar. We bounced around ideas and tried to figure out a mood/setting that would best capture the closeness and secrets in this particular town. I came across Amy Bennett’s artwork and we both felt we’d hit upon something.
What were some ideas for this book that you didn’t end up using?
Some of the ideas were very abstract and some were too specific to the book. I painted some tudor homes.
What is your favorite part of your job? What’s the hardest?
I love reading the manuscripts. The hardest part is creating a cover that fits the tone of the book and that is also visually striking.
How has your approach to designing covers changed over time? What did you most want this cover to convey?
I was especially pulled into Ng’s book. I really loved the compellingly intricate and complex storyline and characters. The hard part is the process. I do a lot of art/photo research and sometimes create my own illustrations or hand-lettering, which can all take time. For this particular cover, finding Amy Bennett’s artwork was a perfect fit for Ng’s book. The evening hues, the aerial view of winding roads and the light in the homes, the idyllic sweet suburban street. You know that all can’t be right here.Thank you so much for following along with The Life of A Book! Be sure to grab a copy of Little Fires Everywhere, especially now you know all the behind-the-scenes work that has shaped it.