In Ghost on the Case, Bailey Ruth Raeburn, an emissary from Heaven’s Department of Good Intentions, returns to earth to help a young woman who receives a terrifying phone call demanding ransom for her sister. What can Susan Gilbert do? What will she do? What is going to happen to her sister?
I use the following techniques to create suspense: action, empathy, threat, tension, puzzle, danger, deadline, challenge, and surprise. Gretchen works in the family café in a small town on Highway 66 in northeastern Oklahoma in the summer of 1943. Action: The dust from the convoy rose in plumes. Gretchen stood on tiptoe, waving, waving. A soldier leaned over the tailgate of the olive drab troop carrier. The blazing July sun touched his crew cut with gold. He grinned as he tossed her a bubble gum. “Chew it for me, kid.” Empathy: Gretchen turns away, thinking of her brother Jimmy, a Marine in the South Pacific, her mother who works at the B-24 plant in Tulsa, and the troop convoy as she walks toward her grandmother’s café. She still felt a kind of thrill when she saw the name painted in bright blue: Victory Café… There was a strangeness in the café’s new name. It had been Pfizer’s Café for almost twenty years, but now it didn’t do to be proud of being German… Empathy and threat: Now the reader has a personal stake in Gretchen, understands there is pain and uncertainty in her life. Her grandmother avoids speaking in the café because of her strong German accent. In the café, Gretchen sets to work, cleaning, serving food. Customers include Deputy Sheriff Carter. We learn Carter likes to do crossword puzzles and thinks about money. In another booth two military officers from nearby Camp Crowder discuss the Spooklight, a famous and mysterious light that mysteriously appears after dark among the rolling hills. The Army uses night searches for the Spooklight to train troops. Gretchen’s grandmother brings out a fresh apple pie. Threat: One of the customers jokingly accuses her of buying sugar on the black market. “Lotte, the deputy may have to put you in jail if you make any more pies like that.” Grandmother is upset, explains the pies are made with honey. One of the officers speaks to her in German. The deputy turns hostile. Tension: He glowered at Grandmother. “No Heinie talk needed around here . . .” Gretchen takes trash to an incinerator. As it burns, she climbs a tree. She sees Deputy Carter enter the cemetery. He looks around surreptitiously. Puzzle: Back by the pillars, the deputy made one more careful study of the church and the graveyard. He pulled a folded sheet of paper from his pocket and knelt by the west pillar . . . She leaned so far forward her branch creaked. Danger: The kneeling man’s head jerked up… The eyes that skittered over the headstones and probed the lengthening shadows were dark and dangerous. The deputy hides the paper in the pillar. After he leaves, Gretchen finds the paper, reads and replaces it. The message leads her late that night to an abandoned zinc mine. She watches the deputy and a soldier unload an Army truck and hide gasoline tins in the mine. Deadline: She overhears plans to sell the gasoline Thursday night. The next day she asks her grandmother what it means when people talk about gasoline on the black market. Lotte explains how important gas is, why it’s rationed, and that even a little bit can make a big difference in the war. Gretchen thinks about her brother fighting in the Pacific. She asks Lotte who catches people in the black market. Challenge: “. . . I don’t know,” she said uncertainly. “I guess in the cities it would be the police. And here it would be the deputy. Or maybe the Army.” Gretchen thinks about the deputy and about the Army searching for the Spooklight. At the café that afternoon, she asks the young officer if they are still searching for the Spooklight. He says yes and she tells him she’s heard the light has been seen at the old Sister Sue zinc mine. Gretchen enlists the help of a friend, Millard, whose brother Mike is in the 45th fighting in Italy. They put pie tins in the trees near the mine to reflect flashlight and draw the soldiers. Challenge: . . . she moved out into the clearing. “What’s wrong?” He was panting. “It’s the Army, but they’re going down the wrong road. . . . They won’t come near enough to see us.” Surprise: Suddenly a light burst in the sky . . . Then came another flash and another . . . Millard lobs lighted clumps of magnesium with his sling shot and draws the Army to the mine where the tins are found, along with a crumpled crossword puzzle in the deputy’s handwriting which Gretchen took from a café booth. The puzzle leads to his arrest and the arrest of a sergeant in the motor pool. No one ever knew about Millard and Gretchen’s efforts, but Gretchen didn’t mind. The final sentence links the reader to Gretchen: What really mattered was the gas. Maybe now there would be enough for Jimmy and Mike. Readers offered action, empathy, threat, tension, puzzle, danger, deadline, challenge, and surprise will keep turning the pages. Cover detail from Ghost on the Case by Carolyn Hart
My hope is the action scene lures readers to follow Bailey Ruth. I won’t reveal the peaks and valleys in Ghost on the Case to avoid spoiling readers’ enjoyment. Instead, I will illustrate suspense by using the framework of Spooked, a short story that introduces 12-year-old Gretchen Gilman, the protagonist of Letter from Home, my WWII novel from Berkley.