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Apr 22, 2008 | ISBN 9780385732093 | Young Adult Buy
Apr 22, 2008 | ISBN 9780375848803 | Young Adult Buy
Jul 27, 2010 | 303 Minutes | Young Adult Buy
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Available from:
Apr 22, 2008 | ISBN 9780385732093 | Young Adult
Apr 22, 2008 | ISBN 9780375848803 | Young Adult
Jul 27, 2010 | ISBN 9780739381069 | Young Adult
303 Minutes
From E. Lockhart, author of the highly acclaimed, New York Times bestseller We Were Liars, which John Green called “utterly unforgettable,” comes The Boy Book, the second book in the uproarious and heartwarming Ruby Oliver novels.Here is how things stand at the beginning of newly-licensed driver Ruby Oliver’s junior year at Tate Prep: • Kim: Not speaking. But far away in Tokyo. • Cricket: Not speaking. • Nora: Speaking–sort of. Chatted a couple times this summer when they bumped into each other outside of school–once shopping in the U District, and once in the Elliot Bay Bookstore. But she hadn’t called Ruby, or anything. • Noel: Didn’t care what anyone thinks. • Meghan: Didn’t have any other friends. • Dr. Z: Speaking. • And Jackson. The big one. Not speaking. But, by Winter Break, a new job, an unlikely but satisfying friend combo, additional entries to The Boy Book and many difficult decisions help Ruby to see that there is, indeed, life outside the Tate Universe.
E. Lockhart wrote the New York Times bestseller We Were Liars and the upcoming Genuine Fraud, a psychological thriller. Her other books include Fly on the Wall, Dramarama, The Disreputable History of Frankie Landau-Banks, and the Ruby Oliver Quartet, which… More about E. Lockhart
Praise for the boy book: * “Ruby’s overanalytical, fast-paced and authentic narration will win over new devotees, while her loyal fans will no doubt hope for more.”—Publishers Weekly, Starred “Teens will relate to the situations that Ruby finds herself in and learn from her skills about how to cope with the ‘minefield’ of crises that today’s teens face.”—School Library Journal “Lockhart achieves the perfect balance of self-deprecating humor and self-pity in Ruby, and thus imbues her with such realism that she seems to almost fly off the page.”—VOYA
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