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Aug 14, 2007 | ISBN 9780307387196 Buy
Jul 04, 2012 | ISBN 9780307826534 Buy
Feb 18, 2020 | 333 Minutes Buy
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Aug 14, 2007 | ISBN 9780307387196
Jul 04, 2012 | ISBN 9780307826534
Feb 18, 2020 | ISBN 9780593290972
333 Minutes
Frannie Thorstin is a divorced English professor, living in a two room New York apartment. She spends much of her time alone, working on a book about dialects and idiomatic language. One evening at a bar, Frannie stumbles upon a man and a woman engaged in a sexual act. A week later a detective shows up at her door. The woman’s body has been discovered in the park across the street. What follows is a chilling tale of lust and murder as Frannie finds herself drawn to the detective. In the Cut is a masterpiece of literary suspense and sexual exploration.
A stunning, erotic thriller by the bestselling author of Whiteness of Bones. Following the gruesome murder of a young woman in her neighborhood, a self-determined woman living in New York City–as if to test the limits of her own safety–propels herself into an impossibly risky sexual liaison. Soon she grows increasingly wary about the motives of every man with whom she has contact–and about her own.
Susanna Moore is the author of the novels The Life of Objects, The Big Girls, One Last Look, In the Cut, Sleeping Beauties, The Whiteness of Bones, and My Old Sweetheart, and two books of nonfiction, Light Years: A Girlhood in Hawai’i and I Myself Have Seen It:… More about Susanna Moore
"A ferociously uninhibited erotic thriller!” —The New York Times Book Review“An erotic thriller capable of inducing nightmares and guaranteed to shock even hard boiled readers. . . . Susanna Moore is a master.” —The Miami Herald"Taps into the deep well of female obsession. . . . Builds an atmosphere of thick sexual tension, and arranges for its explosive release." —The New Yorker“A remarkable novel that is erotic, intelligent, and daring.” —Vanity Fair“Brilliant. . . . A story that goes deliberately too far . . . climaxing in one of the most authentically shocking endings in recent fiction.” —San Francisco Chronicle
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