In the tradition of Daphne du Maurier’s Rebecca and Ira Levin’s Rosemary’s Baby, here is a new classic about the bride who’s no longer sure what to think. All families have their own rituals, secrets, and credos, like a miniature religious cult; these quirks may elicit the mirth or mild alarm of guests, but the matter is rather more serious if you’re marrying into a household. If its’s a Japanese one with a history, the brace yourself: some surprising truths lurk around the corner.
“This pulpy family psychodrama is hugely entertaining – like watching some filmed version of The Electric Kool-Aid Acid Test from an adapted screenplay by Mario Puzo and directed by Yasujiro Ozu.” — Time Asia “Asa Nonami’s NOW YOU’RE ONE OF US does for marriage what "Jaws" did for a day at the beach, and males and females alike will surly get a chill out of it.” — Fearsmag.com “No unearthly monsters. No ghosts. No curses. Not even a single drop of blood decorates these pages. The tropes of traditional, Western horror are completely ignored in this Japanese novel, and yet it evokes a sense of dread which is nothing less than genuinely disturbing.”- HorrorReader
“The story’s unpredictability is what makes it so suspenseful and successful.” — Apex Science Fiction and Horror Digest
“A different country, a different culture, and characters who create something far more fishy than sushi, make for a very unusual reading experience. Jolting and disturbing, this is a powerful work; it’s an unconventional tale despite the conventional gothic trappings.” — Hellnotes
“Nonami twists Japanese societal norms ever so effectively, turning charm into creep and happiness into horror.” — Agony Columns
“An interesting dose of Japanese culture, mores, and history.” — Complete Review
“A creepy psychological thriller.”- The Gline
“I like the psychological mystery and unique Japanese perspective in this novel.” —Basugasubakuhatsu “This isn’t quite Science Fiction, though I kept wondering if cloning or genetic modification would emerge as the man behind the curtain. Instead it’s a story about old arts and the bending of wills, the keeping of secrets, and the thick blood of family.” —SFRevu