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Mar 02, 1997 | ISBN 9780804114257 Buy *This format is not eligible to earn points towards the Reader Rewards program
Apr 06, 2011 | ISBN 9780307781352 Buy
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Mar 02, 1997 | ISBN 9780804114257
Apr 06, 2011 | ISBN 9780307781352
“Compelling . . . Nobody writes a chase better than [Thomas] Perry.”—The Washington Post Book WorldJane Whitefield is the patron saint of the pursued, a Native American “guide” who specializes in making victims vanish. Calling on the ancient wisdom of the Seneca tribe and her own razor-sharp cunning, she conjures up new identities for people with nowhere left to run. She’s as quick and quiet as freshly fallen show, and she covers a trail just as completely. But when a calculating killer stalks an innocent eight-year-old boy, Jane faces dangerous obstacles that will put her powers—and her life—to a terrifying test. . . .Praise for Dance for the Dead“Spellbinding . . . Terrific . . . Jane Whitefield may be the most arresting protagonist in the 90s thriller arena. . . . Thrillers need good villains, and this one has a formidable SOB who is cold-blooded enough to satisfy anybody’s taste.”—Entertainment Weekly“A terse thriller . . . Perry starts the story with a bang.”—San Francisco Chronicle“One of the most engaging heroines in contemporary suspense.”—The Flint Journal
Thomas Perry won an Edgar Award for The Butcher’s Boy, and Metzger’s Dog was one of the New York Times’s Notable Books of the Year. His other books include The Face-Changers, Shadow Woman, Dance for the Dead, and Vanishing Act…. More about Thomas Perry
“Compelling . . . Nobody writes a chase better than [Thomas] Perry.”—The Washington Post Book World“Spellbinding . . . Terrific . . . Jane Whitefield may be the most arresting protagonist in the 90s thriller arena. . . . Thrillers need good villains, and this one has a formidable SOB who is cold-blooded enough to satisfy anybody’s taste.”—Entertainment Weekly“A terse thriller . . . Perry starts the story with a bang.”—San Francisco Chronicle“One of the most engaging heroines in contemporary suspense.”—The Flint Journal
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