In plays such as Isn’t It Romantic, Uncommon Women and Others, and the Pulitzer Prize-winning The Heidi Chronicles, Wendy Wasserstein put her finger on the pulse of her past-modern, post-feminist sisters and delivered her diagnosis with shrewd good humor and an unerring sense of the absurd. That same engaging sensibility bubbles through the twenty-nine essays in Bachelor Girls, in which Wasserstein presents her observations on:
—Boyfriends: “The worse the boyfriend, the more stunning your American Express bill.”
—Role Models: “In the forties emulating an ideal woman meant bobbing your hair like Betty Grable’s. In the eighties, because of Jessica Lange, women have to get a Pulitzer Prize-winning actor-playwright to fall in love with them, have a child by one of the world’s great dancers, be nominated for two Academy Awards, and enjoy doing the laundry alone on a farm.”
—Success: “I knew my friend Patti was a big-time Hollywood agent the first time I saw her dial a telephone with a pencil.”
Ranging from the dietary secrets of lemon mousse to the politics of the second marriage, with stopovers at a bar mitzvah in Westchester, a chess tournament in Rumania, and a Tokyo production of Isn’t It Romantic, Bachelor Girls is pure Wasserstein, which is to say, pure joy.
Wendy Wasserstein is the author of the plays Uncommon Women and Others, Isn’t It Romantic, The Sisters Rosensweig, An American Daughter, and The Heidi Chronicles, for which she received a Tony Award and the Pulitzer Prize, and of the books, Bachelor Girls and Shiksa Goddess. She was admired… More about Wendy Wasserstein