Edith Wharton’s lacerating satire on marriage and materialism in turn-of-the-century New York features her most selfish, ruthless, and irresistibly outrageous female character.
Undine Spragg is an exquisitely beautiful but ferociously acquisitive young woman from the Midwest who comes to New York to seek her fortune. She achieves her social ambitions—but only at the highest cost to her family, her admirers, and her several husbands. Wharton lavished on Undine an imaginative energy that suggests she was as fascinated as she was appalled by the alluring monster she had created. It is the complexity of her attitude that makes The Custom of the Country—with its rich social and emotional detail and its headlong narrative power—one of the most fully realized and resonant of her works.
About The Custom of the Country
The classic satire of New York society and the American Dream through the misadventures of an insatiable young striver—with an introduction by Jia Tolentino, author of Trick Mirror
Ambitious and wholeheartedly materialistic, Undine Spragg is a beautiful heiress who sees men as a means to an end. New York millionaires and French aristocrats fall at her feet, but each conquest is merely a stepping-stone in Undine’s quest for power and position—and in her elusive search for happiness.
A biting satire from one of America’s greatest writers, The Custom of the Country features an antiheroine as compelling and driven as Scarlett O’Hara, a sharp-eyed critique of the marriage market and its objectification of women, and a knowing send-up of Gilded Age snobbery.
The Modern Library Torchbearers series features women who wrote on their own terms, with boldness, creativity, and a spirit of resistance: AMERICAN INDIAN STORIES • THE AWAKENING • THE CUSTOM OF THE COUNTRY • THE HEADS OF CERBERUS • LADY AUDLEY’S SECRET • LOVE, ANGER, MADNESS • PASSING • THE TRANSFORMATION OF PHILIP JETTAN • VILLETTE
About The Custom of the Country
First published in 1913, Edith Wharton’s The Custom of the Country is a scathing novel of ambition featuring one of the most ruthless heroines in literature. Undine Spragg is as unscrupulous as she is magnetically beautiful. Her rise to the top of New York’s high society from the nouveau riche provides a provocative commentary on the upwardly mobile and the aspirations that eventually cause their ruin. One of Wharton’s most acclaimed works, The Custom of the Country is a stunning indictment of materialism and misplaced values that is as powerful today for its astute observations about greed and power as when it was written nearly a century ago.
About The Custom of the Country
Highly acclaimed at its publication in 1913, The Custom of the Country is a cutting commentary on America’s nouveaux riches, their upward-yearning aspirations and their eventual downfalls. Through her heroine, the beautiful and ruthless Undine Spragg, a spoiled heiress who looks to her next materialistic triumph as her latest conquest throws himself at her feet, Edith Wharton presents a startling, satiric vision of social behavior in all its greedy glory. As Undine moves from America’s heartland to Manhattan, and then to Paris, Wharton’s critical eye leaves no social class unscathed.
About The Custom of the Country
The classic satire of New York society and the American Dream through the misadventures of an insatiable young striver—with an introduction by Jia Tolentino, author of Trick Mirror
Ambitious and wholeheartedly materialistic, Undine Spragg is a beautiful heiress who sees men as a means to an end. New York millionaires and French aristocrats fall at her feet, but each conquest is merely a stepping-stone in Undine’s quest for power and position—and in her elusive search for happiness.
A biting satire from one of America’s greatest writers, The Custom of the Country features an antiheroine as compelling and driven as Scarlett O’Hara, a sharp-eyed critique of the marriage market and its objectification of women, and a knowing send-up of Gilded Age snobbery.
The Modern Library Torchbearers series features women who wrote on their own terms, with boldness, creativity, and a spirit of resistance: AMERICAN INDIAN STORIES • THE AWAKENING • THE CUSTOM OF THE COUNTRY • THE HEADS OF CERBERUS • LADY AUDLEY’S SECRET • LOVE, ANGER, MADNESS • PASSING • THE TRANSFORMATION OF PHILIP JETTAN • VILLETTE
About The Custom of the Country
Edith Wharton’s lacerating satire on marriage and materialism in turn-of-the-century New York features her most selfish, ruthless, and irresistibly outrageous female character.
Undine Spragg is an exquisitely beautiful but ferociously acquisitive young woman from the Midwest who comes to New York to seek her fortune. She achieves her social ambitions—but only at the highest cost to her family, her admirers, and her several husbands. Wharton lavished on Undine an imaginative energy that suggests she was as fascinated as she was appalled by the alluring monster she had created. It is the complexity of her attitude that makes The Custom of the Country—with its rich social and emotional detail and its headlong narrative power—one of the most fully realized and resonant of her works.
About The Custom of the Country
The classic satire of New York society and the American Dream through the misadventures of an insatiable young striver—with an introduction by Jia Tolentino, author of Trick Mirror
Ambitious and wholeheartedly materialistic, Undine Spragg is a beautiful heiress who sees men as a means to an end. New York millionaires and French aristocrats fall at her feet, but each conquest is merely a stepping-stone in Undine’s quest for power and position—and in her elusive search for happiness.
A biting satire from one of America’s greatest writers, The Custom of the Country features an antiheroine as compelling and driven as Scarlett O’Hara, a sharp-eyed critique of the marriage market and its objectification of women, and a knowing send-up of Gilded Age snobbery.
The Modern Library Torchbearers series features women who wrote on their own terms, with boldness, creativity, and a spirit of resistance: AMERICAN INDIAN STORIES • THE AWAKENING • THE CUSTOM OF THE COUNTRY • THE HEADS OF CERBERUS • LADY AUDLEY’S SECRET • LOVE, ANGER, MADNESS • PASSING • THE TRANSFORMATION OF PHILIP JETTAN • VILLETTE
The upper stratum of New York society into which Edith Wharton was born in 1862 provided her with an abundance of material as a novelist but did not encourage her growth as an artist. Educated by tutors and governesses, she… More about Edith Wharton
About Edith Wharton
The upper stratum of New York society into which Edith Wharton was born in 1862 provided her with an abundance of material as a novelist but did not encourage her growth as an artist. Educated by tutors and governesses, she… More about Edith Wharton
About Edith Wharton
The upper stratum of New York society into which Edith Wharton was born in 1862 provided her with an abundance of material as a novelist but did not encourage her growth as an artist. Educated by tutors and governesses, she… More about Edith Wharton
About Edith Wharton
The upper stratum of New York society into which Edith Wharton was born in 1862 provided her with an abundance of material as a novelist but did not encourage her growth as an artist. Educated by tutors and governesses, she… More about Edith Wharton
About Edith Wharton
The upper stratum of New York society into which Edith Wharton was born in 1862 provided her with an abundance of material as a novelist but did not encourage her growth as an artist. Educated by tutors and governesses, she… More about Edith Wharton
About Edith Wharton
The upper stratum of New York society into which Edith Wharton was born in 1862 provided her with an abundance of material as a novelist but did not encourage her growth as an artist. Educated by tutors and governesses, she… More about Edith Wharton
About Edith Wharton
The upper stratum of New York society into which Edith Wharton was born in 1862 provided her with an abundance of material as a novelist but did not encourage her growth as an artist. Educated by tutors and governesses, she… More about Edith Wharton
