“A tour de force.” —Luc Sante, The New York Times Book Review
“Pitch-perfect. . . . Utterly authentic. . . . The Colossus of New York is quite simply the most delicious 13 bites of the Big Apple I’ve taken in ages.” —The Washington Post
“A love letter to New York. . . . Colossus illuminates innumerable little moments that define the city.” —San Francisco Chronicle
“The cheapest, most stylish ticket to the Big Apple between two covers. . . . .It’s as if Whitehead’s scooped his pen into the collective unconscious of everyone who’s ever visited New York.” —Pittsburg Post-Gazette
“A revelatory ode to Gotham. . . . Whitehead’s engaged eyes and precise prose show us the small details we overlook and the large ones we fail to absorb.” —The Miami Herald
“Smooth, dazzling, evocative. . . . [Whitehead] writes wonderfully, commanding a lush, poetic, mellifluous prose instrument.” —The Nation
“[Whitehead is] a scientist of metropolitan encounters, he surveys places where the masses collide, knitting together hundreds of observations and calculations that usually remain unspoken. . . . The musical prose thrums with urban momentum.” —The Village Voice
“[Whitehead’ s] New York, like Walt Whitman’s or Thomas Pynchon’s or Woody Allen’s, is full of incantatory potential. Even the subway, ordinary, noisy, gruddy inevitability, becomes a ferry to the Underworld.” —The Atlanta Journal-Constitution
“[A] rhapsodic ode to Gotham.” —Time Out
“Jazzlike. . . . A vivid impressionistic montage of Manhattan.” —The Seattle Times
“Whitehead’s series of vignettes and remembrances paint a perfect visual landscape. . . . A heartfelt tribute to Whitehead’s home.” —The Oregonian
“Lyrical. . . . Lean and full of longing. . . . The kind of book that will be . . . passed around, dog-eared, library-tagged, resold, from reader to reader. . . . Whitehead takes a known and specific place and universalizes it, insinuating it into the meshwork of our thoughts in a manner impervious to time and trend.” —Minneapolis Star Tribune
“Thrums with anxious excitement and excited anxiety accommodating the noirish, the reportorial, and the epigrammatic. . . . The best passages deserve comparison with E.B. White’s Here is New York.” —Entertainment Weekly
“Whitehead [is] one of the city’s and country’s finest young writers. . . . [A] guided tour de force.” —Chicago Tribune
“Jazzlike. . . . A vivid impressionistic montage of Manhattan.” —The Seattle Times
“A revelatory ode to Gotham. . . . Whitehead’s engaged eyes and precise prose show us the small details we overlook and the large ones we fail to absorb.” —Miami Herald
“Profound and playful.” —Los Angeles Times
“Whitehead’ s series of vignettes and remembrances paint a perfect visual landscape. . . . A heartfelt tribute to Whitehead’s home.” —The Oregonian
“Rhapsodic love letters . . . elegant, ambitious essays.” —New York Post
“Impressionistic . . . [an] affecting homage to E.B. White.” —New York Magazine (Top Fall Book Pick)
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