“Terrific. . . . The best new work of fiction to cross my desk in many moons.” —Jonathan Yardley, The Washington Post
“Mason’s novel is a gorgeous confection. . . . Piet is the rare character—the rare being—whose unfailing charm and luck only make us cheer him on more.” —The New York Times
“Just try to resist. . . . A Continental Downton Abbey plus sex, with a dash of Dangerous Liaisons tossed in.” —Seattle Times
“This book about pleasure is a provocative joy.” —O, The Oprah Magazine
“Think Balzac but lighter and sexier—an exquisitely laced corset of a novel with a sleek, modern zipper down the side.” —Marie Claire
“Superb. . . . [Mason’s] gorgeous, precise descriptions . . . mirror Amsterdam’s singular combination of material opulence and Calvinist severity. . . . After this auspicious introduction, many readers will be eager for the next volume.” —The Wall Street Journal
“[An] up-close mix of luxury, labor and longing—plus a country house’s-worth of burbling romance.” —Los Angeles Times
“One of the best three books of the year.” —The Independent (London)
“A sharply written story of love, money and erotic intrigue pulsing behind the staid canal fronts of nineteenth century Amsterdam. Mason’s hero is amoral but irresistible. I was gripped till the very last page. Thank God there’s a sequel.” —Daisy Goodwin, author of The American Heiress
“If Charles Dickens and Jane Austen had a love child who grew up reading nothing but Edith Wharton and Penthouse Forum—well, that person might be almost as wry, sexy, and knowing a writer as Richard Mason.” —The Boston Globe
“A picaresque novel in the 18th-century tradition of John Cleland’s Fanny Hill: Memoirs of a Woman of Pleasure and Henry Fielding’s The History of Tom Jones. . . . Piet is a charmer.” —The Washington Times
“Piet Barol is a pure pulse of young manhood; not an everyman, but perhaps the fantasy everyman that every man would like to be.” —The Times Literary Supplement (London)
“[A] Belle Époque valentine.” —Vogue
“An enthralling, perfectly placed romp that breathes new life into the picaresque genre. . . . Piet Barol . . . looks set to become the star of a whole new series of books.” —The Observer (London)
“Exquisite. . . . History of a Pleasure Seeker is a showcase for [Mason’s] nimble writing, but also extends his storytelling prowess.” —Pittsburgh Tribune-Review
“[An] artful evocation of the European Belle Époque.” —The New Yorker
“Mason’s new novel—elegant, upholstered and, for all the sex, well-behaved—is part of a trend . . . for historical novels that seem not only set but written in the past—modern tracings, skillfully done, of old tropes, old forms.” —The Sunday Times (London)
“An elegantly written, sexy novel.” —The Daily Beast
“Edith Wharton would be impressed. . . . Lovely and rich.” —Entertainment Weekly
“Mason presides over History of a Pleasure Seeker like a benign god, rescuing his confused but well-meaning characters when they seem doomed and affectionately watching from a distance as they scramble to make satisfying lives.” —The Columbus Dispatch
“A masterpiece. Like Henry James on Viagra. Not only gripping as hell, but brilliantly arranges that the imagined world of Maarten and Jacobina’s household sits entirely within Amsterdam of the Belle Époque. I thought Piet was wonderfully drawn—roguish and yet wholly sympathetic.” —Alex Preston, author of This Bleeding City
