The Ballad of a Small Player

“Slim but insistent . . . A vivid and feverish portrait of a soul in self-inflicted purgatorio.”—Tom Shone, New York Times Book Review

“Osborne, a travel writer, renders the atmosphere of casinos, hotels, and restaurants seductively…[and] shows an impeccable facility for capturing the sweat-soaked suspense of the high-stakes card table.”—The New Yorker

“Hypnotic . . . Macau and Hong Kong feel vivid and true in the novel, yet also otherworldly: Well-known landmarks and weather conditions are captured with a stillness and beauty that make them feel haunting and melancholy. . . . Old ways collide with a brash new world, and in this game, it is not yet clear which will emerge the winner.”—Tash Aw, for All Things Considered

“Haunting . . . A captivating story about the nature of addiction, the power of the supernatural and the freedom that may come from throwing everything to chance.”—NPR

“Elegantly told…The beauty of this novel is in the elegance and precision of its prose, which renders the glaring kitsch of Macau into a series of exquisite miniatures, and draws on Osborne’s reserves as a travel writer.”—The Guardian

“A searing portrait of addiction and despair set in the glittering world of Macau’s casinos. . . . Osborne’s intriguing Chinese milieu and exquisite prose make this work as a standout.”—Publishers Weekly, starred review

“Osborne masterfully recreates the atmosphere of casinos as well as the psychology of baccarat players—and leaves readers eager to try their luck at the game.”—Kirkus Reviews

“[Osborne’s] darkly introspective study of decline and decay conjures apt comparisons to Paul Bowles, Graham Greene, and V. S. Naipaul.”—Booklist

“A modern Graham Greene . . . Osborne is a thrilling, exceptional talent in British fiction’s landscape.”—Sunday Times (UK)

“Unavoidable comparisons will be drawn with Graham Greene’s work. . . . [Osborne] has a masterful touch with creating mood, and a swirling, world-weary foreignness pervades the story. The Ballad of a Small Player is a layered work, a novel about addiction, love and class but given an allusive face by the way it perches constantly on some supernatural brink.”—Irish Examiner