Eline Vere

The author’s touch is always delicate and sure in handling the lights and shades of thought and emotion. —The New York Times Book Review

[H]is sympathy for the hybrid, the impure and the ambiguous gave him a peculiarly modern voice. It is extraordinary that this Dutch dandy, writing in the flowery language of fin-de-siècle decadence, should still sound so fresh. —The New York Review of Books

[A] masterpiece. . . . The Hague’s greatest writer, turn-of-the-century Louis Couperus . . . captured the city in a famous novel, Eline Vere. . . . For its roomy, chatty descriptions of life among the moneyed classes, it is a Buddenbrooks avant la lettre; for its restless heroine, trapped by social obligations, it’s a Dutch Madame Bovary. . . in Ina Rilke’s smart new translation, it anticipates the questions that would become so important for women in the decades to come: no longer content in a purely domestic world, what were they to do with themselves? —Ben Moser, Harper’s

Electric. . . . Astounding. . . . A pleasure we’ve missed for far too long. . . . It has the energy of the great Victorian novels without the melodrama. . . . Couperus is a fine, driving storyteller. He’s brilliant. —Michael Pye, The Scotsman

Superb. . . . Couperus handles his many characters with masterly ease and keeps his prose smooth, light, and flowing: Ina Rilke’s translation cannot be praised highly enough. . . . With Eline Vere the estimable Archipelago Books continues to make available in English some of the most important works of European literature. —Michael Dirda, The Wall Street Journal

The portrait of their unfolding affair is a masterful observation of the beauty and illogic of romantic love. —Times Literary Supplement