“Fiction, for Serge, is truth—the truth of self-transcendence, the obligation to give voice to those who are mute or who have been silenced… . The presumptive case for exempting Serge from the oblivion that awaits most heroes of truth lies, finally, in the excellence of his fiction.” —Susan Sontag
“Whatever he wrote, including his fiction, was a kind of personal history of the Left, in haste, in bloody ink, on bandages. Like Koestler in Darkness at Noon, Serge seems to be saying that man, the particular, is more important than mankind, the abstraction.” —John Leonard, The New York Times
“Victor Serge was, and remains, unique: the only novelist to describe successfully, from the inside, the now long-lost milieu of the socialist movement in Europe, its Soviet product, and its destruction by Stalinism. He has been described as a political Ishmael, comparable to the lone survivor of the wrecked Pequod.” —Stephen Schwartz, The New Criterion
“He was an eyewitness of events of world historical importance, of great hope and even greater tragedy. His political recollections are very important, because they reflect so well the mood of this lost generation. His novels will find readers now because they help grant an understanding of the aftermath of the Russian revolution and its impact on militants and intellectuals, a world of yesterday almost as distant from subsequent generations as the Napoleonic wars…His articles and books speak for themselves, and we would be poorer without them.” —Partisan Review
“A witness to revolution and reaction in Europe between the wars, Serge searingly evoked the epochal hopes and shattering setbacks of a generation of leftists. Yet under the bleakest of conditions, Serge’s optimism, his humane sympathies and generous spirit, never waned. A radical misfit, no faction, no sect could contain him; he inhabited a no-man’s-land all his own. These qualities are precisely what make him such an inspiring, even moving figure.” —Matthew Price, Bookforum
“A special class of literature that has arisen out of the European political struggle.” —George Orwell
“The work of the writer Victor Serge faultlessly captures the labyrinth of bureaucratic incrimination into which the Soviet Union descended.” —The Atlantic
“Serge can recognize the range of experience and responses that make up the texture of life in even the most nightmarishly repressive system.” —Scott McLemee
“I know of no other writer with whom Serge can be very usefully compared. The essence of the man and his books is to be found in his attitude to the truth. There have of course been many scrupulously honest writers. But for Serge the value of the truth extended far beyond the simple (or complex) telling of it.” —John Berger
“There are passages of such beauty, insight, and compassion they take your breath away.” —Nicholas Lezard, The Guardian
“Perhaps no political writer better combined a strict attention to history with a command of novelistic technique….[Midnight in the Century] exemplifies what makes Serge so compelling….His books remain relevant — and show exactly why political fiction, when it’s done right, can be as intellectually fulfilling as any work of political philosophy.” —Guy Patrick Cunningham, Los Angeles Review of Books
“One of the great novels by one of the politically honest (and adventurous) souls of the 20th century. Anyone who cares about oppression, power, and the abuses that link the two, should read Midnight in the Century.” —Jonathan Sturgeon, FlavorWire
“Stylishly detailed….This is history at its most immediate and enduring – filtered through the nerve endings of the men and women who lived it.” —Christopher Byrd, Barnes and Noble Review
[Serge’s work is] quite beautiful, and full of moments of mystery and wonder, reveling in sublime incomprehension.” —Helen Stuhr-Rommereim, Full Stop
“Among the many lineaments of Victor Serge’s talent are the yearning fertility of his prose and the undiminished integrity of his vision, a vision both humanistic and immune to deception. His work of witness, much needed now, is a shining reminder that the depths to which the tormentors can sink have some correlation to the heights to which the tormented can rise.” —William Giraldi, The Baffler
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