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Published on Aug 10, 2021 | 352 Pages
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Published on Jan 07, 2020 | 336 Pages
Britain’s three-hundred-year relationship with the Indian subcontinent produced much fiction of interest but only one indisputable masterpiece of English literature: E. M. Forster’s A Passage to India, published in 1924, at the height of the Indian independence movement. Centering on an ambiguous incident between a young Englishwoman of uncertain stability and an Indian doctor eager to know the English better, Forster’s book explores, with unexampled profundity, both the historical chasm between colonizer and colonized and the eternal one between individuals struggling to ease their isolation and make sense of their humanity.
Everyman’s Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author’s life and times.
Author
E. M. Forster
E. M. Forster (1879–1970) was born Edward Morgan Forster in London. He attended Tonbridge School as a day boy and went on to King’s College, Cambridge, in 1897. With King’s he had a lifelong connection and was elected to an Honorary Fellowship in 1946. Forster wrote six novels, four of which appeared before World War I: Where Angels Fear to Tread (1905), The Longest Journey (1907), A Room with a View (1908), and Howard’s End (1910). An interval of fourteen years elapsed before he published A Passage to India. It won both the Prix Femina Vie Heureuse and the James Tait Black Memorial Prize. Finished in 1914, his novel on homosexual themes, Maurice, was published in posthumously in 1971. He also published two volumes of short stories; two collections of essays; a critical work, Aspects of the Novel; The Hill of Devi, a fascinating record of two visits Forster made to the Indian state of Dewas Senior; two biographies; two books about Alexandria (where he worked for the Red Cross during World War I); and, with Eric Crozier, the libretto for Benjamin Britten’s opera Billy Budd. The Times called him “one of the most esteemed English novelists of his time.”
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