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The Joy Luck Club

Best Seller
The Joy Luck Club by Amy Tan
Paperback $18.00
Oct 18, 2016 | ISBN 9780143129493

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  • $18.00

    Oct 18, 2016 | ISBN 9780143129493

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  • $17.00

    Sep 21, 2006 | ISBN 9780143038092

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  • $27.00

    Apr 23, 2014 | ISBN 9780143124849

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  • $30.00

    Mar 22, 1989 | ISBN 9780399134203

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  • Sep 21, 2006 | ISBN 9781101502730

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Praise

“Powerful as myth.” —The Washington Post Book World

“Beautifully written…a jewel of a book.” —The New York Times Book Review

“Powerful…full of magic…you won’t be doing anything of importance until you have finished this book.” —Los Angeles Times

“Wonderful…a significant lesson in what storytelling has to do with memory and inheritance.” —San Francisco Chronicle

“This Beloved Novel Is the Kind of Book We Need Right Now. Mothers and daughters lay at the heart of Amy Tan’s The Joy Luck Club but in bridging the generational gap—and crisscrossing the globe—this 1989 novel imparts key lessons for forging ahead in trying times” —Martha Cheng, Wall Street Journal

The Joy Luck Club is one of my favorite books. From the moment I first started reading it, I knew it was going to be incredible. For me, it was one of those once-in-a-lifetime reading experiences that you cherish forever. It inspired me as a writer and still remains hugely inspirational.” —Kevin Kwan, author of Crazy Rich Asians

“Reading it really changed the way I thought about Asian-American history. Our heritage has a lot of difficult stuff in it — a lot of misogyny, a lot of fear and rage and death. It showed me a past that reached beyond borders and languages and cultures to bring together these disparate elements of who we are. I hadn’t seen our history like that before. At that time, we hadn’t seen a lot of Asian-American representations anywhere, so it was a big deal that it even existed. It made me feel validated and seen. That’s what’s so important about books like that. You feel like, Oh my god, I exist here. I exist in this landscape of literature and memoir. I’m here, and I have a story to tell, and it’s among the canon of Asian-American stories that are feminist and that are true to our being. It’s a book that has stayed with me and lived in me.” Margaret Cho

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